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[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
Lee Hwi-hyang Makes Her First Big-Screen Leading Role in 44 Years With ‘Family Trip,’ Set for Release in September—Main Poster Revealed!

Lee Hwi-hyang Makes Her First Big-Screen Leading Role in 44 Years With ‘Family Trip,’ Set for Release in September—Main Poster Revealed!

One destination, five hidden thoughts! It’s a “dongsang-imong” road movie chronicling a family’s no-plan trip that’s anything but smooth.
Actor Lee Hwi-hyang steps into her first big-screen leading role with the upcoming film 〈Family Trip〉, confirmed for release this September. 〈Family Trip〉 is a “dongsang-imong” road movie with one destination and five hidden feelings—telling the story of a family that sets off on a trip with no...
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
'The Fifth Thoracic Vertebra' Director Park Se-young's 'The Fin' Set to Open July 22 in South Korea

'The Fifth Thoracic Vertebra' Director Park Se-young's 'The Fin' Set to Open July 22 in South Korea

Philippe Bober, producer of 〈Triangle of Sadness〉 and 〈The Square〉, joins as co-producer
Park Se-young's new film 〈The Fin〉, from the director of 〈The Fifth Thoracic Vertebra〉, has set a July 22 release in South Korea and unveiled its main poster. 〈The Fin〉 is a dystopian art-house science-fiction film set in a near-future, unified Republic of Korea where genetically mutated "Omega"...
“No Mercy” From LE SSERAFIM as Agency Moves Firmly Against Deepfakes and Cyber ‘N~~ck~s’

“No Mercy” From LE SSERAFIM as Agency Moves Firmly Against Deepfakes and Cyber ‘N~~ck~s’

Source Music applies a zero-tolerance policy to malicious content and deepfake crimes, saying, “There is absolutely no intention to reach a settlement.”
A Zero-Tolerance Stance, a Ruthless Blow Without Leniency. . . Source Music Steps In to Protect Artists’ Personal Rights In the face of malicious digital crime that digs into the glamorous side of global K-pop, LE SSERAFIM has finally drawn its zero-tolerance sword.
Byeon Yo-han X Ahn Jae-hong X Ha Yoon-kyung’s ‘The Day Without Hands’ Script Reading Site Unveiled … Starts Shooting June 14

Byeon Yo-han X Ahn Jae-hong X Ha Yoon-kyung’s ‘The Day Without Hands’ Script Reading Site Unveiled … Starts Shooting June 14

‘Hide and Seek’ and ‘The Crystalline Beast’ director Heo Jeong’s new mystery thriller follows a trio of leads as they immerse themselves in an intense script reading—and spotlit are three big transformations, including Byeon Yo-han as shaman Tae-joo, Ahn Jae-hong as a cold-blooded lawyer, and Ha Yoon-kyung as a wife brimming with unease. The main investment-distribution film from CGV Pictures, officially set to kick off production June 14, centers on a strange day unfolding right as the characters move in to their new home
〈The Day Without Hands〉 unveiled the script reading scene and signaled the start of full-scale production. The film 〈The Day Without Hands〉 is the latest work by director Heo Jeong, who previously directed 〈Hide and Seek〉 and 〈The Wailing Beast〉, among others.
‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

Blending realist grounding with a genre mood is difficult. Capturing the border between those two seemingly different realms and turning it into a film is no easy task. Even in South Korea’s film industry, where tightly executed genre movies and grounded, reality-driven stories dominate, films that...
[Interview] Gong Myung on His First Husband and Father Role: 'I Got a Lot of Help From Jin Sun-kyu, Who's a Real Romantic'

[Interview] Gong Myung on His First Husband and Father Role: 'I Got a Lot of Help From Jin Sun-kyu, Who's a Real Romantic'

In Netflix's 〈Husbands in Action〉, released on the 19th, Gong Myung delivers a performance that most fully showcases the actor’s coined "bright-eyed mania" charm. The film is a comedy-action story about an unpredictable rescue mission in which an ex-husband and a current husband, who unexpectedly...
[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

Inspired by a murder case in Washington, Benton in 2018, 〈Choong-Choong-Choong〉 portrays a catastrophe sparked by the intersecting desires of three kids.
Retro is the trend. In the fashion, music and props of young people in their 20s, there’s nowhere that a Y2K sensibility hasn’t managed to seep in. Director Han Chang-rok, born in 1990 and a graduate of the Korea National University of Arts film school, pulls this retro sensibility straight onto...