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Park Jung-min and Aiki Take the Stage as BIKY Opens on Aug. 8

Park Jung-min and Aiki Take the Stage as BIKY Opens on Aug. 8

The festival expands from Haeundae to West Busan, screening 179 films from 41 countries and holding a star-hosted talk show
BIKY’s evolution: a screen revolt for the next generation, expanding its territory all the way to West BusanThe "21st Busan International Children’s and Youth Film Festival" , which boasts the largest scale in Asia, will kick off its run from Aug. 8 through Aug. 14.
| James choi
ATEEZ Claims No. 1 on Billboard 200 for Third Time Overall…Sets Record for Most Top 10s by a K-Pop Group in the 2020s

ATEEZ Claims No. 1 on Billboard 200 for Third Time Overall…Sets Record for Most Top 10s by a K-Pop Group in the 2020s

Mini 14th album “GOLDEN HOUR : Part.5” tops the US “Billboard 200,” overtaking Olivia Rodrigo and Drake Album units total 228,000 to reset its personal best and million-seller sales as initial shipments surpass 1.88 million After the “Kelly Clarkson Show” on US NBC, ATEEZ also streaks to No. 1 on “Music Bank”…to hold a large-scale fan meeting in Seoul from the 17th to the 19th
The group ATEEZ proved its global presence by topping the US Billboard chart. Big win: Beats Olivia Rodrigo for its third overall No. 1 on the “Billboard 200” According to a chart preview article published by the US music outlet Billboard on May 5 , ATEEZ claimed the No.
| Seongchan Eol
Breakthrough Vertical Format…Lee Joon-ik’s First Short Is ‘Father’s Home-Cooked Meal’ Unveiled by BIFAN

Breakthrough Vertical Format…Lee Joon-ik’s First Short Is ‘Father’s Home-Cooked Meal’ Unveiled by BIFAN

BIFAN is captivated by Lee Joon-ik’s vertical short-form work—a family drama starring Jung Jin-young and Lee Jeong-eun that aims to upend genre limits and is set for a theater release this Chuseok.
A master filmmaker “Lee Joon-ik” flipped screen conventions on their head. “Father’s Home-Cooked Meal”, first unveiled at the 30th “Bucheon International Fantastic Film Festival” , delivers an unprecedented visual jolt in the striking format of a “vertical short-form drama”, and sets out a new...
| James choi
[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.
| Kim Ji-yeon
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
WOWPOINT x Toho and Yeon Sang-ho team up on Netflix series “Gas Human,” released worldwide today

WOWPOINT x Toho and Yeon Sang-ho team up on Netflix series “Gas Human,” released worldwide today

Based on the universe of the original work, the show has been reborn as a completely original story in eight episodes.
Netflix unveiled its Netflix Original series 〈​Gas Human〉 worldwide on July 2. Taking its premise from Toho’s legendary tokusatsu film 《​Gas Human No. 1》 released in 1960, the new series has been reimagined from scratch as a fully original story spanning a total of eight episodes built on the...
| Joo Seong-cheol
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Choo Young-woo wraps Seoul fan meeting, heads to Japan in July

Choo Young-woo wraps Seoul fan meeting, heads to Japan in July

He shared updates on upcoming projects Love Doctor and Long Vacation, and treated fans to a live band set and cover performances
Actor Choo Young-woo met fans at two solo fan meetings in Seoul on June 27, his agency J-Wide Company said. The event, titled "2026 CHOO YOUNG WOO FANMEETING [CHOO-prise. ] in SEOUL," took place at Daeyang Hall at Sejong University in Gwangjin-gu, Seoul.
| Kim Ji-yeon