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Nah Hong-jin’s New Film “Hope” Wins the Action Cinema Award at New York Asian Film Festival

Nah Hong-jin’s New Film “Hope” Wins the Action Cinema Award at New York Asian Film Festival

At the 25th New York Asian Film Festival, the movie takes home the top Action Cinema honor… and also brings together director Ari Aster
The return of a master, a new world by “Nah Hong-jin” that overwhelms North America with impact A standout presence in Korean genre filmmaking, director “Nah Hong-jin” has left a powerful impression across North America with his new work “Hope”.
| James choi
Mokpo City’s «Indie Film Festival on Route 1» Opens Next Month on Aug. 13; About 70 Domestic and International Films to Screen Aug. 13-17

Mokpo City’s «Indie Film Festival on Route 1» Opens Next Month on Aug. 13; About 70 Domestic and International Films to Screen Aug. 13-17

Mokpo reels from a «budget freeze» after local authorities cut 15 million won—despite securing national funding, the organizers are left to cover 28 million won out of pocket.
Even with a national-funding win, Mokpo’s «cinema paradiso» hits a «budget chill» The «13th Mokpo Route 1 Indie Film Festival», set to open on Aug. 13, has run into serious financial obstacles. The farce, officials say, came despite the festival being selected for a central-government call for...
| James choi
'Odyssey' Tops North American Box Office on Opening Weekend, R-Rated Breakout Hit…Nolan: 'AI Is a Trojan Horse'

'Odyssey' Tops North American Box Office on Opening Weekend, R-Rated Breakout Hit…Nolan: 'AI Is a Trojan Horse'

Christopher Nolan, the director behind 'Odyssey' test screenings that generated 390 billion won in revenue worldwide
Mastermind behind 'Odyssey', the cinematic work that has taken over theaters worldwide, director Christopher Nolan issued a sharp warning aimed at 'artificial intelligence ' technology. He defined today's tech-centrism with a distinctive metaphor, 'a transparent Trojan Horse', offering weighty...
| James choi
Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

321 films from 50 countries screened and about 137,000 visitors were counted; launch of Bucheon AI Content Summit points to the cinema of the future
The 30th Bucheon International Fantastic Film Festival (BIFAN, executive chair Shin Chul) wrapped its 11-day run on Sunday, July 12, drawing record crowds as attendance rose 27% from last year. Marking its 30th anniversary, the festival adopted "newness and expansion" as its themes and drew strong...
| Kim Ji-yeon
They Chose YouTube Instead of Theaters… Shin Jae-hoon’s New Work “I’m Your Man” Released Unusually Early

They Chose YouTube Instead of Theaters… Shin Jae-hoon’s New Work “I’m Your Man” Released Unusually Early

Confronting the real-world walls of indie film releases… a comedy starring Lee Ji-hoon and Moon Hee-kyung, with an uncommonly free release of a preview cut
A daring move that picks ‘YouTube’ over the screen… the bitter struggle of an indie film that challenged the logic of capital An unusual stir is sweeping through the Korean film industry. Director Shin Jae-hoon, who directed ‘Chiwabŏpkwŏn’ and ‘Mangnaein: Eolgul Eopsneun Salinjadeul’, has unveiled...
| James choi
Jung Ho-yeon on ‘Hope’: ‘I’m trying to overcome the fear of a major project with a rookie’s drive’

Jung Ho-yeon on ‘Hope’: ‘I’m trying to overcome the fear of a major project with a rookie’s drive’

Few actors have had a debut as striking as Jung Ho-yeon’s. Jung moved from top-tier modeling into acting and made a notable acting debut with 〈Squid Game〉. Now she is about to make her film debut in 〈Hope〉. Directed by Na Hong-jin, the filmmaker behind hits such as 〈The Chaser〉, 〈The Yellow Sea〉,...
| Seongchan Eol
Kim Jun-han Donates His Voice Talent for Barrier-Free Version of Film ‘Number One,’ Delivering Warm Sincerity

Kim Jun-han Donates His Voice Talent for Barrier-Free Version of Film ‘Number One,’ Delivering Warm Sincerity

Director Kim Tae-yong’s work ‘Number One’ adds Kim Jun-han’s voice to a barrier-free version produced for people with visual and hearing impairments “Thank you for inviting me to take part in a meaningful project that shares warm-hearted feelings,” he said, joining efforts to break down barriers Produced with support including HD Hyundai Oilbank, the barrier-free version will meet viewers starting in late August through community screenings and booking requests
Kim Jun-han lent his voice so the sincerity of 〈Number One〉 could reach more people. The non-profit organization the Barrier-Free Film Commission held a voice-over recording session at the Seoul Economic Development Institute’s Media Content Center in Seoul last June for the production of a...
| Seongchan Eol
Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

What if you met someone who looked exactly like a loved one you had lost? That familiar premise has been reshaped into an original film with a fairytale-like setting: 〈Shadow Child〉, which opened on July 1. 〈Shadow Child〉 follows Geum-ok (Im Soo-jung) after her eldest daughter, Su-ryeon — who was...
| Seongchan Eol
Jean-Luc Godard Masterpiece ‘Contempt’ Gets Its First Official 4K Release in South Korea in 63 Years

Jean-Luc Godard Masterpiece ‘Contempt’ Gets Its First Official 4K Release in South Korea in 63 Years

Martin Scorsese praised Jean-Luc Godard’s best work ‘Contempt’ and it finally opens in theaters in 4K quality for the first time in 63 years
The pinnacle of the nouvelle vague arrives on Korean screens at last A landmark masterpiece destined to be etched into film history finally reaches Korean screens. Considered the aesthetic essence of the revolutionary cineaste Jean-Luc Godard, who dismantled and reassembled the grammar of cinema,...
| James choi
‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

Blending realist grounding with a genre mood is difficult. Capturing the border between those two seemingly different realms and turning it into a film is no easy task. Even in South Korea’s film industry, where tightly executed genre movies and grounded, reality-driven stories dominate, films that...
| Seongchan Eol