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1st Korea Short Drama Awards wraps up with director Lee Joo-seung’s “The Woman Upstairs Is a Murderer” winning grand prize

1st Korea Short Drama Awards wraps up with director Lee Joo-seung’s “The Woman Upstairs Is a Murderer” winning grand prize

1st Korea Short Drama Awards holds screenings and ceremony at KOFA Cinematheque on Aug. 29 “The Woman Upstairs Is a Murderer,” directed by “Director’s Arena” winner Lee Joo-seung, takes grand prize and 10 million won Short-drama festival features a Q&A with “Father’s Home Cooking” director Lee Joon-ik, along with excellence, acting and newcomer awards
The Korea Short Drama Awards announced its winners and successfully held its inaugural ceremony. The 1st Korea Short Drama Awards held screenings of invited works and its awards ceremony on Saturday, Aug. 29, at KOFA Cinematheque at the headquarters of the Korean Film Archive in Sangam-dong.
| Seongchan Eol
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...
| Kim Ji-yeon
Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.
| Kim Ji-yeon
3 Picks to Watch Amid the Blockbuster Storm: Family, Battlefield and Revenge

3 Picks to Watch Amid the Blockbuster Storm: Family, Battlefield and Revenge

Although the heat dome largely spared the Korean Peninsula, cinemas are in the grip of a box-office storm. 〈Spider-Man: Brand New Day〉, which opened July 29, and 〈Odyssey〉, which opened August 5, have each surpassed 7 million and 6 million viewers respectively, and have fueled the summer box...
| Kim Ji-yeon
Bong Joon-ho and Park Chan-wook Take the Stage… Jecheon International Music Film Festival Screens a Record 189 Films

Bong Joon-ho and Park Chan-wook Take the Stage… Jecheon International Music Film Festival Screens a Record 189 Films

A new video directed by Kim Cho-hee features Executive Committee Chair Jang Hang-jun and writer Kim Eun-hee, who both appear in person to grab attention
A gathering of masters returns, bigger than ever '22nd Jecheon International Music Film Festival' , the only music film festival in Asia, announced its dazzling return with record-high screenings and an overwhelming roster of guests. Running from Sept.
| James choi
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
First Reactions to 〈Sanyangdeul〉: Cineplay Editor's Rating

First Reactions to 〈Sanyangdeul〉: Cineplay Editor's Rating

[First reactions at the press screening]〈Sanyangdeul〉, a wilderness adventure about four solitary girls who build a refuge of their own and embark on a small-animal rescue mission, opens July 29. Cineplay Editor Joo Sung-chul reviewed the film after its press screening.
| Joo Seong-cheol
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
| Kim Ji-yeon
Namdohyeong Pulls Off 1 Person Playing 5 Roles in “Pig That Escapes Foot-and-Mouth Disease,” With All Veteran Voice Actors; Set for Release on Aug. 5

Namdohyeong Pulls Off 1 Person Playing 5 Roles in “Pig That Escapes Foot-and-Mouth Disease,” With All Veteran Voice Actors; Set for Release on Aug. 5

The animated film “Pig That Escapes Foot-and-Mouth Disease” depicts a massive survival struggle by Pig H and a human icon trying to break free from a system that keeps them contained A large roster of top-tier veteran voice actors has joined, including Namdohyeong Actor Han Woo-jin’s motion-capture performance in a 1-person 30 roles adds to the film’s immersion and vitality
Vocal performances by veteran voice actors from inside “Pig That Escapes Foot-and-Mouth Disease” are drawing anticipation. The animation “Pig That Escapes Foot-and-Mouth Disease” is a story about Pig H and a human icon, locked under the control of a vast system, trying to break free and fight for...
| Seongchan Eol
SBS’s 〈Agent Kim Reactivated〉 Hits No. 1 in Ratings and on Netflix Worldwide: A Review Through Episode 4

SBS’s 〈Agent Kim Reactivated〉 Hits No. 1 in Ratings and on Netflix Worldwide: A Review Through Episode 4

SBS drama 〈Agent Kim Reactivated〉 is dominating both television and streaming, drawing a 21. 6% rating for Episode 4 on July 4, according to Nielsen Korea, and reaching No. 1 globally among non-English Netflix series.
| Kim Ji-yeon