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Seoul City Offers Free Movie Screenings Under Hangang Bridges for ‘Hangang Bridge-Theater’—Shows Set for Aug. 3rd Week Saturdays Under Cheongdam Bridge and Cheonho Bridge

Seoul City Offers Free Movie Screenings Under Hangang Bridges for ‘Hangang Bridge-Theater’—Shows Set for Aug. 3rd Week Saturdays Under Cheongdam Bridge and Cheonho Bridge

Screenings run at night on Aug. 15 and 22 at three locations in Yeouido, Ttukseom, and Gwangnaru, with English subtitles for all films and a benefit for the first 300 people.
Seoul’s summer nights transform the space beneath its piers into a massive outdoor theater in the heart of the city. Seoul City said Tuesday that it will run ‘Hangang Bridge-Theater’ every Saturday from Aug. 8 through Aug. 22, starting at 8 p. m.
| James choi
Enjoy 92 Independent Films at Home... Opening of the '2025 Independent Film Library'

Enjoy 92 Independent Films at Home... Opening of the '2025 Independent Film Library'

Hosted by the Korean Film Council's Indie Ground, free screenings from February 6 for 20 days... Featuring popular works such as 〈3rd Year 2nd Semester〉
The Indie Ground, a distribution support center for independent and art films established by the Korean Film Council (Chairman Han Sang-jun), will hold the ‘2025 Independent Film Library Special Week’ from February 6 to February 25 for 20 days.
| Chua-young
Korean Film Archive Holds Special Exhibition in Memory of the Late Ahn Seong-ki... 10 Representative Works Released for Free on YouTube

Korean Film Archive Holds Special Exhibition in Memory of the Late Ahn Seong-ki... 10 Representative Works Released for Free on YouTube

10 Representative Works from the 1980s and 1990s Released for Free in HD and 4K Restoration on YouTube Channel
The Korean Film Archive held an online special exhibition to commemorate actor Ahn Seong-ki, who passed away on the 5th. On the 9th, the Korean Film Archive released 10 representative works of Ahn Seong-ki from the 1980s and 1990s for free on its YouTube channel 'Korean Classic Films'.
| 김지민

"[2024 JIFF] The Festival Has Begun. Enjoy the 25th Jeonju International Film Festival Movies and Events for Free!"

This year, following the complete cut of the government's budget for regional film culture revitalization, the budget for film festival support from the Korean Film Council has decreased by about 54% compared to last year, deepening the concerns of the local film industry.
| Cineplay
[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
| 이화정
'Humor and Fantasy in Marty Supreme' and the Freedom Josh Safdie Won

'Humor and Fantasy in Marty Supreme' and the Freedom Josh Safdie Won

After Josh Safdie split from his brother Benny Safdie, his solo directorial debut 〈Marty Supreme〉 is packed with a different kind of humor and fantasy than before.
〈Marty Supreme〉 is similar to Josh Safdie’s earlier works, but also different. The most decisive factor is that after going through 〈Heaven Knows What〉 (2014), 〈Good Time〉 (2017), and 〈Uncut Gems〉 (2019), which they co-directed under the name “Safdie Brothers” with his younger brother Benny Safdie,...
| Joo Seong-cheol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

‘Shadow Child’ Review: A Fantastical World Rooted in the Real Pain of Absence, Plus What Its Key Players Had to Say

Blending realist grounding with a genre mood is difficult. Capturing the border between those two seemingly different realms and turning it into a film is no easy task. Even in South Korea’s film industry, where tightly executed genre movies and grounded, reality-driven stories dominate, films that...
| Seongchan Eol
Hong Kong Retro Movie Tour ② “Comedy King,” Stephen Chow’s Film Where You Never Get Tired of Just Staring at the Sea All Day at Sek O Beach

Hong Kong Retro Movie Tour ② “Comedy King,” Stephen Chow’s Film Where You Never Get Tired of Just Staring at the Sea All Day at Sek O Beach

Among Hong Kong films, it seems there is none that so deeply absorbs the mood of a place as much as Comedy King. With the exception of the film sets and a nightclub or two, it was shot almost entirely at Sek O Beach, located at the far southeastern tip of Hong Kong Island.
| Joo Seong-cheol