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[Photo&] Kim Jae-joong makes a bold transformation as a shaman… Tackles Japan-South Korea horror collaboration “Shinsa: Whispers of the Demon” — at the press screening event

[Photo&] Kim Jae-joong makes a bold transformation as a shaman… Tackles Japan-South Korea horror collaboration “Shinsa: Whispers of the Demon” — at the press screening event

Kim Jae-joong takes on the horror challenge with “Shinsa: Whispers of the Demon,” a differentiated kind of fear built on the fusion of a Korean shaman and Japanese occult lore.
This is the most daring transformation he has made since his debut. ‘Kim Jae-joong’ took on his first ‘horror genre’ in his life and stepped forward for the role of ‘a shaman’ through the film ‘Shinsa: Whispers of the Demon’.
| James choi
'Hana Korea' confirms Kim Min-ha's return to the big screen in July, releases character stills packed with an intense story

'Hana Korea' confirms Kim Min-ha's return to the big screen in July, releases character stills packed with an intense story

'Pachinko' global blue-chip Kim Min-ha to star in film based on a true story of a joint Korea-Denmark production Reflecting the harrowing reality and hope of Hye-seon, a North Korean defector trying to move forward in an unfamiliar life Anticipation builds with the addition of Kim Ju-ryeong and Ahn Seo-hyun, with July 8 release set after character-still visuals that capture both unease and resilience
〈Hana Korea〉 has released a still cut of Kim Min-ha, showcasing her commanding presence.〈Hana Korea〉 has released a still cut of Kim Min-ha, showcasing her commanding presence. The film 〈Hana Korea〉 tells the story of Hye-seon, a North Korean defector who, even amid an unfamiliar life, ultimately...
| Seongchan Eol
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
| Joo Seong-cheol
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Seongchan Eol
A Bold Mashup of Teen Drama and Body Horror: “I Want To Be Blonde” Opens on VOD in June

A Bold Mashup of Teen Drama and Body Horror: “I Want To Be Blonde” Opens on VOD in June

The film explores identity and belonging issues facing Asian American teenagers in the U.S. in the format of a genre movie, winning praise A standout from the 2025 SXSW Film Festival featuring Shirley Chen and McKenna Grace delivers an overwhelming sense of immersion Set to land in living rooms in June 2026 through major VOD platforms including the three IPTV providers and Studio Choiсe
I Want To Be Blonde, which combined teen film and body horror and won over audiences, meets Korean viewers on VOD.The film 〈I Want To Be Blonde〉 follows Joann Huang, a Chinese American high school student who lives feeling alienated in American society, and drew major attention after its debut at...
| Seongchan Eol
Supergirl Opens June 24, With an Yeonnam-dong Space Pop-Up Store and Interactive Online Events to Win Over Prospective Fans

Supergirl Opens June 24, With an Yeonnam-dong Space Pop-Up Store and Interactive Online Events to Win Over Prospective Fans

“Supergirl,” an action-packed blockbuster where a cosmic loner takes on absolute evil to find her true path, lands in South Korean theaters on June 24 Ahead of its release, the film runs a special pop-up store at Space Bi in Yeonnam-dong, bringing key locations from the movie to life An interactive online event lets fans decorate a room using a variety of props, with plenty of benefits including original merch
〈Supergirl〉 meets audiences first through an online and offline event. The film 〈Supergirl〉 is an action blockbuster opening on June 24 that follows “Supergirl,” a cosmic anomaly and so-called loner, as she faces absolute evil and finds her own true way, turning her life around.
| Seongchan Eol
FIFTY FIFTY Stars in Short-Drama Film “After School Exorcism Club: Girls’ Night” to Open on June 25

FIFTY FIFTY Stars in Short-Drama Film “After School Exorcism Club: Girls’ Night” to Open on June 25

A theater version of “After School Exorcism Club,” a Kitts premium short-form drama released on May 22, has been set for a standalone theatrical run at CGV, the first such screening for a short drama in South Korea.
Kitts Original Film 〈After School Exorcism Club: Girls’ Night〉 is a teen occult comedy about five quirky high-school girls who band together to drive out the school’s resident ghost. As the theatrical installment of the Kitts premium short-form drama 〈After School Exorcism Club〉, released May 22,...
| Joo Seong-cheol
How Jim O'Rourke's 'Eureka' Set Aoyama Shinji's 〈Eureka〉 in Motion

How Jim O'Rourke's 'Eureka' Set Aoyama Shinji's 〈Eureka〉 in Motion

I am drawn to music in film. At times, music reveals a character's private emotions in ways images and dialogue cannot. It can also open a window into a creator’s hidden intent. For me, understanding film music was one way into the film itself. "Chu A-young's Music Box" listens closely to a film’s voice through its music. (P.S. I hope you listen to the music while you read.)
Director Aoyama Shinji's film 〈Eureka〉 is a road movie about wounded people who travel an endless road in search of the possibility of healing and renewal. The characters, survivors of a terror that shattered ordinary life, set out on a trip to escape the trauma of the incident.
| Chua-young
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol