Search results for "director interview"

[Interview] Director Kim Byung-woo of 'Omniscient Reader: The Prophet' Says,

[Interview] Director Kim Byung-woo of 'Omniscient Reader: The Prophet' Says, "Lee Min-ho's Face is a Genre and Fantasy Even When He Stays Still"

Director Kim Byung-woo of 〈PMC: The Bunker〉 and 〈The Terror Live〉 solves the most difficult problems in the simplest way. While adapting the vast world of the web novel 'Omniscient Reader' by author Sing Shong into a film, he unfolds the story centered around the most important essence of the...
[Interview] Yoo Min-ho from 'Omniscient Reader: The Prophet' says,

[Interview] Yoo Min-ho from 'Omniscient Reader: The Prophet' says, "Yoo Junghyuk is a character who endures rather than lives"

Actor Yoo Min-ho meets the audience in theaters for the first time in 10 years with the movie 〈Omniscient Reader: The Prophet〉. In this work, he plays the role of Yoo Junghyuk, the protagonist in the novel who clears all scenarios with overwhelming skill, calm judgment, and strength.
[Interview]

[Interview] "A Coming-of-Age Film Grown from Cruelty" 〈When Summer Passes〉 Director Jang Byeong-ki

Cineplay Lee Hwa-jeong Guest ReporterIf you are an adult and still fascinated by coming-of-age films, is a film that embodies exactly those elements. Leaving Seoul to benefit from the special admission program for rural areas, 13-year-old Gi-jun (Lee Jae-jun) arrives in a small provincial town...
[Interview] <Square> Director Choi Sung-eun:

[Interview] Director Choi Sung-eun: "Actually, So Ji-sub was not the first choice..."

There are rules in the square that must be absolutely followed. The moment those rules are broken, blood and desire intertwine in the square. Eleven years ago, Nam Gi-jun left the square after severing his Achilles' heel, but he returns when the rules are broken by his brother's death.
[Interview] Director Yoon Jong-bin Discusses the Behind-the-Scenes of 〈Nine Puzzle〉

[Interview] Director Yoon Jong-bin Discusses the Behind-the-Scenes of 〈Nine Puzzle〉

It's surprising. The fact that the next work of the director of (2012), (2014), and (2022) is such a stylish mystery series. The Disney+ series is like 'curry that tastes like black bean sauce' as described in the drama.

"[Interview] 〈High Five〉 Director Kang Hyung-cheol: 'A Combination of Amazing Actors? I Won the Lottery'"

The response to the movie , which was released on the 30th of last month, is unusual. It recorded the number one spot at the box office during its first weekend and surpassed 400,000 cumulative viewers in just three days after its release.
Interview: Gong Hyo-jin on the bittersweet power of 〈Gyeongju Trip〉 (Part 2)

Interview: Gong Hyo-jin on the bittersweet power of 〈Gyeongju Trip〉 (Part 2)

※The interview with actor Gong Hyo-jin for 〈Gyeongju Trip〉 continues from Part 1. Your chemistry with Park So-dam, who plays the second sister Young-ju, and Lee Yeon, who plays the youngest sister Dong-ju, felt strikingly natural on screen. What was it like working together on set.
[Interview] Gong Hyo-jin on the laugh-and-cry power of 'Gyeongju Trip' (1)

[Interview] Gong Hyo-jin on the laugh-and-cry power of 'Gyeongju Trip' (1)

Gong Hyo-jin’s acting carries an unusually persuasive power. Even a premise in which a character sets out to punish a heinous criminal herself, and a genre blend that shuttles relentlessly between comedy and tears, feel entirely believable because of her.
[Photo &] Kim Hye-soo: “No one will watch just once” After “Now Affairs Aren’t the Problem” Tops the Cumulative #1

[Photo &] Kim Hye-soo: “No one will watch just once” After “Now Affairs Aren’t the Problem” Tops the Cumulative #1

Coupang Play’s series sets a record for the highest-ever cumulative viewership… She flawlessly brings to life a multidimensional character with the sheen of an influencer—and the heart of a “fraud.”
“Kim Hye-soo,” one of South Korea’s leading actresses, has pushed past another limit through the Coupang Play original series “Now Affairs Aren’t the Problem”. The work, which achieved a landmark as the No. 1 in cumulative viewership among all Coupang Play series, is a daring black comedy that...
[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

I can’t help getting captivated by the objects in movies. I find myself in deep thought about why, of all things, the director, cinematographer, production designer, or even the actors would put that item in front of the camera. “Jusungcheol’s Locker” is a record of the film objects that have landed gently on my eyes.
One of the most striking scenes in 〈Odyssey〉 is the one-eyed giant Cyclops that Odysseus and his group encounter in a cave they enter after chasing a ram. With his enormous body blocking the cave like a huge boulder, he devours the humans inside two at a time each day, then sleeps.