Search results for "Don’t Be So Kind"

※〈Intern〉 — the interview with actor Han So-hee continues from Part 1. One of the most memorable scenes comes late in the film. In the izakaya, Sun-woo opens up to Ki-ho about her situation. Wouldn't it be a burden to expose those feelings in front of such a senior actor—did you feel that pressure?

※The interview with 〈Intern〉 actor Choi Min-sik continues from Part 1. In the film's second half, Gi-ho’s shout of “Snap out of it. ” at a shaken Seon-woo felt like the highlight. How did you approach acting that scene.

Director Lee Chang-dong, 72, reaffirmed his stature as a global master by winning the Grand Jury Prize at the 83rd Venice International Film Festival for “Possible Love,” his first film in eight years. After winning Best Director for “Oasis” in 2002, Lee added a new milestone to his international...

I’m a devoted fan of subculture. I gravitate to anything with fresh stories, ideas, or characters — not just films but webtoons, games, comics, and animation. Having opened the door to fandom through comic books, I now read e-comics on e-readers and webtoons on my smartphone — a self-described...

Does an actor grow by meeting the right director, landing the right project and learning alongside more seasoned performers. There was a time when television dramas and films were almost the only stages for actors to develop.

The Hollywood hit 〈The Intern〉 returns as a distinctly Korean remake, folding in local workplace culture, marital realism, and a stronger emotional through-line. Due to open September 16, 〈The Intern〉 begins when Gi-ho (Choi Min-sik), a 37-year veteran "silver intern," joins Sun-woo (Han So-hee)’s...

“Back in action. ” In Nancy Meyers’ 〈The Intern〉 (2015), Ben says to himself as he prepares for his first day back at work. The expression describes resuming activity after an extended break because of rest or an injury. Strictly speaking, however, he is not talking to himself.

In her travel memoir 〈The Faraway Nearby〉, Rebecca Solnit writes that she learned by setting out on the road that “the longest journey a traveler makes is the journey within. ” Travel, she says, “changes not only the location of the body, but also the location of memory and imagination.

“If horizontal film is a landscape painting, the vertical frame is a portrait. You can focus more deeply on a character’s inner life, and on set every actor gets a solo shot — it becomes a kind of liberated space for cinema where everyone stands equal.

※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...