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Netflix Variety Show ‘Better Late Than Single Season 2’ Reveals Differentiators to Deliver Unpredictable Thrills

Netflix Variety Show ‘Better Late Than Single Season 2’ Reveals Differentiators to Deliver Unpredictable Thrills

Director Kim No-eun said the show’s edge lies in “laughter at awkward moves, alongside ‘real-life empathy’ that doesn’t feel like it happened to someone else.”
Netflix variety show 〈Better Late Than Single〉 Season 2 (hereafter, “Better Late Than Single Season 2”) unveiled differentiators set to deliver unpredictable excitement. # Here comes the “national matchmaker”? A viewer-overwhelming, hype-inducing relationship reality that turns “advice mode” into...
| Joo Seong-cheol
59 Hours of Unreleased Footage Returns…Elvis Presley Reborn on the Screen

59 Hours of Unreleased Footage Returns…Elvis Presley Reborn on the Screen

The 59 hours of rare video and voice found by director Baz Luhrmann. With “EPiC,” opening July 1, the legendary stage of the “King of Rock ’n’ Roll” returns once again.
A body turned myth, a massive pop-culture ‘epic’ awakens Under the dazzling lights of Las Vegas, the United States, there is a man who throws himself into the roar. In the fleeting moment when sweat scatters through the air, the crowd’s frenzy feels less like simple cheering and more like a...
| James choi
Jin Sun-gyu, Gong Myung, Kim Ji-seok, Yoon Kyung-ho, Kang Han-na, Lee Da-hee, Jeon So-min—‘Husbands’ Production Press Conference!

Jin Sun-gyu, Gong Myung, Kim Ji-seok, Yoon Kyung-ho, Kang Han-na, Lee Da-hee, Jeon So-min—‘Husbands’ Production Press Conference!

A family action comedy that blends a thrilling action with a situation comedy built on cooperation between an ex-husband and a current husband.
A comedy-action film depicting an unpredictable rescue operation planned by an ex-husband and a current husband who end up joining forces to save a wife who is kidnapped by a criminal organization—〈_BRACKET_Husbands_ _RANGLE_BRACKET_〉—wrapped up a warm-toned production press conference ahead of its...
| Joo Seong-cheol
[Interview] Y2K Sensibility, Meeting This Year’s Debut, Director Changrok Han in the Hot Seat, Actors Joo Min-hyeong and Baek Ji-hye (②)

[Interview] Y2K Sensibility, Meeting This Year’s Debut, Director Changrok Han in the Hot Seat, Actors Joo Min-hyeong and Baek Ji-hye (②)

The 〈strong〉Chungchungchung〈/strong〉 (also rendered as 〈strong〉Chung Chung Chung〈/strong〉)—made with the 2018 murder case in Washington, Benton as its inspiration—depicts a catastrophe sparked by the tangled, competing desires of three children.
How did the two of you interpret and approach your respective characters. The name “Courage” suggests an energy that’s overflowing, but the character is also a “pathetic” youth who doesn’t have real, powerful force.
| 이화정
[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

I can’t stop fixating on the objects in the movies. I get pulled into deep thought over why—director, cinematographer, production designer, maybe even an actor—someone put that object in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects from films that landed in my eyes, as if they gently stepped over them.
〈Toy Story 2〉 (1999)’s opening begins as if it were a scene from the 〈Star Wars〉 series. And in the moment of crisis, Woody recites the lines “Think about it, think about it,” like the way Dong-su (Kim Sang-kyung) does in 〈Theater Jeon〉 (2005) or Yeon-hong (Son Ye-jin) does in 〈No Secrets〉 (2016).
| Joo Seong-cheol
[Photo &] Netflix No. 1 “Chamgyoyuk” director Hong Jong-chan interview: “Violence is fantasy—here’s hoping for an open public forum”

[Photo &] Netflix No. 1 “Chamgyoyuk” director Hong Jong-chan interview: “Violence is fantasy—here’s hoping for an open public forum”

On the third day after its release, Netflix’s “Chamgyoyuk” hits No. 1 globally. Director Hong Jong-chan draws a line amid controversy over glorifying corporal punishment, and lays out the real message the work is trying to send.
The global sensation sparked by daring retribution—handing the classroom a rod after it crossed the line ‘Netflix’ original series ‘Chamgyoyuk’ has swept through media markets worldwide. In just three days after release, it notched a staggering feat: No.
| James choi
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Kim Ji-yeon
[Interview] Park Ji-hoon on Going From Danjong to a Military Cook, and From Rookie to Midlevel Status as an Actor

[Interview] Park Ji-hoon on Going From Danjong to a Military Cook, and From Rookie to Midlevel Status as an Actor

※〈The Legend of Kitchen Soldier〉 actor Park Ji-hoon's interview continues from Part 1. 〈The Legend of Kitchen Soldier〉 features many well-known comedic actors. In particular, the chemistry with Lee Hong-nae, who plays Sergeant Yoon Dong-hyun, stood out.
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

It’s fair to call this "Gu Kyo-hwan’s year. " From 《If We》, which helped spark a melodrama boom, to the recently ended series 《Everyone Is Fighting Their Own Sense of Worthlessness》 (hereafter 《Mojamussa》), and the film 《Colony》, released on May 21 and which has surpassed about 2.
| Kim Ji-yeon