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Sung Yuri Returns with Support from Lee Hyori...

Sung Yuri Returns with Support from Lee Hyori... "I Gained Weight Up to 80kg, Finally Lost It, So Tired of It" (Going All the Way)

Former Fin. K. L member Sung Yuri made her return to broadcasting after two years, candidly sharing her struggles with dieting after pregnancy and childbirth. On the 4th, she appeared on tvN's health solution program 'Going All the Way', breaking her long hiatus in front of viewers.
[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 3: “As Adults, We Must Pass On a Society Where People Can Live as Themselves”

[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 3: “As Adults, We Must Pass On a Society Where People Can Live as Themselves”

※ This interview with human rights activist Shin Sugok of 〈Horoomon〉 continues from Part 2. You have said, “I hope the next generation gets a free ride in a world without discrimination,” but you have also told them, “I'm sorry.
[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 2: “Japan's Conscience Saved Me; Minorities Need the Majority's Strength to Fight”

[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 2: “Japan's Conscience Saved Me; Minorities Need the Majority's Strength to Fight”

※ This interview with human rights activist Shin Sugok of 〈Horoomon〉 continues from Part 1. In this age of algorithms, people's beliefs and opinions often become even more entrenched. As a human rights activist, how do you think we can break through that.
[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 1: “Discrimination Persists Because Japan Has Never Examined Its Own Actions and Reflected on Them”

[Interview] 'Horoomon' Human Rights Activist Shin Sugok, Part 1: “Discrimination Persists Because Japan Has Never Examined Its Own Actions and Reflected on Them”

One individual won a legal battle against a corporation. But what followed was not a jubilant cheer, but a sigh of relief at finally being able to catch her breath. The documentary 〈Horoomon〉, opening November 11, retraces human rights activist Shin Sugok's defamation lawsuit against DHC Television.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

After transitioning, Alice was finally able to choose the life she wanted. Eddie says transition is still ongoing. The film depicts not a moment of change, but a process of continually facing oneself.
※ This interview with director Kim Il-rhan about 〈Eddie Alice: Take〉 continues from the first article. ​ By drawing close to the two people named in the title, Eddie and Alice, the film also seems to invite viewers to compare their choices.
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

After transitioning, Alice has only just been able to choose the life she wants. Eddie says her transition is still ongoing. The film portrays not a momentary change, but an ongoing process of facing oneself.
A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.
Kim Min-ha, Lee Hee-jun, Director Kim Da-min and Executive Producer Han Jun-hee Celebrate ‘Dead-End Job’ Press Conference

Kim Min-ha, Lee Hee-jun, Director Kim Da-min and Executive Producer Han Jun-hee Celebrate ‘Dead-End Job’ Press Conference

Set at a bizarre employment agency that offers only “perfect part-time jobs” paying up to 50 times the usual hourly rate, the series follows Hyuk-jun, a young man sent to nightmarish workplaces.
Dead-End Job, a livelihood horror series set at a bizarre employment agency that offers only “perfect part-time jobs” paying up to 50 times the usual hourly rate, follows Hyuk-jun, a young man sent to nightmarish workplaces. The series held a successful press conference on Wednesday the 28th.
MC Hyeri, Hong Jin-kyung, Juun.J, Bae Jung-nam and Choi the Stylist Judge ‘Style Wars’—First Stills Revealed!

MC Hyeri, Hong Jin-kyung, Juun.J, Bae Jung-nam and Choi the Stylist Judge ‘Style Wars’—First Stills Revealed!

Age, profession and experience don’t matter! A nationwide fashion survival show where 72 people passionate about fashion go head-to-head on style alone premieres November 11.
Premiere date confirmed for November 11, Disney+’s original unscripted series 〈Style Wars〉 is a nationwide fashion survival show where 72 people passionate about fashion, regardless of age, profession or experience, go head-to-head on style alone.
[Film Festival] 16th Seoul International PRIDE Film Festival: Five Picks ① — “Open Pride” Section: “Transgender People Take Center Stage”

[Film Festival] 16th Seoul International PRIDE Film Festival: Five Picks ① — “Open Pride” Section: “Transgender People Take Center Stage”

Tickets for the 16th Seoul International PRIDE Film Festival, running Nov. 5-11, go on sale at 4 p.m. on Friday, Oct. 23.
PRIDE is a symbolic word that expresses the self-esteem of sexual minorities and encompasses all LGBTQIA+ people. A showcase of solidarity that brings some of the world’s best queer films to Korean audiences, the 16th Seoul International PRIDE Film Festival begins ticket sales at 4 p. m.
Director Kim Da-min and Executive Producer Han Jun-hee Reveal the Story Behind Dead-End Job, a Horror Series About the Struggle to Make a Living

Director Kim Da-min and Executive Producer Han Jun-hee Reveal the Story Behind Dead-End Job, a Horror Series About the Struggle to Make a Living

Premiering October 30, the Netflix series 〈​Dead-End Job​〉​ follows young Hyuk-jun through nightmarish workplaces, beginning with a strange employment agency offering jobs that pay 50 times the usual hourly wage.
Premiering Friday, October 30, the Netflix series 〈​Dead-End Job​〉​is a horror series about the struggle to make a living, set at a strange employment agency that offers only “dream jobs” paying at least 50 times the usual hourly wage.