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Jeong Juri Director ‘Dora’ Invited to Directors’ Fortnight at the 79th Cannes Film Festival

Jeong Juri Director ‘Dora’ Invited to Directors’ Fortnight at the 79th Cannes Film Festival

Starring Sakura Ando and Kim Do-yeon, an original narrative inspired by Freud’s ‘Dora’ case study Directors’ Fortnight Committee Chair Julien Rege praises the film as “a bold and original exploration within the context of Korean cinema”
Director Jeong Juri’s third feature film ‘Dora ’ has been officially invited to the 79th Cannes International Film Festival under Directors’ Fortnight (Quinzaine des Cinéastes). With this, Jeong has achieved the rare feat of three consecutive Cannes appearances, with every feature film—from her...
Kim Do-yeon × Ando Sakura in the Lead! Jeong Juri’s New Film ‘Dora’ Invited to the Directors’ Fortnight at the Cannes Film Festival!

Kim Do-yeon × Ando Sakura in the Lead! Jeong Juri’s New Film ‘Dora’ Invited to the Directors’ Fortnight at the Cannes Film Festival!

The film captures the process of two people wounded in both body and mind getting swept up in a whirlwind of complicated emotions, brought to life through Jeong Juri’s signature delicate direction.
On Tuesday, April 14, the Executive Committee of the Directors’ Fortnight of the 79th Cannes Film Festival announced Jeong Juri’s new film 〈Dora〉 as an invited title. Following Jeong Juri’s previous works 〈Dohyiya〉 and 〈The Next So-hee〉 (Closing Film of Critics’ Week), this marks a further...
Angels, Witches, Vampires, a Re-Release of 'Orlando'—Two or Three Things to Know About Tilda Swinton ②

Angels, Witches, Vampires, a Re-Release of 'Orlando'—Two or Three Things to Know About Tilda Swinton ②

In〈〉Orlando〈〉, the queen becomes captivated by the handsome young nobleman Orlando (Tilda Swinton) and issues a command: “Never grow old, and never die.”
▶ The article about the re-release of〈〉Orlando〈〉 and Tilda Swinton continues from the first installment. Meeting Derek Jarman, the maverick of British film, is surprisingly meaningful. Ever since Derek Jarman debuted with〈〉Caravaggio〈〉, he appeared in eight consecutive films.
Angels, Witches, Vampires: Two or Three Things You Might Want to Know About Tilda Swinton’s “Orlando” Re-Release ①

Angels, Witches, Vampires: Two or Three Things You Might Want to Know About Tilda Swinton’s “Orlando” Re-Release ①

〈Orlando〉 In 〈Orlando〉, a queen falls for the handsome noble boy Orlando (Tilda Swinton) and issues an order: “Don’t ever grow old, and don’t ever die.”
Tilda Swinton is an actress who seems like she just stepped out of a Renaissance painting. Usually, people describe actors with the phrase “untouchable,” but if I’m allowed to use that expression for only one person, I’d want it to be her.
'Master of Silent Film' Buster Keaton Masterpiece Collection to Be Held on April 22…Seven Press Stills Released

'Master of Silent Film' Buster Keaton Masterpiece Collection to Be Held on April 22…Seven Press Stills Released

To mark the 100th anniversary of the release of 'The General,' the seven films will be screened with newly restored 5K digital scans and fresh orchestral scores and arrangements A spotlight on the film history’s most remarkable figures through the signature deadpan 'Stone Face' and inventive stunts Press stills for April 13 released ahead of screenings at independent theaters such as CGV Art House and Art House Momo
Silent-film icon Buster Keaton is coming to Korean theaters. To celebrate the 100th anniversary of the release of 〈The General〉, the deadpan comedy master 'Buster Keaton Masterpiece Collection' will be held on April 22.
Na Hong-jin’s New Film, “HOPE,” Selected for Competition at the 79th Cannes Film Festival—A Major Feat for Korean Cinema After 4 Years

Na Hong-jin’s New Film, “HOPE,” Selected for Competition at the 79th Cannes Film Festival—A Major Feat for Korean Cinema After 4 Years

Director Na Hong-jin’s global project boasts an all-star cast including Hwang Jung-min, Jo In-sung, Jeong Ho-yeon, Alicia Vikander, and others Alongside world-renowned filmmakers such as Hirokazu Kore-eda and Ryusuke Hamaguchi, the film also earns a nomination in the Cannes competition section At the 79th Cannes International Film Festival, with director Park Chan-wook serving as jury president, Yeon Sang-ho’s “Gunche” is also invited—raising anticipation
The film 〈HOPE〉 has succeeded in securing a place in the Cannes Film Festival’s competition section. Director Na Hong-jin’s new film, 〈HOPE〉, is a highly anticipated project that draws attention as an international production featuring Hwang Jung-min, Jo In-sung, Jeong Ho-yeon, Alicia Vikander,...
“Korean Cinema Faces Collapse Crisis” Bong Joon-ho and 581 Others Urge Withdrawal of Holdback Bill

“Korean Cinema Faces Collapse Crisis” Bong Joon-ho and 581 Others Urge Withdrawal of Holdback Bill

A survival crisis amid Netflix pressure and conglomerate dominance. Calls for extraordinary measures such as introducing a screen cap and establishing a large-scale fund.
Facing the Collapse of the Korean Film Ecosystem, Urgent Appeals from Major Filmmakers A total of 581 leading figures in the Republic of Korea film industry, led by director Bong Joon-ho, strongly warned about 'the crisis in the Korean film industry' and urged 'extraordinary countermeasures' from...
‘Hope’ by Na Hong-jin Enters Cannes Competition…Yeon Sang-ho’s ‘Colony’ and Jun Ji-hyun’s Return Film Invited to the Non-Competition Midnight Screening

‘Hope’ by Na Hong-jin Enters Cannes Competition…Yeon Sang-ho’s ‘Colony’ and Jun Ji-hyun’s Return Film Invited to the Non-Competition Midnight Screening

Korean Films Set Sights on the Palme d’Or for the First Time in Four Years…Park Chan-wook First to Serve as Jury Chair, and Jun Ji-hyun’s Return Project Added to the Good News
A Glorious Comeback for Korean Cinema, Taking Over the 79th ‘Cannes Film Festival’ Korea’s film industry sent a triumphant signal at the 79th ‘Cannes Film Festival’, marking a spectacular return. It erased last year’s painful slump—when not a single invited title made it—in the ‘Competition...
[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

Last weekend, the show reached episode 8 and is now past the midpoint of its 12-episode run.
▶ 〈How to Become a Landlord〉 The interview with Director Im Pil-seong continues from Part 1. After episode 7, it felt like the ending was shaped by the director’s point of view. But it’s pretty rare for both the writer and the director to be making a drama together for the first time.
[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

[Interview] “Who Is a Building for?” Director Im Pil-sung on “How to Become a Landlord in South Korea” ①

Last weekend it aired up to episode 8, and it has now passed the midpoint of the 12-episode run.
〈How to Become a Landlord in South Korea〉 is being watched with great interest. It aired through episode 8 over the weekend, and yet even after passing the halfway point of this 12-episode series, it’s still a drama that’s impossible to predict. It’s a drama that’s impossible to predict.