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Search results for "Jo Han-cheol"

[Photo&] Yoon Kyung-ho Cries at 23% Ratings Breakthrough for ‘Kim Bujang’… a Netflix No. 1 Upset

[Photo&] Yoon Kyung-ho Cries at 23% Ratings Breakthrough for ‘Kim Bujang’… a Netflix No. 1 Upset

Netflix tops the non-English category for the third straight week, driving a hit after 20 years of obscurity
Yoon Kyung-ho (46), a “top-tier star” who has swallowed both Korea’s home entertainment market and global OTT at the same time, finally poured out hot tears. With SBS Friday-Saturday drama ‘Kim Bujang’ ending on an astonishing “23% ratings”, he also did not forget the pain of being unknown for 20...
‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
SBS’s 〈Agent Kim Reactivated〉 Hits No. 1 in Ratings and on Netflix Worldwide: A Review Through Episode 4

SBS’s 〈Agent Kim Reactivated〉 Hits No. 1 in Ratings and on Netflix Worldwide: A Review Through Episode 4

SBS drama 〈Agent Kim Reactivated〉 is dominating both television and streaming, drawing a 21. 6% rating for Episode 4 on July 4, according to Nielsen Korea, and reaching No. 1 globally among non-English Netflix series.
‘OK Madam 2’ Set for Release on Aug. 12! Ready for an All-Out Summer of Comic Action OK!

‘OK Madam 2’ Set for Release on Aug. 12! Ready for an All-Out Summer of Comic Action OK!

Families of former legendary agent Mi-young, who left on a lavish cruise trip, get caught up in a cruise kidnapping incident on the open blue sea.
With the release set nationwide in theaters on Wednesday, Aug. 12, the launch poster for 〈OK Madam 2〉 shows 엄정화 as “Mi-young,” a legendary agent who soon gets pulled into a cruise kidnapping case while on vacation, after briefly living as the owner of an ordinary twisted-dough snack shop.
[First Reactions to Cinema] ‘David’ Cineplay Journalist Star Rating

[First Reactions to Cinema] ‘David’ Cineplay Journalist Star Rating

[First Reactions to Cinema] After raking in a box-office run-rate topping 22 million dollars in the first weekend of its release in North America, the buzzy film 〈King of Kings〉-crossover spectacle 〈David〉 opens in South Korea on Friday, July 10.
‘Assassin(s),’ a Film on the 1974 First Lady Shooting, Set for 2026 Chuseok Release; Yoo Hae-jin, Park Hae-il and Lee Min-ho Star

‘Assassin(s),’ a Film on the 1974 First Lady Shooting, Set for 2026 Chuseok Release; Yoo Hae-jin, Park Hae-il and Lee Min-ho Star

Directed by Heo Jin-ho, whose credits include 〈The Last Princess〉, 〈Cheonmun: Asking the Sky〉 and 〈Christmas in August〉
The film 〈Assassin 〉 confirmed its release for the 2026 Chuseok holiday and unveiled two launch posters on the 30th, with production and distribution handled by Hive Media Corp. 〈Assassin 〉 is a mystery investigative drama about the first lady shooting that took place during the Liberation Day...
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
[BIFAN 2026] Enjoy Bucheon 30 Years 100 Times ③ Lee Choon-yeon Film Award returns, new International Federation of Film Critics prize, and the July Carnival

[BIFAN 2026] Enjoy Bucheon 30 Years 100 Times ③ Lee Choon-yeon Film Award returns, new International Federation of Film Critics prize, and the July Carnival

Kim Se-hoon and Gu Jeong-a will receive the “Lee Choon-yeon Film Award,” and a “FIPRESCI Award for International Film Critics” will also be introduced (FIPRESCI Award).
Two awards will be newly introduced. The 30th Bucheon International Fantastic Film Festival (executive committee chair Shin Cheol, BIFAN) will bring back the “Lee Choon-yeon Film Award” this year and also introduce the “International Federation of Film Critics Award” .
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.