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Yeon Sang-ho and Jun Ji-hyun’s <i>Swarm</i> surpasses 5 million viewers… a second record of the year

Yeon Sang-ho and Jun Ji-hyun’s Swarm surpasses 5 million viewers… a second record of the year

Takes the 5 million mark in just 24 days after release. Culture Minister Choi Hwi-young praises the overwhelming zombie acting as “an art form.”
Overwhelming terror that swallowed up theaters, “Swarm” takes the 5 million-viewer milestoneYeon Sang-ho’s universe keeps evolving. “Swarm”, the K-zombie thriller that opens a new chapter for the genre, drove a long run by surpassing 5 million cumulative viewers just 24 days after its release.
| James choi
Spielberg’s ‘Disclosure Day’ Starts With Conspiracy, Ends With Humanity

Spielberg’s ‘Disclosure Day’ Starts With Conspiracy, Ends With Humanity

Released four years after Steven Spielberg turned to an autobiographical story with The Fabelmans, 〈Disclosure Day〉 marks his return to science fiction. Given Spielberg's earlier alien-centered classics Close Encounters of the Third Kind and E. T.
| Seongchan Eol
Review: In 'The Shrine,' the Human Abyss Is Scarier Than Any Demon

Review: In 'The Shrine,' the Human Abyss Is Scarier Than Any Demon

In 〈The Shrine: Whisper of the Demon〉, opening June 17, demons may stalk the screen, but the film argues that the human psyche is more terrifying still.Billed as a meeting of K-shamanism and J-horror, 〈The Shrine: Whisper of the Demon〉 is a Korea–Japan co-production directed by Japanese filmmaker...
| Kim Ji-yeon
‘Disclosure Day’ First Reactions: Cineplay Reporters’ Star Ratings

‘Disclosure Day’ First Reactions: Cineplay Reporters’ Star Ratings

[First Reactions]Today is Disclosure Day: Steven Spielberg’s new sci-fi film 〈Disclosure Day〉 opens in theaters, and Cineplay reporters Sung Chan-eol and Kim Ji-yeon share their first impressions after a press screening.
| Seongchan Eol
BTS Keeps the Afterglow Going With Busan Shows…Lotte Cinema Hosts Late-Night Screenings for ARMY

BTS Keeps the Afterglow Going With Busan Shows…Lotte Cinema Hosts Late-Night Screenings for ARMY

Recliner seats will be kept available for rest until 7 a.m. the next day after the film screenings at the Busan flagship store on the 12th and 13th…A late-night haven for ARMY at home and abroad
A theater wrapped in a violet tide—‘Purple Night in Busan’ for ARMYMore than just a viewing experience, it’s a place for complete rest. Lotte Cinema has unveiled an unprecedented late-night sanctuary built for the world’s ‘ARMY’.
| James choi
Lee Joon-ik and Lee Won-suk’s Short Drama ‘BIFAN’ and ‘New York Film Festival’ Invitation Is a Huge Win, Displaying the Power of K-Short Drama!

Lee Joon-ik and Lee Won-suk’s Short Drama ‘BIFAN’ and ‘New York Film Festival’ Invitation Is a Huge Win, Displaying the Power of K-Short Drama!

Amid the spotlight, master filmmakers Lee Joon-ik and Lee Won-suk’s short-form challenge lands consecutive invitations to Bucheon International Fantastic Film Festival and the New York Asian Film Festival
The fleeting aesthetics seen through a master’s gaze. Director Lee Joon-ik’s ‘Father’s Home-Cooked Meal’ and Director Lee Won-suk’s ‘Beloved Death’ are ready to ignite all five senses of genre-film fans around the world—and short-drama fans alike—with a brief yet forceful narrative.
| James choi
[Photo&] Kim Jae-joong makes a bold transformation as a shaman… Tackles Japan-South Korea horror collaboration “Shinsa: Whispers of the Demon” — at the press screening event

[Photo&] Kim Jae-joong makes a bold transformation as a shaman… Tackles Japan-South Korea horror collaboration “Shinsa: Whispers of the Demon” — at the press screening event

Kim Jae-joong takes on the horror challenge with “Shinsa: Whispers of the Demon,” a differentiated kind of fear built on the fusion of a Korean shaman and Japanese occult lore.
This is the most daring transformation he has made since his debut. ‘Kim Jae-joong’ took on his first ‘horror genre’ in his life and stepped forward for the role of ‘a shaman’ through the film ‘Shinsa: Whispers of the Demon’.
| James choi
FIFTY FIFTY Stars in Short-Drama Film “After School Exorcism Club: Girls’ Night” to Open on June 25

FIFTY FIFTY Stars in Short-Drama Film “After School Exorcism Club: Girls’ Night” to Open on June 25

A theater version of “After School Exorcism Club,” a Kitts premium short-form drama released on May 22, has been set for a standalone theatrical run at CGV, the first such screening for a short drama in South Korea.
Kitts Original Film 〈After School Exorcism Club: Girls’ Night〉 is a teen occult comedy about five quirky high-school girls who band together to drive out the school’s resident ghost. As the theatrical installment of the Kitts premium short-form drama 〈After School Exorcism Club〉, released May 22,...
| Joo Seong-cheol
Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Surpassing 3 million viewers within 10 days of its release, Colony is indisputably the most popular film in theaters right now. Yet despite that box-office success, reactions to Colony are sharply divided — a split that was evident even among Cineplay reporters at a press screening.
| Seongchan Eol
Na Hong-jin’s New Film “Hope” Sets a Record as Top Korean Movie Sells in More Than 200 Countries Before Release

Na Hong-jin’s New Film “Hope” Sets a Record as Top Korean Movie Sells in More Than 200 Countries Before Release

The Cannes Film Festival competition lineup continues as the film scores a pre-sales bonanza across more than 200 countries and regions worldwide Big-name global distributors including Neon and Focus Features are heavily involved, with early signs the film could recoup about half of its net production budget through pre-sales An ultra-luxe global cast led by Hwang Jung-min, Jo In-sung, Jeong Ho-yeon, and Michael Fassbender, with a theatrical release arriving in July
〈Hope〉 was setting new records even before its release. 〈Hope〉 is the latest work by director Na Hong-jin, who previously directed 〈The Chaser〉, 〈Hwanghae〉, and 〈哭聲〉, and it was invited to the competition section at last year's Cannes International Film Festival.
| Seongchan Eol