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Lee Jung-eun, Kim Moo-yeol reunite in Netflix's

Lee Jung-eun, Kim Moo-yeol reunite in Netflix's "Grandma" after four years — 70-something takes up a gun for her grandson

Noir action series based on a webtoon of the same name; directed by Lee Kwon of "The Killer's Shopping List," with Heo Joon-ho joining as a villain
Lee Jung-eun transforms into a 70-something killer in "Grandma" — reunion after four years sets stage for bloody revenge Netflix original series officially confirmed, directed by Lee Kwon of "The Killer's Shopping List," with Heo Joon-ho and Kim Moo-yeol joining the cast Four years after "Juvenile...
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...
Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.
[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
“The rush of battle is often a potent and lethal addiction, for war is a drug.” The Hurt Locker (2009), which won the 2010 Academy Award for Best Picture, opens with that title card. Director Kathryn Bigelow drew the quotation from War Is a Force That Gives Us Meaning, a 2002 nonfiction book by...
Yeon Sang-ho, Kore-eda to discuss at Toronto festival as ‘Paradise Lost’ returns for second straight year

Yeon Sang-ho, Kore-eda to discuss at Toronto festival as ‘Paradise Lost’ returns for second straight year

The two will attend TIFF Summit together on Sept. 14 to discuss IP adaptations and the global expansion of Asian cinema; ‘Paradise Lost’ and ‘Look Back’ are set for October releases in South Korea.
Two of the leading directors from South Korea and Japan will meet at North America’s largest film festival. Director 'Yeon Sang-ho', whose new film 'Paradise Lost' has been selected for the Special Presentations section of the 51st 'Toronto International Film Festival' for a second consecutive...
3 Picks to Watch Amid the Blockbuster Storm: Family, Battlefield and Revenge

3 Picks to Watch Amid the Blockbuster Storm: Family, Battlefield and Revenge

Although the heat dome largely spared the Korean Peninsula, cinemas are in the grip of a box-office storm. 〈Spider-Man: Brand New Day〉, which opened July 29, and 〈Odyssey〉, which opened August 5, have each surpassed 7 million and 6 million viewers respectively, and have fueled the summer box...
Director Lee Joon-ik’s Short Drama ‘Father’s Home-Cooked Meal,’ Announces 12 Main-Round Entries in Addition to Invitation Screening at the 1st Korea Short Drama Awards!

Director Lee Joon-ik’s Short Drama ‘Father’s Home-Cooked Meal,’ Announces 12 Main-Round Entries in Addition to Invitation Screening at the 1st Korea Short Drama Awards!

Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards, held on Aug. 29 (Sat) at the Korea National University of Arts for Film?
Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards. It was selected as an invited work for the awards ceremony to be held at KOFA Cinematheque, the main venue of the Korea Film Archive located in Sangam-dong, on Aug. 29 .
Kim Ji-yeon’s Jewelry Box: Acting-prodigy sisters Do Yeong-seo and Kim Sia, Netflix’s two ‘granddaughters’

Kim Ji-yeon’s Jewelry Box: Acting-prodigy sisters Do Yeong-seo and Kim Sia, Netflix’s two ‘granddaughters’

I'm curious about people. Even an actor already getting attention might be at their least famous moment right now. "Kim Ji-yeon's Jewelry Box" introduces performers who keep hitting new highs day by day. Treat a rising star like a stock: buy low now.
The Coupang Play series 〈The Affair was Just the Beginning〉, which has released four episodes so far (hereafter 〈The Affair〉), is a series whose appeal lies in peeling back its many layers one by one. Blending cynicism and wry laughter, satire and boldness, the series never loses energy as it...
Bong Joon-ho and Park Chan-wook Take the Stage… Jecheon International Music Film Festival Screens a Record 189 Films

Bong Joon-ho and Park Chan-wook Take the Stage… Jecheon International Music Film Festival Screens a Record 189 Films

A new video directed by Kim Cho-hee features Executive Committee Chair Jang Hang-jun and writer Kim Eun-hee, who both appear in person to grab attention
A gathering of masters returns, bigger than ever '22nd Jecheon International Music Film Festival' , the only music film festival in Asia, announced its dazzling return with record-high screenings and an overwhelming roster of guests. Running from Sept.
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...