Search results for "Lee Ri-chil"

Power in the living room is shifting. Those who had been weighed down by the burden of an ordinary breadwinner responsible for the household are now waking the savage instincts they had buried when a crisis hits, and reinventing themselves as “middle-aged heroes”.

Few actors have had a debut as striking as Jung Ho-yeon’s. Jung moved from top-tier modeling into acting and made a notable acting debut with 〈Squid Game〉. Now she is about to make her film debut in 〈Hope〉. Directed by Na Hong-jin, the filmmaker behind hits such as 〈The Chaser〉, 〈The Yellow Sea〉,...

The movie ‘Bikwang’ is the heartfelt family chronicle directed by Lee Ji-won, in which Jung-gu (Ryoo Seung-ryong) and Nam-mi (Ha Ji-won)—a top-star couple—split up after Jung-gu’s daughter, Dong-ju (Kim Si-a), suddenly shows up, and then eight years later, Dong-ju becomes entangled in a shocking...

Top-star couple complete ‘one son and one daughter,’ start a new chapter facing the world A top-star couple representing South Korea’s entertainment scene is drawing heightened attention as they stack up back-to-back blessings.

Coupang Play released character stills of Kim Hye-soo and Kim Ji-hoon on July 7 ahead of the July 31 premiere of its original series 《Adultery Isn't the Problem Now》, directed by Lee Chang-hee and written by Jung Eun-kyung and Park Su-rin.

※ This interview with 〈Notes from the Last Row〉 star Choi Hyun-wook continues from Part 1. 〈Notes from the Last Row〉 sets up Lee Gang’s decision to take revenge after an offhand remark from Heo Mun-o, whom he met at the orphanage as a child, becomes a wound.

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.

This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...