Search results for "Director Interview"

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※ This interview with director Kim Il-rhan about 〈Eddie Alice: Take〉 continues from the first article. ​ By drawing close to the two people named in the title, Eddie and Alice, the film also seems to invite viewers to compare their choices.

A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.

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We dream. We love like 〈Once〉, yearn with the desperation of 〈Begin Again〉, and hope like 〈La La Land〉. Whatever it is, your 20s are a time of hardship and brilliance when you spend them pursuing what you love. Because you have a dream.

〈Street Fighter〉 is back. In 1993, fated rivals Ryu and Ken join the World Warrior Tournament at the invitation of Chun-Li , a mysterious woman. The tournament is an arena where fists, fate and fury collide in brutal fashion.

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Director Ahn Jae-hoon says he turned to the skies and water in master paintings to shape the visual world of 〈Gills〉, his new animated adaptation of Gu Byeong-mo's novel 『Gills』. Ahn Jae-hoon, known for lyrical animation such as 〈Dream of a Precious Day〉 (2011), 〈Buckwheat Flowers, A Lucky Day, and...

In her travel memoir 〈The Faraway Nearby〉, Rebecca Solnit writes that she learned by setting out on the road that “the longest journey a traveler makes is the journey within. ” Travel, she says, “changes not only the location of the body, but also the location of memory and imagination.