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Search results for "Korean cinema"

A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

A Win in 10 Days Shatters Records, Surpassing 3 Million Tickets and Changing the Paradigm for Korea’s Zombie Genre With “Gun-chae”

Yeon Sang-ho’s latest film, “Gun-chae,” hits the break-even point at the fastest pace of the year, underscoring the box-office power of a Cannes Film Festival invitee.
A Win in 10 Days Signals an Overwhelming Hit for “Gun-chae,” the Film That Changes the Paradigm for Korea’s Zombie GenreThe hit formula for Korea’s zombie blockbuster has been rewritten. Director Yeon Sang-ho’s new film “Gun-chae” surged to an early break-even moment by drawing more than 3.
| James choi
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol
[Weekend Theater Scene] Jun Ji-hyun and Koo Kyo-hwan’s “Swarm” Dominates the Box Office…300 Million Won? Breakthrough Likely This Weekend

[Weekend Theater Scene] Jun Ji-hyun and Koo Kyo-hwan’s “Swarm” Dominates the Box Office…300 Million Won? Breakthrough Likely This Weekend

“Intelligence-hunting zombies” and the bold premise win praise as “Swarm” surpasses 2.5 million cumulative viewers, setting up expectations to reach the break-even point this weekend
A new benchmark for evolving K-zombies: “Swarm,” a main poster that reflects Yeon Sang-ho director’s relentless universe. The overwhelming horror and a philosophy of survival are perfectly condensed into a single image.
| James choi
Kim Min-ha X Kim Ju-ryeong X Ahn Seo-hyun’s “Hana Korea” Set for Release on July 8! First- Look Posters Revealed!

Kim Min-ha X Kim Ju-ryeong X Ahn Seo-hyun’s “Hana Korea” Set for Release on July 8! First- Look Posters Revealed!

An unscripted, fact-based story-inspired blockbuster that follows the journey of North Korean defector ‘Hye-seon,’ determined to move forward even in unfamiliar circumstances.
A first-look set of two posters has been released, drawing attention after 〈Hana Korea〉—a joint production of South Korea and Denmark based on a true story and starring Kim Min-ha, Kim Ju-ryeong and Ahn Seo-hyun—confirmed its release on July 8, showcasing stark color contrasts and the dazzling...
| Joo Seong-cheol
200-plus Countries Pre-Sales “Hope” Behind-the-Scenes Stills Unveiled From Cannes

200-plus Countries Pre-Sales “Hope” Behind-the-Scenes Stills Unveiled From Cannes

In the competition section at the Cannes Film Festival, 〈​Hope​〉—a Korean film making its first foray in four years—will meet audiences in theaters this summer.
The behind-the-scenes stills unveiled this time capture the special ensemble of the stars of 〈​Hope​〉—Director Na Hong-jin, along with Hwang Jung-min, Jo In-sung, Jung Ho-yeon, Michael Fassbender, Alicia Vikander and Taylor Russell—who took part in the Cannes Film Festival.
| Joo Seong-cheol
Interview: Jun Ji-hyun on 〈Colony〉 — ‘I looked good in my previous project, too … there really was no special makeup treatment’

Interview: Jun Ji-hyun on 〈Colony〉 — ‘I looked good in my previous project, too … there really was no special makeup treatment’

※ The interview with Jun Ji-hyun about 〈Colony〉 Part 1 continues here. Also note that the following contains spoilers for the film 〈Colony〉. Many people said she still looked great even in a blood-soaked raincoat. I’m just grateful people saw it that way.
| Seongchan Eol
[Photo & ‘Cannes Closing Ceremony现场’] Park Chan-wook, Cannes Jury Chair: “I didn’t want to give the Palme d’Or, but I had no choice” Witty remarks

[Photo & ‘Cannes Closing Ceremony现场’] Park Chan-wook, Cannes Jury Chair: “I didn’t want to give the Palme d’Or, but I had no choice” Witty remarks

The 79th Cannes International Film Festival, where Park Chan-wook’s poise and humor set the tone for the closing ceremony. Behind-the-scenes details from the Christian Mungiu Palme d’Or win and a warm, upbeat jury
‘The 79th Cannes International Film Festival’, a closing ceremony ruled by Park Chan-wook’s poise and humor“To speak honestly, the Palme d’Or is not a prize I wanted to give to anyone. That’s because it’s an award I’ve never received.
| James choi
Star Wars ‘The Mandalorian and Grogu’ Returns After 7 Years, Director Jon Favreau Says He Maximized Korean Film Direction

Star Wars ‘The Mandalorian and Grogu’ Returns After 7 Years, Director Jon Favreau Says He Maximized Korean Film Direction

'Baby Yoda' Grogu and Din Djarin’s grand adventure makes for a perfect Star Wars entry point.
A 7-Year Return, Star Wars’ Savior ‘Jon Favreau’ Revives on the ScreenThe iconic ‘Star Wars’ franchise in the realm of science fiction returns to the big screen for the first time in a full seven years since ‘Star Wars: The Rise of Skywalker’ in 2019.
| James choi
[News from Cannes] George Clooney to Co-Star With Netflix… Kim Ki-yoon, a French-Attorney-turned-Actor, Chases His Dream

[News from Cannes] George Clooney to Co-Star With Netflix… Kim Ki-yoon, a French-Attorney-turned-Actor, Chases His Dream

A Korean-French actor, Kim Ki-yoon, entered Cannes with Netflix’s “Surviving as a Celebrity Manager.” From an elite lawyer to a former… and his fan devotion to director Bong Joon-ho
From an elite lawyer to Cannes’ red carpet: Korean-French actor ‘Kim Ki-yoon’’s bold career moveA lawyer at a major law firm, who had taken the country’s top elite track in France, has made his way—confidently—into the 79th ‘Cannes International Film Festival’, a global celebration for filmmakers.
| James choi
[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

[Interview] Kang Dong-won on 'Wild Sing,' the Most Radical Challenge of His Career ①

“One hour step practice, one hour technique practice, one hour choreography practice, then technique practice again — I practiced four hours a day”
Kang Dong-won let himself go without reservation. He said he wasn’t working extra hard just this time. He explained that he’s always approached each project with the mindset that you can’t afford to strike out; if you strike once, you must make it to base the next time — and that attitude has...
| Kim Ji-yeon