![[Chua-young's Music Box] 'Boléro' and 'Exit 8' - Goodbye Digimon, I'm now heading to 'Exit 8'.](https://cdn.www.cineplay.co.kr/w220/q85/article-images/2025-11-05/81cb9fd6-a5eb-4228-90b3-0bae74a7ffca.jpg)
[Chua-young's Music Box] 'Boléro' and 'Exit 8' - Goodbye Digimon, I'm now heading to 'Exit 8'.
I get hooked on the music in movies. Music conveys the intimate emotions of characters that sometimes cannot be expressed through visible images and audible dialogues. It can also serve as a window to glimpse the hidden intentions of the creator. For me, understanding film music was one way to connect with the film. 'Chua-young's Music Box' listens to the voice of the film more closely through music. (P.S. I hope you read this while listening to the music.)
The bewilderment I felt when I first watched the movie 〈Exit 8〉 comes to mind. As a Digimon fan, I went to the theater that day, as I usually do, listening to Maurice Ravel's timeless masterpiece 'Boléro' (Boléro), which was used in 〈Digimon Adventure〉 (1999-2000).
![[Photo &] Shin Il-sook, The Power of Unchanging Stories](https://cdn.www.cineplay.co.kr/w220/q85/article-images/2025-11-05/c886fbcc-85d9-4d03-9a2f-fbdb35ee88c8.jpg)
