LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "Kim Min Ha"

Kim Jun-han Donates His Voice Talent for Barrier-Free Version of Film ‘Number One,’ Delivering Warm Sincerity

Kim Jun-han Donates His Voice Talent for Barrier-Free Version of Film ‘Number One,’ Delivering Warm Sincerity

Director Kim Tae-yong’s work ‘Number One’ adds Kim Jun-han’s voice to a barrier-free version produced for people with visual and hearing impairments “Thank you for inviting me to take part in a meaningful project that shares warm-hearted feelings,” he said, joining efforts to break down barriers Produced with support including HD Hyundai Oilbank, the barrier-free version will meet viewers starting in late August through community screenings and booking requests
Kim Jun-han lent his voice so the sincerity of 〈Number One〉 could reach more people. The non-profit organization the Barrier-Free Film Commission held a voice-over recording session at the Seoul Economic Development Institute’s Media Content Center in Seoul last June for the production of a...
| Seongchan Eol
So Ji-sub Leads ‘Manager Kim’ to 21.6% Viewership in Just 4 Episodes…SBS Friday-Saturday Drama Ranks No. 3 of All Time

So Ji-sub Leads ‘Manager Kim’ to 21.6% Viewership in Just 4 Episodes…SBS Friday-Saturday Drama Ranks No. 3 of All Time

So Ji-sub’s brutal revenge drama has taken over home viewing. Breaking past 21.6% in only four episodes, it ranks as the No. 3 biggest hit of all time
The return of the action king that swallowed up the home-viewing audience is relentless. The SBS Friday-Saturday drama 'Manager Kim,' led by actor 'So Ji-sub,' is charging full speed, breaking through the fabled mark of '20% viewership' in one go and writing a new chapter in Korean action thrillers.
| James choi
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
| Kim Ji-yeon
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

※Spoilers for 〈The Boy in the Last Row〉. ​ We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...
| Kim Ji-yeon
[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

A professor consumed by jealousy and resentment. Choi Hyun-wook, 40 years her junior, earns lavish praise as the master pursues authenticity over box-office results through his acting philosophy
The weight of a tongue that brings disaster, from “Oldboy” to “The Last Line Boy” The Netflix original series “The Last Line Boy”, starring actor Choi Min-sik, brings back the lingering impact of “Oldboy,” a landmark work in the history of Korean cinema.
| James choi
[Photo &] Fan Bingbing and Isabelle Huppert Shine… BIFAN’s Glitzy Opening Marks Its 30th Anniversary

[Photo &] Fan Bingbing and Isabelle Huppert Shine… BIFAN’s Glitzy Opening Marks Its 30th Anniversary

'Humanoid Robots and the Coexistence of Humans' is the theme, with 321 genre films from 50 countries running through Dec. 12… From Jet Li’s new work to first-time reveals by major filmmakers, the lineup is packed
A genre-film hub that screens the future, completing 30 years of legacy The Bucheon International Fantastic Film Festival , which has led the cutting edge of the world’s genre film scene beyond Asia, opened on the 2nd with an overwhelming scale as it charted its 30th course.
| James choi
[Photo &] Netflix’s “Solo Dating 2” Passes 17,000 Applicants, Stronger Narrative Ahead

[Photo &] Netflix’s “Solo Dating 2” Passes 17,000 Applicants, Stronger Narrative Ahead

MC lineup including Seo In-guk and Lee Eun-ji takes the stage— A reality romance return upgraded with a fourfold surge in applicants compared with the previous season and the introduction of new rules.
Between purity and audacity, a reopened project to spark romance Last year, Netflix original variety show “Mother Sol, But I Want to Date” (hereafter “Solo Dating”) captivated global viewers with raw, unfiltered feelings and returns in Season 2 equipped with an even more solid narrative and twists...
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

What if you met someone who looked exactly like a loved one you had lost? That familiar premise has been reshaped into an original film with a fairytale-like setting: 〈Shadow Child〉, which opened on July 1. 〈Shadow Child〉 follows Geum-ok (Im Soo-jung) after her eldest daughter, Su-ryeon — who was...
| Seongchan Eol