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Search results for "filming locations"

'The Odyssey' filmed here? Three Moroccan landmarks that drew 2,000 extras

'The Odyssey' filmed here? Three Moroccan landmarks that drew 2,000 extras

From a 10.7-meter life-size Trojan horse set to breathtaking scale, Ait Ben Haddou, Essaouira and Marrakech are back in the spotlight
Christopher Nolan's 'The Odyssey' spotted, mystery of the red desert where a 10.7-meter horse was built Three Moroccan landmarks that drew 2,000 extras, from a UNESCO World Heritage site to an Atlantic port, come into focus As legendary director 'Christopher Nolan''s new film 'The Odyssey' becomes...
| James choi
An Online Guide to the Locations in Nolan’s 〈Odyssey〉

An Online Guide to the Locations in Nolan’s 〈Odyssey〉

Matt Damon said filming Christopher Nolan’s 〈Odyssey〉 felt like “shooting seven films at once. ” Nolan, who favors analog cinematography, shot the film on location across North Africa and Europe. Christopher Nolan’s 〈Odyssey〉 filmed across Morocco, Greece, Scotland, Iceland and Italy.
| Seongchan Eol
'Goblin' and 'Queen of Tears' among 40 dramas unite to reveal personalized travel destinations

'Goblin' and 'Queen of Tears' among 40 dramas unite to reveal personalized travel destinations

Exhibition highlights filming locations and runs with Studio Dragon at Seoul's HiKR Ground through Nov. 19
Korea Tourism Organization's HiKR Ground exhibition offers personalized travel itineraries based on visitors' preferences through Nov. 19 'Korea Tourism Organization' is partnering with 'Studio Dragon' to host the 'K-Drama Experience Exhibition' at 'HiKR Ground' in Jung-gu, Seoul, through Nov. 19.
| James choi
Lee Hwi-hyang’s First Film Lead ‘Family Trip’ Holds Press Screening

Lee Hwi-hyang’s First Film Lead ‘Family Trip’ Holds Press Screening

The film 〈Family Trip〉, opening Sept. 30, held a press and distribution screening attended by co-directors Jeong Jong-seop and Kim Jeong-tae and lead actors Lee Hwi-hyang, Seo Young-hee, Nam Kyeong-eup and Hong Jeong-min.
One destination, five hidden agendas. 〈Family Trip〉, a road movie about a family closer to strangers than relatives, held a well-attended press and distribution screening at 4:30 p. m. Tuesday, Sept. 15, at Lotte Cinema Konkuk University Entrance.
| Joo Seong-cheol
[Photo &] “Odyssey” Dumps CGI, Builds a 10m Trojan Horse and Drinks in 640km of Film—A 10m Trojan Horse and an 18m One-Eyed Monster

[Photo &] “Odyssey” Dumps CGI, Builds a 10m Trojan Horse and Drinks in 640km of Film—A 10m Trojan Horse and an 18m One-Eyed Monster

Matt Damon calls it “the toughest project” … Real-life set work covering 10,000㎡ and even an 18m monster brought to the screen after a 20-year dream
Christopher Nolan’s masterpiece “Odyssey” is sending shockwaves through movie theaters worldwide. By bucking the complacent current of the modern film industry that relies on computer graphics —and even directly constructing a full-size Trojan Horse on a 10m scale—the result maximizes Nolan’s...
| James choi
From a 10-Meter Trojan Horse to a Seaworthy Ship: The Behind-the-Scenes Story of Nolan’s New Film ‘Odyssey’

From a 10-Meter Trojan Horse to a Seaworthy Ship: The Behind-the-Scenes Story of Nolan’s New Film ‘Odyssey’

Christopher Nolan’s long-gestating passion project finally reached theaters in South Korea on Aug. 5, with 〈Odyssey〉 reimagining Homer’s 「Odyssey」 as a modern blockbuster. 「Odyssey」—written around the 8th century BCE—is widely regarded as a pinnacle of ancient Greek literature and is often...
| Kim Ji-yeon
Passion Behind the Camera Beyond the Lens! Behind-the-Scenes Stills Shot by Cinematographer Hong Kyung-pyo Unveiled for “Hope”!

Passion Behind the Camera Beyond the Lens! Behind-the-Scenes Stills Shot by Cinematographer Hong Kyung-pyo Unveiled for “Hope”!

Photos directly captured by cinematographer Hong Kyung-pyo bring the atmosphere on set to life.
The released behind-the-scenes stills capture everything from the sweeping scenery at the filming locations to moments that show the intense drive of the staff and actors as they work to complete the production.
| Joo Seong-cheol
'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

Na Hong-jin and Hong Kyung-pyo reunited after 'The Wailing.' Jo In-sung’s standout performance, Jeong Ho-yeon’s bold reinvention, and overwhelming SF action—here’s why you need to see it in theaters
Cinematographer Hong Kyung-pyo on 'Hope': "There's madness in 'Hope'...A film you can't find anywhere else" Cinematographer Hong Kyung-pyo said of the film 'Hope,' "Madness is embedded in the work." He added that he wanted to "put the director Na Hong-jin and deliver original images that no one has...
| James choi
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
| Joo Seong-cheol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정