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‘Hope’ opens a new chapter for Korean sci-fi… What an overwhelming opening score means Director Na Hong-jin’s ambitious work ‘Hope’ has finally lifted the veil and is shaking up the movie-theater ecosystem. Lightly surpassing 300,000 viewers on its first day of release, it has set a new milestone...

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.

A Deluded Fan Mindset Even in Court: Disruptions as BTS Jin’s First Trial Over Alleged Sexual Assault Stalls The first trial in a case involving a “sudden kiss” aimed at BTS member Jin, a global superstar whose actions shocked people worldwide, ended in farce after the defendant made a blatant...

[In-Depth Analysis] The Return of a $5 Billion Epic—A Mind-Blowing Sci-Fi Thriller Created by the Namhongjin Universe The return of a master who broke a decade of silence is, indeed, overwhelming. 'Hope', which has shaken up the landscape of the Korean film industry, proved its explosive box-office...

Disney's new live-action film 〈Moana〉 debuted at No. 1 at the South Korean and North American box offices over its opening weekend, as new details emerged about newcomer Katherine Lagaia's unusual audition for the title role.

Few actors throw themselves at the impossible the way Jo In-sung does. He runs, hangs on, endures and throws his body into action. In director Na Hong-jin's new film 〈Hope〉, Jo In-sung delivers raw, unpolished action, exuding a wildness and animal instinct as he faces an extraterrestrial...

※ This interview with Jung Hoyeon of 〈HOPE〉 continues from Part 1. Director Na Hong-jin is reputed not to compromise on set. What was it like to experience his filming process firsthand. As a relatively new actor, I felt his unwillingness to compromise was a blessing.

A Meeting of Masters Set to Rattle the Landscape of South Korean Film A massive forum for a renaissance in South Korean cinema finally lifts the veil. For Na Hong-jin’s SF blockbuster 'Hope', the director’s long-awaited return after a decade of silence since 'The Wailing', world-renowned masters...

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.

Few Korean films this year have arrived with expectations as high as 〈Hope〉. The film 〈Hope〉 has, true to its name, been framed as a much‑needed sign of hope for the Korean film industry and carries enormous expectations. Each of those factors has helped make the film a major draw.