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'Ilta' casts Lee Chae-min and Roh Yoon-seo… 'What I Decided to Do Was Die' picked… Three-Year Reunion Revealed on the 29th

'Ilta' casts Lee Chae-min and Roh Yoon-seo… 'What I Decided to Do Was Die' picked… Three-Year Reunion Revealed on the 29th

Casting confirmed for the same-titled webtoon adaptation 'What I Decided to Do Was Die'… 'Queen of Tears' director Kim Hee-won co-directs
A three-year reunion amid the web of fate… 'Time Loop' brings together a winning pair for box-office and audience appeal Lee Chae-min and Roh Yoon-seo, who stirred up fresh buzz with audiences earlier, are returning to the home-viewing scene with a fated romance after three years.
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
Yeon Sang-ho confirms production of “Parasite: Tamiya” — another major global Japanese IP project

Yeon Sang-ho confirms production of “Parasite: Tamiya” — another major global Japanese IP project

In the original work, Tamiya Ryoko—who clashes with protagonist Izumi Shinichi—plays a high school teacher who looks human and is a dangerous parasite that threatens humanity.
Netflix said it has confirmed production of Netflix’s Japanese series 〈Parasite: Tamiya〉, scheduled to be released in 2027. Director Yeon Sang-ho and the production company Wowpoint are teaming up again to unveil a new 〈Parasite〉 universe.
Yeon Sang-ho’s 'Paradise Lost' Officially Invited to Toronto Film Festival, Set for October Release

Yeon Sang-ho’s 'Paradise Lost' Officially Invited to Toronto Film Festival, Set for October Release

Following last year’s 〈Face〉, Yeon returns to TIFF’s Special Presentations for a second consecutive year
Director Yeon Sang-ho's new film 〈PARADISE LOST〉 has been officially invited to the Special Presentations section at the 51st Toronto International Film Festival. CJ ENM said on July 21 that 〈PARADISE LOST〉 will screen in the Special Presentations section at the 51st Toronto International Film...
[Photo&] Lee Dong-wook Says Action Is Bigger Than Season 1 as “Killer Mall” Season 2 Debuts on the 22nd

[Photo&] Lee Dong-wook Says Action Is Bigger Than Season 1 as “Killer Mall” Season 2 Debuts on the 22nd

Back after 2 years and 6 months… Kim Hye-jun gunfight action and Okada Masaki join the first Korean project
A 2-year-and-6-month wait that broke the silence—an even bigger world of killers Disney+’s well-made action thriller “Killer Mall” finally opens its second chapter. A Season 2 equipped with a more finely tuned universe and an overwhelming scale—led by actor “Lee Dong-wook”—will unveil on the 22nd.
'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

Na Hong-jin and Hong Kyung-pyo reunited after 'The Wailing.' Jo In-sung’s standout performance, Jeong Ho-yeon’s bold reinvention, and overwhelming SF action—here’s why you need to see it in theaters
Cinematographer Hong Kyung-pyo on 'Hope': "There's madness in 'Hope'...A film you can't find anywhere else" Cinematographer Hong Kyung-pyo said of the film 'Hope,' "Madness is embedded in the work." He added that he wanted to "put the director Na Hong-jin and deliver original images that no one has...
Jo In-sung Struggles to Survive in “HOPE”; Video of Character-Making to Release “Sung-gi” Edition

Jo In-sung Struggles to Survive in “HOPE”; Video of Character-Making to Release “Sung-gi” Edition

“I poured out all the energy I had, and filmed every scene with care, one by one.”
In this video, Jo In-sung can be seen throwing himself into the role of “Sung-gi,” a local young man in Ho-po Port who does whatever it takes to make money. Describing Sung-gi as “a character that reveals the grit to fight for survival,” Jo In-sung proved his standout presence not only through...
Ultra-Scaled K-pop Group Identity Releases New Album Itsnotover

Ultra-Scaled K-pop Group Identity Releases New Album Itsnotover

With 20 of 24 members taking the stage, the group promises a once-in-a-generation performance; the title track “Kids Return” expands its coming-of-age story.
Identity makes its grand return— a turning point in youth shaped by 20 boys “Identity,” which is redefining the paradigm for ultra-scale K-pop, has finally pulled back the curtain. On the 13th, the group hit the ground running with the release of its new album “itsnotover” and threw down a heavy...
[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

※This interview with 〈Hope〉 actor Jo In-sung continues from Part 1. Imagining and acting opposite an imagined being must have been a major challenge. In particular, when Seong-gi confronts a gigantic alien intelligence late in the film, his subtle eye movements and tiny facial shifts were striking.
SBS’s 〈Agent Kim Reactivated〉 Hits No. 1 in Ratings and on Netflix Worldwide: A Review Through Episode 4

SBS’s 〈Agent Kim Reactivated〉 Hits No. 1 in Ratings and on Netflix Worldwide: A Review Through Episode 4

SBS drama 〈Agent Kim Reactivated〉 is dominating both television and streaming, drawing a 21. 6% rating for Episode 4 on July 4, according to Nielsen Korea, and reaching No. 1 globally among non-English Netflix series.