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[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
| Joo Seong-cheol
Interview, Part 2: Gong Myung on Crafting a ‘Clear-Eyed, Slightly Unhinged’ Look

Interview, Part 2: Gong Myung on Crafting a ‘Clear-Eyed, Slightly Unhinged’ Look

※ This interview with Gong Myung, star of 〈Husbands〉, continues from Part 1. The animal clinic van got a lot of laughs in the film. What was your first impression when you saw the clinic van. Also, the van’s drift action was striking—how did you prepare for that. It was so adorable.
| Kim Ji-yeon
[Interview] Jin Sun-kyu, Part 2: 'I'll keep doing action as long as my body holds up, and I want to keep making bright projects my children can watch'

[Interview] Jin Sun-kyu, Part 2: 'I'll keep doing action as long as my body holds up, and I want to keep making bright projects my children can watch'

※〈Husbands〉 actor Jin Sun-kyu interview continues from Part 1. Netflix film 〈Husbands〉 brings together a seven-member cast led by Jin Sun-kyu and Gong Myung, alongside Kim Ji-seok, Yoon Kyung-ho, Kang Han-na, Lee Da-hee and Jeon So-min. What did you expect as that lineup came together.
| Kim Ji-yeon
[Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2: ‘〈Chamgyoyuk〉 gave me the courage to believe my sincerity can reach viewers’

[Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2: ‘〈Chamgyoyuk〉 gave me the courage to believe my sincerity can reach viewers’

▶ [Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2 — continues from Part 1. There’s also a romantic thread between Bong Geundae and Im Hanlim. At first there wasn’t any obvious romantic tension, but it intensifies in the back half of the series.
| Chua-young
Interview: Jin Ki-joo Says Im Han-lim’s Shouts in 〈Chamgyoyuk〉 Came From a Desperate Need to Be Stronger

Interview: Jin Ki-joo Says Im Han-lim’s Shouts in 〈Chamgyoyuk〉 Came From a Desperate Need to Be Stronger

“You catch a crazy person with another crazy person. ” Im Han-lim — someone who acts without hesitation when convinced they are right — confronts those who have undermined the educational environment, often with behavior that exceeds common sense.
| Chua-young
Netflix Variety Show ‘Better Late Than Single Season 2’ Reveals Differentiators to Deliver Unpredictable Thrills

Netflix Variety Show ‘Better Late Than Single Season 2’ Reveals Differentiators to Deliver Unpredictable Thrills

Director Kim No-eun said the show’s edge lies in “laughter at awkward moves, alongside ‘real-life empathy’ that doesn’t feel like it happened to someone else.”
Netflix variety show 〈Better Late Than Single〉 Season 2 (hereafter, “Better Late Than Single Season 2”) unveiled differentiators set to deliver unpredictable excitement. # Here comes the “national matchmaker”? A viewer-overwhelming, hype-inducing relationship reality that turns “advice mode” into...
| Joo Seong-cheol
Choo A-young's Music Box: Steven Spielberg and John Williams Reunite for Their 30th Film, 〈Disclosure Day〉

Choo A-young's Music Box: Steven Spielberg and John Williams Reunite for Their 30th Film, 〈Disclosure Day〉

I am captivated by music in film. Music often conveys a character's intimate emotions that images and dialogue alone cannot fully express. It can be a window into a creator's hidden intent. For me, understanding film music is one path to understanding the film itself.
| Chua-young
‘Hope’ Main Poster Revealed! Watch It in Dolby Cinema, Dolby Atmos, SCREENX, and 4DX Too

‘Hope’ Main Poster Revealed! Watch It in Dolby Cinema, Dolby Atmos, SCREENX, and 4DX Too

The competition-section invitee of the 79th Cannes Film Festival and director Na Hong-jin’s new film 〈Hope〉 has unveiled its main poster.
The newly released main poster captures a tense moment featuring three figures armed with guns, standing against a dark forest so densely packed with trees that it’s hard to gauge its depth. The heightened alertness shown by “Beom-seok,” the head of the Hopeport Outpost on 출장 duty, and “Seong-gi,”...
| Joo Seong-cheol
[Interview] Y2K Sensibility, Meeting This Year’s Debut, Director Changrok Han in the Hot Seat, Actors Joo Min-hyeong and Baek Ji-hye (②)

[Interview] Y2K Sensibility, Meeting This Year’s Debut, Director Changrok Han in the Hot Seat, Actors Joo Min-hyeong and Baek Ji-hye (②)

The 〈strong〉Chungchungchung〈/strong〉 (also rendered as 〈strong〉Chung Chung Chung〈/strong〉)—made with the 2018 murder case in Washington, Benton as its inspiration—depicts a catastrophe sparked by the tangled, competing desires of three children.
How did the two of you interpret and approach your respective characters. The name “Courage” suggests an energy that’s overflowing, but the character is also a “pathetic” youth who doesn’t have real, powerful force.
| 이화정