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Search results for "Big Door Cinema"

‘2026 ACC Big Door Cinema’ Wraps Up to Cheers from More Than 3,000 Attendees, Bringing an Urban Cinema Picnic to Autumn Nights

‘2026 ACC Big Door Cinema’ Wraps Up to Cheers from More Than 3,000 Attendees, Bringing an Urban Cinema Picnic to Autumn Nights

Three Korean cinema renaissance classics screened: ‘200 Pounds Beauty,’ ‘The Contact’ and ‘Shiri’… Star guests included Ju Jin-mo, Kim Tae-woo and director Kang Je-gyu
The 2026 ACC Big Door Cinema, a signature outdoor film festival hosted by the National Asian Culture Center , under the Ministry of Culture, Sports and Tourism, and organized by the National Asian Culture Center Foundation , drew more than 3,000 attendees and wrapped up on October 31 to great...
| Kim Ji-yeon
National Asian Culture Center to host 2026 ACC Big Door Cinema from Oct. 29-31

National Asian Culture Center to host 2026 ACC Big Door Cinema from Oct. 29-31

The “One Day, One Master: Fall in Love Cinema” program will feature screenings of “200 Pounds Beauty” (2006), “The Contact” (1997) and “Shiri” (1999), along with appearances by the films’ directors and actors.
The National Asian Culture Center , an institution affiliated with the Ministry of Culture, Sports and Tourism and led by Kim Sang-wook, will host “2026 ACC Big Door Cinema” from Oct. 29 to 31 at the Big Door outdoor stage of Theater 1 at the National Asian Culture Center.
| Joo Seong-cheol
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

After transitioning, Alice has only just been able to choose the life she wants. Eddie says her transition is still ongoing. The film portrays not a momentary change, but an ongoing process of facing oneself.
A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.
| 이화정
[Photos] Koo Kyo-hwan stars as undead 31-year-old job seeker in 'Revival Man: The Red,' who wakes 72 hours after death

[Photos] Koo Kyo-hwan stars as undead 31-year-old job seeker in 'Revival Man: The Red,' who wakes 72 hours after death

Comic-book VFX deliver visceral impact in adaptation of hit webtoon, while Shin Seung-ho and Kang Ki-young join the cast and filmmakers hint at series potential at production briefing
Koo Kyo-hwan's 'Revival Man: The Red' . . . Set for release on the 30th, with 101 minutes of endless resurrection-fueled action and an expanded universe "I thought my life would end just like this, without having accomplished a single thing.
| James choi
Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.
| Kim Ji-yeon
Director Lee Joon-ik’s Short Drama ‘Father’s Home-Cooked Meal,’ Announces 12 Main-Round Entries in Addition to Invitation Screening at the 1st Korea Short Drama Awards!

Director Lee Joon-ik’s Short Drama ‘Father’s Home-Cooked Meal,’ Announces 12 Main-Round Entries in Addition to Invitation Screening at the 1st Korea Short Drama Awards!

Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards, held on Aug. 29 (Sat) at the Korea National University of Arts for Film?
Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards. It was selected as an invited work for the awards ceremony to be held at KOFA Cinematheque, the main venue of the Korea Film Archive located in Sangam-dong, on Aug. 29 .
| Joo Seong-cheol
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.
| Joo Seong-cheol
The King's Warden: Director Jang Hang-jun ②

The King's Warden: Director Jang Hang-jun ② "Park Ji-hoon has a unique charm personally... Yoo Hae-jin has acting skills comparable to national actor Song Kang-ho's one-man show"

▶ 〈The King's Warden〉 Director Jang Hang-jun's interview continues in Part 1. ※ It is specified that descriptions related to the climax of 〈The King's Warden〉 have been narrated. Additionally, in the film, Lee Hong-wi is referred to by his military title 'Noh San-gun', but for the convenience of...
| Seongchan Eol
Until the Day We No Longer Need Bechdel Day! Meeting with Bechdelian Creators of 'Jeongnyeoni', 'Victory', 'High Five', and the Bechdel Day 2025 Event

Until the Day We No Longer Need Bechdel Day! Meeting with Bechdelian Creators of 'Jeongnyeoni', 'Victory', 'High Five', and the Bechdel Day 2025 Event

There is a festival born with the goal of extinction. Bechdel Day is an event that ironically started with the aim of 'disappearing'. Until the day when works that realize the value of gender equality become commonplace, 'Bechdel Day' was established to reflect on the representation of gender...
| Kim Ji-yeon