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‘Spider-Man 4’ Sets This Year’s Fastest Box-Office Run, Topping 3 Million in Just a Single Day After Breaking 2 Million

‘Spider-Man 4’ Sets This Year’s Fastest Box-Office Run, Topping 3 Million in Just a Single Day After Breaking 2 Million

CGV Egg Index holds at 96% and ticket sales rate at 48.3%, drawing praise for “adult Spider-Man” Peter Parker
The return of “adult Spider-Man”… A box-office record with 3 million admissions reached in 5 days This year’s theater box-office landscape has been completely upended. “Spider-Man: Brand New Day” (hereafter “Spider-Man 4”), Marvel’s core IP and a Sony Pictures ambition, surpassed 3 million...
'Spider-Man 4' hauls in 510 billion won in its first weekend… 'Endgame' takes aim at the No. 1 crown

'Spider-Man 4' hauls in 510 billion won in its first weekend… 'Endgame' takes aim at the No. 1 crown

North America’s No. 2 all time by a margin of $2 million… global box-office receipts top 1.33 trillion won
'Spider-Man 4' first weekend 510 billion-won jackpot… aims for the 'Endgame' throne Global total grosses top 1. 33 trillion won, South Korea’s theaters draw 3 million viewers The world’s forgotten hero has returned to take complete control of the global movie theater market.
'Spider-Man 4' draws 680,000 on opening day… Breaks top theater-goer record this year

'Spider-Man 4' draws 680,000 on opening day… Breaks top theater-goer record this year

Series’ best-ever opening performance… 750,000 advance tickets sold and a 96% audience rating
Rebuilding Marvel’s glory, a new chapter of Peter Parker answered by 680,000 moviegoers The rescue ship for the crisis-hit `Marvel Studios` has finally arrived. The film `Spider-Man: Brand New Day`—(hereafter, `Spider-Man 4`)—starring actor `Tom Holland`, surpassed 680,000 people on its first day,...
A legendary ballerina who fell for a breakdancer is reborn as a 3D animation—produced by director Jang Seong-ho for “King of Kings”

A legendary ballerina who fell for a breakdancer is reborn as a 3D animation—produced by director Jang Seong-ho for “King of Kings”

Built with VFX and AI technology to raise the bar for quality
The evolution of a 'K-original'. . . a legendary musical remade as 3D animation to target global theatergoers A legendary original musical that swept across the world beyond South Korea after its premiere in early 2005 returns to the screen.
'Reeducation' and 'Squid Game'… Netflix enters top 10 in all-time viewership, a fourth all-time win for Korean content

'Reeducation' and 'Squid Game'… Netflix enters top 10 in all-time viewership, a fourth all-time win for Korean content

It surpassed 60.2 million views within 8 weeks of release… Netflix ranks it 10th among all-time non-English TV shows
A satisfying rebuke aimed at crumbling school authority shakes up the global charts Netflix original series 'Reeducation', starring actor 'Kim Mu-yeol', is triggering a major shift in living rooms around the world.
'Ilta' casts Lee Chae-min and Roh Yoon-seo… 'What I Decided to Do Was Die' picked… Three-Year Reunion Revealed on the 29th

'Ilta' casts Lee Chae-min and Roh Yoon-seo… 'What I Decided to Do Was Die' picked… Three-Year Reunion Revealed on the 29th

Casting confirmed for the same-titled webtoon adaptation 'What I Decided to Do Was Die'… 'Queen of Tears' director Kim Hee-won co-directs
A three-year reunion amid the web of fate… 'Time Loop' brings together a winning pair for box-office and audience appeal Lee Chae-min and Roh Yoon-seo, who stirred up fresh buzz with audiences earlier, are returning to the home-viewing scene with a fated romance after three years.
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
[Photo&] Yoon Kyung-ho Cries at 23% Ratings Breakthrough for ‘Kim Bujang’… a Netflix No. 1 Upset

[Photo&] Yoon Kyung-ho Cries at 23% Ratings Breakthrough for ‘Kim Bujang’… a Netflix No. 1 Upset

Netflix tops the non-English category for the third straight week, driving a hit after 20 years of obscurity
Yoon Kyung-ho (46), a “top-tier star” who has swallowed both Korea’s home entertainment market and global OTT at the same time, finally poured out hot tears. With SBS Friday-Saturday drama ‘Kim Bujang’ ending on an astonishing “23% ratings”, he also did not forget the pain of being unknown for 20...
[Photo&] ENHYPEN Breaks Through to Its First Ever Comic-Con—Dark Moon Brings Together a Fandom of 200 Million Views

[Photo&] ENHYPEN Breaks Through to Its First Ever Comic-Con—Dark Moon Brings Together a Fandom of 200 Million Views

SDCC panel talk and a bustling booth spotlight the film “Twilight” director and the vampire world
K-pop idols have made their first entry into San Diego Comic-Con , the world’s largest pop-culture festival. The protagonists are the group ‘ENHYPEN’. On the 23rd , they attended the event at the San Diego Convention Center in the United States as panel guests and met the global fanbase of the...
‘Hope’ Director Na Hong-jin Wins Action Cinema Award at the 25th New York Asian Film Festival

‘Hope’ Director Na Hong-jin Wins Action Cinema Award at the 25th New York Asian Film Festival

At this year’s festival, director Na Hong-jin met with Ari Aster, the director behind 〈Hereditary〉 and 〈Midsommar〉.
The hot-button release 〈Hope〉, which has been taking the No. 1 spot at the box office day after day since its debut, was selected as the centerpiece screening at the 25th New York Asian Film Festival and held a North American premiere screening on Monday, July 20.