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Search results for "re-release movies"

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
Nam Joo-hyuk Enters the Spirit World in Netflix’s 'The East Palace'

Nam Joo-hyuk Enters the Spirit World in Netflix’s 'The East Palace'

〈KPop Demon Hunters〉 next is 〈The East Palace〉. The hybrid-genre Netflix series 〈The East Palace〉—which mixes occult and historical drama with mystery, fantasy and action—finally unveiled its first episodes on the 17th after months of anticipation.
| Kim Ji-yeon
‘The East Palace’ star Nam Joo-hyuk: “I took inspiration from the game’s ‘movie cuts’… Filming ‘The East Palace’ felt like playing a game for me”

‘The East Palace’ star Nam Joo-hyuk: “I took inspiration from the game’s ‘movie cuts’… Filming ‘The East Palace’ felt like playing a game for me”

An interview marking the release of the Netflix series <동궁>—〈The East Palace〉
Actor Nam Joo-hyuk revealed how he prepared for his role as “Goo-cheon” in —〈The East Palace〉. On the afternoon of the 21st, in some location in Jongno-gu, Seoul, Nam Joo-hyuk, a lead actor in the Netflix series —〈The East Palace〉, met with Cineplay to discuss a range of topics, from...
| Kim Ji-yeon
[Official Trailer] “I Play Rocky Balboa”… Sylvester Stallone’s Reckless Challenge Sparks a New Electric-Tone Biopic Film, ‘I Play Rocky,’ Trailer Released

[Official Trailer] “I Play Rocky Balboa”… Sylvester Stallone’s Reckless Challenge Sparks a New Electric-Tone Biopic Film, ‘I Play Rocky,’ Trailer Released

A new film from director Peter Farrelly… newcomer Anthony Ippolito takes on a 100% match for Sylvester Stallone’s look in his younger days Hollywood’s greatest behind-the-scenes story—where a filmmaker wrote the script himself and still set a “no selling unless I’m the lead” ultimatum Matt Dillon, AnnaSophia Robb, Stefan James, and more solid supporting players join the cast… Opening in theaters this November via Amazon MGM distribution
How could a young man who was nothing more than an unknown actor become the legendary Hollywood hero ‘Rocky Balboa’? A biopic film, ’I Play Rocky ’, which captures Sylvester Stallone’s real-life Rocky-making backstory—more movie-like than the movie itself—has finally been released as an official...
| Yangsimoh
Sakamoto Yuji Offers Fantastical Consolation in 〈The World of Unrequited Love〉

Sakamoto Yuji Offers Fantastical Consolation in 〈The World of Unrequited Love〉

Anyone who follows Japanese pop culture likely knows one writer by name: Sakamoto Yuji. A steady source of acclaimed TV dramas, Sakamoto has in recent years also produced consistently strong film screenplays. He teamed with Koreeda Hirokazu on 〈Monster〉 and with Tsukahara Ayuko on 〈The First Kiss〉.
| Seongchan Eol
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
| Joo Seong-cheol
‘Hope’ Surpasses 50% Total Pre-Sales Rate, Sending Ticket Sales Soaring! 4 Special-Viewing Posters Revealed!

‘Hope’ Surpasses 50% Total Pre-Sales Rate, Sending Ticket Sales Soaring! 4 Special-Viewing Posters Revealed!

With the film just one week away from release, it has swept aside not only existing movies in theaters but also upcoming new releases, widening the gap by more than double from 〈Moana〉, which sits in second place for pre-sales.
This summer, the movie 〈Hope〉, set to deliver the most cinematic experience at theaters, is continuing its momentum after its advance ticket sales rate broke through 50%. After ticket sales opened, 〈Hope〉 moved to No. 1 at the fastest pace of the year, locking in its lead with overwhelming figures.
| Joo Seong-cheol
The $3 Billion Hit Myth Continues… ‘Minions & Monsters’ Opens on the 15th

The $3 Billion Hit Myth Continues… ‘Minions & Monsters’ Opens on the 15th

A behind-the-scenes film production story about the Minions’ bumpy entry into 1920s Hollywood. ‘Yellow’ dreamers who want to direct: ‘Minions & Monsters’ opens on the 15th
A yellow rebellion that swept through 1920s Hollywood, rewriting screen history The ‘Minions’ series, which has built up an astonishing $2 billion worldwide box-office cumulative haul (about 346 billion won), will take over domestic theaters on the 15th with its third masterpiece, ‘Minions &...
| James choi
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정