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Search results for "Jeong Min-jun"

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Jung I-seo plays Heo Jun-ho's daughter in Netflix's 'Notes from the Last Row'

Jung I-seo plays Heo Jun-ho's daughter in Netflix's 'Notes from the Last Row'

Co-starring with Choi Min-sik and Choi Hyun-wook, she brings a cold, commanding presence
Jung I-seo plays a mysterious figure in Netflix's 〈Notes from the Last Row〉, adding a cold edge to the suspense drama. The suspense drama follows failed writer and Korean literature professor Heo Mun-oh (Choi Min-sik) after he discovers the genius of Lee Kang (Choi Hyun-wook), a student who sits in...
| Kim Ji-yeon
Choi Min-sik X Choi Hyun-woo’s “The Boy at the Back Row” Hits Global Box-Office Breakout After Release; Enters TOP 10 in 32 Countries Worldwide

Choi Min-sik X Choi Hyun-woo’s “The Boy at the Back Row” Hits Global Box-Office Breakout After Release; Enters TOP 10 in 32 Countries Worldwide

Netflix original series “The Boy at the Back Row” slams into the charts at the top, including in South Korea, Japan and Greece, on the FlixPatrol chart A gripping psychological suspense that targets viewers worldwide, as teacher Heomun-oh and genius engineering student Kang Lee’s attempt to chase creativity turns into an unrelenting standoff An undeniable performance synergy among trusted actors such as Jun Ho Heo, Yoon-jin Kim, Kyung Jin and Jeong-hee Moon, in starring roles by Choi Min-sik and Choi Hyun-woo
〈The Boy at the Back Row〉 has proven its global popularity and has emerged as a new breakout talking point. Within 3 days of release, it tops charts in 32 countries worldwide Netflix original series 〈The Boy at the Back Row〉 scored a quick win after its worldwide simultaneous release on June 26,...
| Seongchan Eol
[BIFAN 2026] Enjoy Bucheon 30 Years 100 Times ③ Lee Choon-yeon Film Award returns, new International Federation of Film Critics prize, and the July Carnival

[BIFAN 2026] Enjoy Bucheon 30 Years 100 Times ③ Lee Choon-yeon Film Award returns, new International Federation of Film Critics prize, and the July Carnival

Kim Se-hoon and Gu Jeong-a will receive the “Lee Choon-yeon Film Award,” and a “FIPRESCI Award for International Film Critics” will also be introduced (FIPRESCI Award).
Two awards will be newly introduced. The 30th Bucheon International Fantastic Film Festival (executive committee chair Shin Cheol, BIFAN) will bring back the “Lee Choon-yeon Film Award” this year and also introduce the “International Federation of Film Critics Award” .
| Joo Seong-cheol
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
| Joo Seong-cheol
TVING personal data leak hits 19.53 million users—bank accounts and passwords breached, up 6.5 million from initial estimates

TVING personal data leak hits 19.53 million users—bank accounts and passwords breached, up 6.5 million from initial estimates

Concerns about identity theft are spreading after refund account information and linked data were exposed.
An unprecedented security disaster—19. 53 million people’s daily lives were exposed The “TVING”, once touted as the pride of Korea’s homegrown OTT, has been swept up in what officials call the worst security scandal in its history. It has been confirmed that “19.
| James choi
Controversial “Reassignment Education,” Yet My Favorite Episode Is…

Controversial “Reassignment Education,” Yet My Favorite Episode Is…

Even in its second week after release, the Netflix series 〈Reassignment Education〉 topped the No. 1 spot among non-English TV shows in the global TOP 10 rankings. Cine Play reporters picked their favorite episodes.
Once again, a high-impact K-content title has burst onto Netflix. The Netflix series 〈Reassignment Education〉, which depicts the relentless efforts of the authority group for protecting teachers’ rights as it takes the side of victims and puts schools back in order, kept its No.
| Kim Ji-yeon
The Era of Martial Arts Has Not Ended! BIFAN’s 30th Anniversary Opening Film “Blades of the Guardians: Wind Rises in the Desert” Hits Korean Theaters in the Second Half of the Year!

The Era of Martial Arts Has Not Ended! BIFAN’s 30th Anniversary Opening Film “Blades of the Guardians: Wind Rises in the Desert” Hits Korean Theaters in the Second Half of the Year!

Bruce Lee’s screen comeback after 14 years, with Director Yuan Huaping of the legendary original comic drama at the helm and action star Wu Jing from Greater China starring as the lead.
Restoring the long-lost impact, a “real” action that thrilled the world A work titled “Blades of the Guardians: Wind Rises in the Desert,” in which Hong Kong martial arts film legend and the master who designed action for “Crouching Tiger, Hidden Dragon” and “The Matrix” takes the megaphone, is...
| Joo Seong-cheol