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aespa’s Second Regular Album “LEMONADE” Debuts at No. 9 on the US Billboard 200…Third Career Top 10

aespa’s Second Regular Album “LEMONADE” Debuts at No. 9 on the US Billboard 200…Third Career Top 10

Reaching 41,000 album units, it claims No. 2 for top album sales and enters the Billboard 200 at No. 9 With a third Billboard main-chart top 10 record following “Girls” and “My World,” aespa proves its global clout A successful musical reinvention from the former “metal taste” identity to a fresh “sweet taste,” while breaking through the UK Official Chart as well
The second regular album “LEMONADE” by the girl group aespa debuted at No. 9 on the US Billboard main album chart, the “Billboard 200.” No. 9 on the Billboard 200 and a sweep of No. 2 for top album sales According to a US Billboard chart preview article dated the 7th , aespa recorded 41,000 album...
| Seongchan Eol
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
| Joo Seong-cheol
LE SSERAFIM, ILLIT, KATSEYE Team Up for a Once-in-a-Generation Collaboration

LE SSERAFIM, ILLIT, KATSEYE Team Up for a Once-in-a-Generation Collaboration

A day earlier on the 12th, new song “ICONIC BY MISTAKE” is released without warning. On the 11th, the first stage of “MCOUNTDOWN” hits live for the first time, and anticipation reaches a fever pitch.
A Meeting of Three Global Queens Beyond Borders, Writing a New Order for K-Pop Three girl groups under HYBE, the absolute power broker in the global music market, were locked into a single frame. From the left, LE SSERAFIM owns the stage with unmatched performance; ILLIT casts a spell over the...
| James choi
[Interview] Park Ji-hoon, From Danjong to Kitchen Duty: Becoming an Actor Between Emerging and Established ①

[Interview] Park Ji-hoon, From Danjong to Kitchen Duty: Becoming an Actor Between Emerging and Established ①

It’s the first time a drama has leaned so fully into what the show dubs “chwiral” (a newly coined blend of "kitchen soldier" and "crazy"). After a single spoonful of seaweed soup, a sudden "god of seaweed" stages a mock "creation of heaven and earth," and after tasting a multicolored rice ball an...
| Kim Ji-yeon
[Kim Ji-yeon’s Jewel Box] Right Now Is Yoon Byung-hee’s Prime

[Kim Ji-yeon’s Jewel Box] Right Now Is Yoon Byung-hee’s Prime

I’m interested in people. Even actors already drawing attention may be less famous today than they will be tomorrow. 'Kim Ji-yeon’s Jewel Box' introduces performers reaching new highs by the day. Think of it as spotting a breakout before everyone else does.
Writing about an actor who seems to be everywhere on TV can feel almost too obvious, but Yoon Byung-hee is in the midst of another prime that is impossible to ignore. Yoon Byung-hee has recently appeared in 〈My Royal Nemesis〉, 〈Sold Out on You〉 and 〈21segi Daegunbuin〉 — three dramas that aired...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Kwon Jin-ah Wraps Her First Japan Solo Concert, Captivating Fans on Diverse Set List

Kwon Jin-ah Wraps Her First Japan Solo Concert, Captivating Fans on Diverse Set List

Held at the Mitsui Hall in Nihonbashi, Tokyo, with a top-tier local band session including producer One OK Rock From original hit songs to a popular K-drama OST medley, plus a special J-pop cover stage, the set list was packed She actively communicated with local fans in Japanese she prepared herself, sending a clear signal of her successful push into the global market
Kwon Jin-ah’s debut Japan solo concert showcased her live capabilities on the local stage and opened a new chapter for her global activities. Live synergy forged with Japan’s top-tier local band session Kwon Jin-ah held her first solo show in Japan, “2026 Kwon Jin-ah First Concert in Japan,” at...
| Seongchan Eol
BTS Reunites as a Full Group to Return for 'BTS Festa' Held for 2 Weeks, Fueled by Its Busan Concert

BTS Reunites as a Full Group to Return for 'BTS Festa' Held for 2 Weeks, Fueled by Its Busan Concert

The 13th-anniversary celebration '13(B)TS' runs online and offline, opening with the release of family photos Videos of songs from the regular 5th album and the officially released new Suga-produced track 'Come Over' will be unveiled in sequence The world tour kicks off at Busan Asiad Main Stadium on 12-13, sustaining the momentum from a North America run that drew 840,000 attendees
The group Bangtan Sonyeondan will hold 'BTS Festa' to mark its 13th anniversary since debut. '13 TS' title rolls out online and offline festival plans According to Big Hit Music, its agency, on June 1, Bangtan Sonyeondan will run the festival 'BTS Festa' for two weeks through both online and...
| Seongchan Eol
Na Hong-jin’s New Film “Hope” Sets a Record as Top Korean Movie Sells in More Than 200 Countries Before Release

Na Hong-jin’s New Film “Hope” Sets a Record as Top Korean Movie Sells in More Than 200 Countries Before Release

The Cannes Film Festival competition lineup continues as the film scores a pre-sales bonanza across more than 200 countries and regions worldwide Big-name global distributors including Neon and Focus Features are heavily involved, with early signs the film could recoup about half of its net production budget through pre-sales An ultra-luxe global cast led by Hwang Jung-min, Jo In-sung, Jeong Ho-yeon, and Michael Fassbender, with a theatrical release arriving in July
〈Hope〉 was setting new records even before its release. 〈Hope〉 is the latest work by director Na Hong-jin, who previously directed 〈The Chaser〉, 〈Hwanghae〉, and 〈哭聲〉, and it was invited to the competition section at last year's Cannes International Film Festival.
| Seongchan Eol
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young