Search results for "200 films"

“The Drama” is set to hit theaters this September as TEO’s first distribution release, with a bold synergy between a top variety show studio and a distribution powerhouse TEO , the production company of “Kim Tae-ho PD,” which has reshaped the landscape of South Korea’s content industry, is making a...

With hip-hop cooling and rock back in vogue in 2026, rock festivals are springing up across the country. Going to a rock festival in Korea means seeing international artists you rarely encounter live. Here are films that feature songs by international bands set to visit Korea for the upcoming One...

Even with a national-funding win, Mokpo’s «cinema paradiso» hits a «budget chill» The «13th Mokpo Route 1 Indie Film Festival», set to open on Aug. 13, has run into serious financial obstacles. The farce, officials say, came despite the festival being selected for a central-government call for...

A rural school in the mountains with 30 students across the grades has shaken the world of cinema. A single film launched from a small classroom on the fringes is building a rare “golden tower” of achievement by sweeping up attention from both critics and the general public with 'International Film...

Rescue operation for sinking K-movie: '10% actor-pay rule' gets underway South Korea’s film ecosystem is seeking a dramatic turnaround at the edge of a cliff. To save Chungmuro from a crisis brought on by skyrocketing production costs, the government, major management companies and producers...

Marking its 30th anniversary this year, the Bucheon International Fantastic Film Festival will be held from July 2 to July 12 around Bucheon City Hall. As South Korea’s only fantastic genre film festival, BIFAN again presents works armed with genre playfulness and a bold experimental spirit.

This special screening was planned to lower the barrier to going to the theater and to introduce Korean short films more broadly, while also giving audiences a chance to discover their own cinematic tastes through distinctive works.

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.

This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...

“Gibeu aen teikeu, ssinyeonbara!” Lines such as “My child’s father is extremely angry,” “School Rights Protection Bureau inspector! I’m Im Han-lim—!” and the stammering “Ju-, ju-, ju-, a juvenile offender” spawned countless memes from 〈Teach You a Lesson〉, but there’s one moment that should have...