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In Honor of the Eternal Star Anita Mui: ‘Rouge: The Original 4K’ Opens in Theaters December 2!

In Honor of the Eternal Star Anita Mui: ‘Rouge: The Original 4K’ Opens in Theaters December 2!

This re-release is especially meaningful as a tribute screening honoring Anita Mui, who died on December 30, 2003.
On Wednesday, December 2, audiences will have a special chance to remember Anita Mui, the eternal star of Hong Kong. In honor of the 23rd anniversary of Mui’s death on December 30, 〈Rouge: The Original 4K〉, one of her signature films, will return to theaters for a special engagement at CGV...
| Joo Seong-cheol
[Interview] Jeon Do-yeon on 'Possible Love,' Part 1: “I Did What I Always Do. Why All This Praise?”

[Interview] Jeon Do-yeon on 'Possible Love,' Part 1: “I Did What I Always Do. Why All This Praise?”

What does Jeon Do-yeon look like through Lee Chang-dong's lens, 19 years after 〈Secret Sunshine〉 (2007). She says she doubted herself during 〈Secret Sunshine〉 when the director offered no answers. This time, she arrived on set with an open heart and a clear mind.
| Kim Ji-yeon
Kim Feel Embarks on ‘JOURNEY’—His First Solo Concert in Seven Years, Nov. 14–15

Kim Feel Embarks on ‘JOURNEY’—His First Solo Concert in Seven Years, Nov. 14–15

Blue Square show celebrates his second full-length album with a set list designed to showcase his live performance
Melodies shaped with the stage in mind promise a distinctive live show that will leave a lasting impression Beloved for his unmistakable voice and deep emotional resonance, vocalist 'Kim Feel' is set to meet audiences with a solo concert distilling his long musical journey.
| James choi
[Interview] 'Possible Love' Director Lee Chang-dong, Part 3: “Each Person’s Moon and Everyone’s Moon—What We Think Before That Unchanging Moon Is Up to Each of Us”

[Interview] 'Possible Love' Director Lee Chang-dong, Part 3: “Each Person’s Moon and Everyone’s Moon—What We Think Before That Unchanging Moon Is Up to Each of Us”

※ This interview with Lee Chang-dong, director of 〈Possible Love〉, continues from Part 2. Despite her circumstances, Mi-ok is portrayed as someone brimming with life. Was there anything in particular you wanted to express through her character. Mi-ok isn't anyone extraordinary.
| Seongchan Eol
[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 3: “As Adults, We Must Pass On a Society Where People Can Live as Themselves”

[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 3: “As Adults, We Must Pass On a Society Where People Can Live as Themselves”

※ This interview with human rights activist Shin Sugok of 〈Horoomon〉 continues from Part 2. You have said, “I hope the next generation gets a free ride in a world without discrimination,” but you have also told them, “I'm sorry.
| Seongchan Eol
[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 2: “Japan's Conscience Saved Me; Minorities Need the Majority's Strength to Fight”

[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 2: “Japan's Conscience Saved Me; Minorities Need the Majority's Strength to Fight”

※ This interview with human rights activist Shin Sugok of 〈Horoomon〉 continues from Part 1. In this age of algorithms, people's beliefs and opinions often become even more entrenched. As a human rights activist, how do you think we can break through that.
| Seongchan Eol
[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 1: “Discrimination Persists Because Japan Has Never Examined Its Own Actions and Reflected on Them”

[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 1: “Discrimination Persists Because Japan Has Never Examined Its Own Actions and Reflected on Them”

One individual won a legal battle against a corporation. But what followed was not a jubilant cheer, but a sigh of relief at finally being able to catch her breath. The documentary 〈Horoomon〉, opening November 11, retraces human rights activist Shin Sugok's defamation lawsuit against DHC Television.
| Seongchan Eol
‘The Lobster’ Returns to Theaters Nov. 11: The Bizarre Film World of Yorgos Lanthimos, Part 2

‘The Lobster’ Returns to Theaters Nov. 11: The Bizarre Film World of Yorgos Lanthimos, Part 2

A perfectly strange love story set in a world where people become animals if they can’t fall in love within 45 days—and find their destined partners in a place where love is forbidden.
〈The Lobster〉 ​※ This article continues from the first installment on the re-release of 〈The Lobster〉 and the film world of Yorgos Lanthimos. (4) 〈The Lobster〉 and the secret of its final scene The most controversial aspect of 〈The Lobster〉 was its final scene: Did David run away and leave behind...
| Joo Seong-cheol
‘The Lobster’ Returns to Theaters on Nov. 11: The Bizarre World of Yorgos Lanthimos, Part 1

‘The Lobster’ Returns to Theaters on Nov. 11: The Bizarre World of Yorgos Lanthimos, Part 1

A perfectly strange love story about a world where people turn into animals if they can’t find love within 45 days—and where two people meet their destined match in a place where love is forbidden.
​ (1) 〈The Lobster〉, the first Yorgos Lanthimos protagonist to finally have a name Before directing 〈The Killing of a Sacred Deer〉 (2017) and 〈The Favourite〉 (2018), Yorgos Lanthimos’s characters never had names.
| Joo Seong-cheol
3rd Seoul Arthouse Film Festival Unveils 15 Films; Cannes Competition Entry ‘The Unknown’ Named Opening Film

3rd Seoul Arthouse Film Festival Unveils 15 Films; Cannes Competition Entry ‘The Unknown’ Named Opening Film

From Cannes, Berlin and Venice buzz titles to restored classics by Melville and Satyajit Ray… Festival opens Nov. 19
The 3rd Seoul Arthouse Film Festival has unveiled its 15-film lineup ahead of its opening on Nov. 19. Hosted by M&M International Co. , Ltd. , the festival will run for four days, from Thursday, Nov. 19, to Sunday, Nov.
| Kim Ji-yeon