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[Sung Chan-yeol’s Comics] In 〈He and the Moon〉, a Big Family Feels Both Close and Far Away

[Sung Chan-yeol’s Comics] In 〈He and the Moon〉, a Big Family Feels Both Close and Far Away

I’m drawn to subculture in all its forms. I don’t just follow films; I check out webtoons, games, manga and animation — anything that offers a fresh story, theme or character. Comics first opened the door to fandom for me, and now I read manga as e-books and webtoons on my smartphone — an adult who...
| Seongchan Eol
“Were the parents too harsh?” The behind-the-scenes story from director Tomoaki Fujino about a sister who spent 25 years locked away

“Were the parents too harsh?” The behind-the-scenes story from director Tomoaki Fujino about a sister who spent 25 years locked away

The film ‘What Should We Have Done?’ opens… It portrays the realities of psychiatric medicine in the 1980s and a family’s anguish, setting a record of 55 straight sellouts in Japan
“What Should We Have Done?” 25 years of seclusion… A painful choice by doctor parents A hot-ticket release in Japan with 55 consecutive sellouts, shining a light on psychiatric medical realities of the 1980s and the family’s dilemma Beyond one slice of tragedy: reflection on the other side of the...
| James choi
‘Sang-namja’ Disney+ Release Confirmed! Park Jeong-min Rewinds as a Corporate Rookie CEO

‘Sang-namja’ Disney+ Release Confirmed! Park Jeong-min Rewinds as a Corporate Rookie CEO

He climbed to the CEO chair at a major conglomerate chasing only success—but the next day, he loses everything, and rewinds back 20 years to his days as a new hire.
Popular Naver webtoon 〈Sang-namja〉 is being produced as a series. 〈Sang-namja〉 is an office time-rewind story about a man who rises to the CEO spot at a major conglomerate by pursuing nothing but success—only to lose everything overnight—then rewinds back 20 years to his new-hire days to carve out...
| Joo Seong-cheol
In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

The trailer for 〈Hope〉 promises a showdown between humans and aliens. Instead, director Na Hong-jin delays the alien’s appearance until nearly an hour into the film and focuses first on how a stray rumor spirals into collective panic.
| Chua-young
'Goblin' · 'Reply 1988' Marks 10 Years… Life Dramas Return in the Form of Variety Shows

'Goblin' · 'Reply 1988' Marks 10 Years… Life Dramas Return in the Form of Variety Shows

From Gong Yoo and Kim Go-eun to Park Bo-gum, the spin-off variety shows bank on a loyal fandom—and still carry the generational pull that endures 10 years later.
“Dad!” As Ahn Jae-hong calls out to actor Kim Seong-kyun, the familiar greeting from back then echoes: “I’m really, truly so glad—so glad!” When the scene shifts, Gong Yoo and Kim Go-eun recreate that signature moment when they turned the living-room drama into a sea of tears—then toss out a cheeky...
| James choi
Celebrating the 1st Anniversary of ‘Demon Slayer: Kimetsu no Yaiba – Infinity Train’ The Movie, Special Screenings Set for August

Celebrating the 1st Anniversary of ‘Demon Slayer: Kimetsu no Yaiba – Infinity Train’ The Movie, Special Screenings Set for August

It depicts the Demon Slayer Corps’ showdown at the Demon Realm infinity and the first chapter of the final battle against the elite upper-rank demons.
The movie ‘Demon Slayer: Kimetsu no Yaiba – Infinity Train’ has confirmed special screenings next August to mark its 1st anniversary, and it has also released the main poster. Achieving the “box-office triple crown” in which it ranked No.
| Joo Seong-cheol
Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

※ This interview with Jung Hoyeon of 〈HOPE〉 continues from Part 1. Director Na Hong-jin is reputed not to compromise on set. What was it like to experience his filming process firsthand. As a relatively new actor, I felt his unwillingness to compromise was a blessing.
| Seongchan Eol
Interview: Na Hong-jin on 〈Hope〉 — The Massive Attraction Built on a Decade of Obsession, Part 2 (Contains spoilers)

Interview: Na Hong-jin on 〈Hope〉 — The Massive Attraction Built on a Decade of Obsession, Part 2 (Contains spoilers)

Contains spoilers and interpretations of the ending.
※The interview with 〈Hope〉 director Na Hong-jin continues from Part 1. ※This interview contains spoilers and interpretations of the ending. Before the film was finished, you said that the actors who play the aliens—including Michael Fassbender and Alicia Vikander—are the protagonists.
| Kim Ji-yeon
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정