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'Party Rock Anthem' vocalist and G.R.L. group member Lauren Bennett dies at 37

'Party Rock Anthem' vocalist and G.R.L. group member Lauren Bennett dies at 37

Bennett was the mesmerizing voice behind LMFAO’s 2011 mega hit She shaped the pop scene as a British singer, moving through the girl group Paradiso Girls and then G.R.L., and her death has shocked fans worldwide Former bandmates paid tribute in tears, saying, “Our hearts are broken, and we will remember her forever.”
Lauren Bennett (Lauren Bennett·37), the lead vocalist of a shuffle-dance craze that dominated clubs and music charts worldwide in the early 2010s and the voice behind the mega hit “Party Rock Anthem,” has died. ■ An era icon is gone… A sudden obituary shared by G. R. L.
| Yangsimoh
‘Country star’ Nate Smith transforms after losing 31 kg… “I started dieting when tying my shoes made me dizzy, and it’s not over yet”

‘Country star’ Nate Smith transforms after losing 31 kg… “I started dieting when tying my shoes made me dizzy, and it’s not over yet”

He lost 70 pounds without extreme fasting, using ‘food swaps’ and changes to daily habits Nate Smith fully denies drug allegations such as Ozempic… A decisive breakthrough came from guidance on a high-protein diet from his younger brother, a food creator After the weight loss, his spine pain eased and his stage energy exploded… “When I took care of myself, I learned to love other people more”
The top country singer-songwriter Nate Smith (Nate Smith·40), rocking the U. S. pop scene with mega hits such as “World on Fire,” shared dramatic new visuals showing that he has shed as much as 70 pounds (about 32 kg), and he laid out the specific goals and driving force behind his diet.
| Yangsimoh
[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.
| Kim Ji-yeon
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
| Kim Ji-yeon
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

A professor consumed by jealousy and resentment. Choi Hyun-wook, 40 years her junior, earns lavish praise as the master pursues authenticity over box-office results through his acting philosophy
The weight of a tongue that brings disaster, from “Oldboy” to “The Last Line Boy”The Netflix original series “The Last Line Boy”, starring actor Choi Min-sik, brings back the lingering impact of “Oldboy,” a landmark work in the history of Korean cinema.
| James choi
Comedian Lee Sang-jun Eyes Global Expansion With K-Come​​dy—“Lee Sang-jun Show 45” World Tour Is as Big as an Idol’s Schedule!

Comedian Lee Sang-jun Eyes Global Expansion With K-Come​​dy—“Lee Sang-jun Show 45” World Tour Is as Big as an Idol’s Schedule!

“Lee Sang-jun Show,” which drew 18,000 people last year This year, the show will hold a massive world tour across 17 cities in South Korea and 12 cities overseas
A Cross-Border Challenge From K-Comedy—Aiming Globally With Just One MicrophoneComedian “Lee Sang-jun” grabbed a single microphone and launched a bold debut meant to shake up the global comedy market.On the 2nd, MBC C&I officially announced that it will begin in earnest a massive standup comedy...
| James choi
‘OK Madam 2’ Set for Release on Aug. 12! Ready for an All-Out Summer of Comic Action OK!

‘OK Madam 2’ Set for Release on Aug. 12! Ready for an All-Out Summer of Comic Action OK!

Families of former legendary agent Mi-young, who left on a lavish cruise trip, get caught up in a cruise kidnapping incident on the open blue sea.
With the release set nationwide in theaters on Wednesday, Aug. 12, the launch poster for 〈OK Madam 2〉 shows 엄정화 as “Mi-young,” a legendary agent who soon gets pulled into a cruise kidnapping case while on vacation, after briefly living as the owner of an ordinary twisted-dough snack shop.
| Joo Seong-cheol
[Photo &] Netflix’s “Solo Dating 2” Passes 17,000 Applicants, Stronger Narrative Ahead

[Photo &] Netflix’s “Solo Dating 2” Passes 17,000 Applicants, Stronger Narrative Ahead

MC lineup including Seo In-guk and Lee Eun-ji takes the stage— A reality romance return upgraded with a fourfold surge in applicants compared with the previous season and the introduction of new rules.
Between purity and audacity, a reopened project to spark romanceLast year, Netflix original variety show “Mother Sol, But I Want to Date” (hereafter “Solo Dating”) captivated global viewers with raw, unfiltered feelings and returns in Season 2 equipped with an even more solid narrative and twists...
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol