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Japanese Veteran Actor Sho Kasamatsu Signs Contract With Korea’s Star Platinum, Shares Handwritten Korean Note

Japanese Veteran Actor Sho Kasamatsu Signs Contract With Korea’s Star Platinum, Shares Handwritten Korean Note

Sho Kasamatsu, who made his mark with roles in the film “Good News” and the drama “Taxi Driver 3: Model,” sends a clear signal he will actively work in Korea With strong Korean skills as well, he gets love calls from the industry…showing deep affection for Korean content through a handwritten note he wrote himself News also highlights casting for director Takashi Miike’s Hollywood project, boosting expectations for his global push
Sho Kasamatsu has teamed up with Korean management and previewed even more intense activities. Korean management company Star Platinum announced on June 26 that it has signed a contract with Japanese actor Sho Kasamatsu.
| Seongchan Eol
'Golden Globe' Award Winner Timothée Chalamet’s Madcap Scam: “Marty Supreme” — Obsession With Ping-Pong, Success and Desire

'Golden Globe' Award Winner Timothée Chalamet’s Madcap Scam: “Marty Supreme” — Obsession With Ping-Pong, Success and Desire

An American Dream built on gambling and swindles, with zero hesitation. From the director of “Uncut Gems,” Josh Safdie, and starring Timothée Chalamet, a Golden Globe-winning work.
In 1952 New York, USA, an everyday shoe store sales clerk Marty Mowzer (played by Timothée Chalamet) wins recognition from his boss, his uncle, with exceptional ingenuity. He is offered a steady manager position, but his sights are set only on the dream of becoming “the world’s best table tennis...
| James choi
Japan’s Ultra-Top-Tier Hit ‘Samurai Timeslipper’: Director Yasuda Junichi Makes a Surprise Visit to Korea on June 22

Japan’s Ultra-Top-Tier Hit ‘Samurai Timeslipper’: Director Yasuda Junichi Makes a Surprise Visit to Korea on June 22

A crew of 10 and a total budget of 26 million yen—so low it’s almost unprecedented—has pushed box-office revenue past 1 billion yen.
〈Samurai Timeslipper〉 depicts the journey of an Edo-era samurai who is ‘time-slipped’ into a movie set and ends up working as a beheading specialist actor As the film was released in Japan, starting out in just one theater, word of mouth spread and showings expanded to about 380 theaters across the...
| Joo Seong-cheol
[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

I can’t stop fixating on the objects in the movies. I get pulled into deep thought over why—director, cinematographer, production designer, maybe even an actor—someone put that object in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects from films that landed in my eyes, as if they gently stepped over them.
〈Toy Story 2〉 (1999)’s opening begins as if it were a scene from the 〈Star Wars〉 series. And in the moment of crisis, Woody recites the lines “Think about it, think about it,” like the way Dong-su (Kim Sang-kyung) does in 〈Theater Jeon〉 (2005) or Yeon-hong (Son Ye-jin) does in 〈No Secrets〉 (2016).
| Joo Seong-cheol
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
[Weekend Box Office] Swarm Tops for 3rd Week After Surpassing 4.72 Million… Dong-won Kang’s Wild Thing Debuts in 2nd Place

[Weekend Box Office] Swarm Tops for 3rd Week After Surpassing 4.72 Million… Dong-won Kang’s Wild Thing Debuts in 2nd Place

South Korea’s theaters are in an unprecedented state of infection right now. Created by director Yeon Sang-ho, the K-zombie milestone of ‘Swarm’ has completely wrecked the weekend box office while displaying overwhelming dominance for its third week of release.
| James choi
Nicolas Cage’s Superhero Fandom Helped Fuel His Latest Comeback

Nicolas Cage’s Superhero Fandom Helped Fuel His Latest Comeback

Another Nicolas Cage resurgence has arrived — and no, this isn’t about stocks. Strong early reaction to 〈Spider-Man Noir〉 has put the actor’s long-running superhero fandom back in the spotlight. This article introduces anecdotes about Nicolas Cage, who is known in Hollywood as a prominent superhero...
| Seongchan Eol
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Surpassing 3 million viewers within 10 days of its release, Colony is indisputably the most popular film in theaters right now. Yet despite that box-office success, reactions to Colony are sharply divided — a split that was evident even among Cineplay reporters at a press screening.
| Kim Ji-yeon
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol