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Shin Min-a Takes the Lead in ‘The Eyes’ as It Tops 840,000 Viewers, Receives Official Invitation to the Panorama Section of the 59th Sitges Film Festival

Shin Min-a Takes the Lead in ‘The Eyes’ as It Tops 840,000 Viewers, Receives Official Invitation to the Panorama Section of the 59th Sitges Film Festival

A mystery thriller tracing a protagonist who is gradually losing her eyesight due to a genetic disease, ‘The Eyes’ is maintaining its grip on No. 1 at the South Korean box office for a second straight week Word-of-mouth immediately after release helped push total admissions past 840,000, showcasing its staying power at summer theaters With a spot in the competitive category at the world’s largest genre film festival, the film proves both its artistic merit and mainstream appeal
〈The Eyes〉 rode the wind of strong momentum from a string of favorable developments. 〈The Eyes〉 is a South Korean film released on June 24. It tells the story of Shin Min-a as Seo Jin, who tracks the secrets behind the death of her suicidal younger sibling.
| Seongchan Eol
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
| Kim Ji-yeon
Movie Industry “Big Deal” Falls Through as Lotte Cinema and Megabox Suspend Merger Talks

Movie Industry “Big Deal” Falls Through as Lotte Cinema and Megabox Suspend Merger Talks

Financial stress at Contentree JoongAng prompts the two companies to end their MOU, with Lotte Cinema pivoting to go it alone and focus on strengthening its content capabilities
A massive project that had been expected to shake up the Korean theater industry has ultimately collapsed. In a filing on the 1st, 'Lotte Shopping' declared that it will scrap the 'merger' process between 'Lotte Cultureworks' and 'Contentree JoongAng' involving 'Lotte Cinema' and 'Megabox' in full.
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Kim Ji-yeon’s Jewel Box: Jang Yo-hun, a Box-Office-Level Presence in Short Films

Kim Ji-yeon’s Jewel Box: Jang Yo-hun, a Box-Office-Level Presence in Short Films

I’m curious about people. Even actors who are already attracting attention may be at their least-famous moment right now. "Kim Ji-yeon’s Jewel Box" spotlights actors who keep reaching new heights. Consider these breakout picks chances to buy the dip.
“Gibeu aen teikeu, ssinyeonbara!”Lines such as “My child’s father is extremely angry,” “School Rights Protection Bureau inspector! I’m Im Han-lim—!” and the stammering “Ju-, ju-, ju-, a juvenile offender” spawned countless memes from 〈Teach You a Lesson〉, but there’s one moment that should have...
| Kim Ji-yeon
‘The Devil Wears Prada 2’ Sets July 29 Disney+ Premiere

‘The Devil Wears Prada 2’ Sets July 29 Disney+ Premiere

Meryl Streep, Anne Hathaway and other original stars return 20 years after the 2006 film; the sequel has grossed $678 million worldwide
〈The Devil Wears Prada 2〉 will premiere exclusively on Disney+ on July 29, Walt Disney Company Korea announced June 30. 〈The Devil Wears Prada 2〉 is the official follow-up, produced 20 years after the 2006 original.
| Kim Ji-yeon
'The Angry Birds Movie 3' Sets Winter Release and Unveils First Poster, Trailer

'The Angry Birds Movie 3' Sets Winter Release and Unveils First Poster, Trailer

The box-office franchise that has grossed more than $500 million worldwide returns, with Red now a father balancing round-the-clock parenting and new adventures.
The third installment of the global box-office animated series 〈Angry Birds〉, 〈The Angry Birds Movie 3: Save Bird Island!〉 (The Angry Birds Movie 3), is confirmed for a domestic winter release. Lotte Entertainment, the film's local importer and distributor, unveiled the first poster and trailer on...
| Kim Ji-yeon
[Interview] Jin Sun-kyu on “Husbands in Action” Part 1: “A comedy film we made by thinking together with Gong Myung, like close siblings”

[Interview] Jin Sun-kyu on “Husbands in Action” Part 1: “A comedy film we made by thinking together with Gong Myung, like close siblings”

A “buddy movie” made by “buddies” who genuinely don’t have to pretend—crafted “together. ” 〈Extreme Job〉(2019) marked the last time they reunited after seven years, but Jin Sun-kyu described Gong Myung as “the kind of feeling that’s like a real younger brother.
| Kim Ji-yeon