Search results for "Psy"

Yeon Sang-ho's Korea-Japan Co-Production Series 'Gas Man' to Debut July 2

Yeon Sang-ho's Korea-Japan Co-Production Series 'Gas Man' to Debut July 2

Starring Oguri Shun and Aoi Yuu, the Korea-Japan co-production mounted a production so large it closed the area around Tokyo Station for filming.
Netflix will release 〈Gas Man〉, a Korea-Japan co-production series executive-produced and co-written by Yeon Sang-ho, worldwide on July 2. On June 9, Netflix unveiled the main trailer and key art for 〈Gas Man〉. The Japanese original series reboots the legendary 1960 tokusatsu film 〈Gas Man No.
Cho Jung-seok Turns Into a Counterfeit-Bill Technician in Netflix’s ‘Paper Man’ Casting

Cho Jung-seok Turns Into a Counterfeit-Bill Technician in Netflix’s ‘Paper Man’ Casting

Cho Jung-seok, who slips from a master of disguise into a full-fledged counterfeiter, will star alongside Park Hae-soo and Soo-hyun in a crime thriller
The one caught in a swamp of forgery, the one who hunts him, and the guardian of the lawA new crime thriller poised to captivate the world gets underway. Netflix has announced its ambitious new original series ‘Paper Man’, drawing the spotlight with an overwhelming casting lineup.
[Photo&] Kim Jae-joong makes a bold transformation as a shaman… Tackles Japan-South Korea horror collaboration “Shinsa: Whispers of the Demon” — at the press screening event

[Photo&] Kim Jae-joong makes a bold transformation as a shaman… Tackles Japan-South Korea horror collaboration “Shinsa: Whispers of the Demon” — at the press screening event

Kim Jae-joong takes on the horror challenge with “Shinsa: Whispers of the Demon,” a differentiated kind of fear built on the fusion of a Korean shaman and Japanese occult lore.
This is the most daring transformation he has made since his debut. ‘Kim Jae-joong’ took on his first ‘horror genre’ in his life and stepped forward for the role of ‘a shaman’ through the film ‘Shinsa: Whispers of the Demon’.
First Reactions: Cineplay’s Rating for 〈The Shrine: Whisper of the Evil Spirit〉

First Reactions: Cineplay’s Rating for 〈The Shrine: Whisper of the Evil Spirit〉

[First Reactions]Opening on the 17th, 〈The Shrine: Whisper of the Evil Spirit〉 is a Korean-Japanese shamanic occult horror film about three college students who vanish after visiting an abandoned shrine in Kobe, Japan, and a shaman named Myeong-jin (Kim Jae-joong) who investigates the case and...
[Weekend Box Office] Swarm Tops for 3rd Week After Surpassing 4.72 Million… Dong-won Kang’s Wild Thing Debuts in 2nd Place

[Weekend Box Office] Swarm Tops for 3rd Week After Surpassing 4.72 Million… Dong-won Kang’s Wild Thing Debuts in 2nd Place

South Korea’s theaters are in an unprecedented state of infection right now. Created by director Yeon Sang-ho, the K-zombie milestone of ‘Swarm’ has completely wrecked the weekend box office while displaying overwhelming dominance for its third week of release.
A Bold Mashup of Teen Drama and Body Horror: “I Want To Be Blonde” Opens on VOD in June

A Bold Mashup of Teen Drama and Body Horror: “I Want To Be Blonde” Opens on VOD in June

The film explores identity and belonging issues facing Asian American teenagers in the U.S. in the format of a genre movie, winning praise A standout from the 2025 SXSW Film Festival featuring Shirley Chen and McKenna Grace delivers an overwhelming sense of immersion Set to land in living rooms in June 2026 through major VOD platforms including the three IPTV providers and Studio Choiсe
I Want To Be Blonde, which combined teen film and body horror and won over audiences, meets Korean viewers on VOD.The film 〈I Want To Be Blonde〉 follows Joann Huang, a Chinese American high school student who lives feeling alienated in American society, and drew major attention after its debut at...
‘The Last-Row Boy’ Character Stills Revealed Featuring Choi Min-sik x Choi Hyun-wook! A Meeting Between a Professor of Korean Literature and a Mysterious Boy!

‘The Last-Row Boy’ Character Stills Revealed Featuring Choi Min-sik x Choi Hyun-wook! A Meeting Between a Professor of Korean Literature and a Mysterious Boy!

The unpredictable aftershocks set in motion by their literature class! 〈The Last-Row Boy〉 will be released on Netflix on June 26.
A suspense drama 〈​The Last-Row Boy〉​ portrays the story of a failed writer and a professor of Korean literature, ‘Heo Moon-oh,’ who discovers the genius of ‘Lee Kang,’ the boy in the very last row of a classroom, and becomes fixated on his writing.
How Jim O'Rourke's 'Eureka' Set Aoyama Shinji's 〈Eureka〉 in Motion

How Jim O'Rourke's 'Eureka' Set Aoyama Shinji's 〈Eureka〉 in Motion

I am drawn to music in film. At times, music reveals a character's private emotions in ways images and dialogue cannot. It can also open a window into a creator’s hidden intent. For me, understanding film music was one way into the film itself. "Chu A-young's Music Box" listens closely to a film’s voice through its music. (P.S. I hope you listen to the music while you read.)
Director Aoyama Shinji's film 〈Eureka〉 is a road movie about wounded people who travel an endless road in search of the possibility of healing and renewal. The characters, survivors of a terror that shattered ordinary life, set out on a trip to escape the trauma of the incident.
Im Su-jeong Makes Producing Debut in ‘The Second Child,’ Set for July Release

Im Su-jeong Makes Producing Debut in ‘The Second Child,’ Set for July Release

New mystery from director Yu Eun-jeong stars Park So-yi and Yuna and screened in the Vision section of the 30th Busan International Film Festival
Actor Im Su-jeong will make her producing debut with 〈The Second Child〉, which is set for a nationwide theatrical release in July. Distributor Thunder Film released the first production stills on July 1.〈The Second Child〉 is the new film from director Yu Eun-jeong, who directed The Night's Door...
Is Something Lurking in the Infinite Maze of A24's Horror Film 'Backroom'?

Is Something Lurking in the Infinite Maze of A24's Horror Film 'Backroom'?

The creepypasta known as "Backroom"—an online urban legend that has already spawned countless fan creations and become a cultural phenomenon—has finally been made into a film. Director Kane Parsons drew inspiration from a single image and its original text posted on the U. S.