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Choi Min-sik × Choi Hyun-wook Netflix “The Boy at the Back Line” Released Today (26) — Three Things to Watch

Choi Min-sik × Choi Hyun-wook Netflix “The Boy at the Back Line” Released Today (26) — Three Things to Watch

A gripping suspense that digs into raw, private emotions and a cliffhanger ending that upends expectations are previewed ‘A-list actor’ Choi Min-sik and ‘top-billed’ Choi Hyun-wook deliver an airtight on-screen ensemble and overwhelming character command Director Kim Gyu-tae’s meticulous production and a frame-within-a-story setup with strong pull
Netflix has revealed three things to watch ahead of the release of 〈The Boy at the Back Line〉. Turbulent psychology and intense suspense Netflix original series 〈The Boy at the Back Line〉 depicts what happens when Heo Mun-oh, a professor but a failed writer, meets Lee Kang, a young man with...
| Seongchan Eol
[Sung Chan-eol's Manga Books] Before Conan, There Was Yaiba: Gosho Aoyama's Shonen Manga 「Yaiba」

[Sung Chan-eol's Manga Books] Before Conan, There Was Yaiba: Gosho Aoyama's Shonen Manga 「Yaiba」

I'm crazy about subculture. Beyond movies, I check out anything that explores fresh stories, ideas or characters, whether webtoons, games, manga or anime. Manga opened the door to fandom for me, and I've become a "kidult" who reads manga as e-books and webtoons on a smartphone.
| Seongchan Eol
“I wanted to talk about the beauty of small, insignificant things”: ‘The Table: Day and Night’ Press Screening and Press Conference Wrap Up

“I wanted to talk about the beauty of small, insignificant things”: ‘The Table: Day and Night’ Press Screening and Press Conference Wrap Up

A delightful, lovely film about conversations between day and night, who spend time at a café as the seasons pass.
The film 〈The Table: Day and Night〉 held a successful press screening and press conference ahead of its November 4 release. A delightful, lovely film about conversations between day and night, who spend time at a café as the seasons pass, 〈The Table: Day and Night〉 wrapped up its press screening...
| Joo Seong-cheol
[Kim Ji-yeon's Treasure Box] The Cast of ‘Sing Sing’ Played Themselves, Including Clarence ‘Divine Eye’ Maclin

[Kim Ji-yeon's Treasure Box] The Cast of ‘Sing Sing’ Played Themselves, Including Clarence ‘Divine Eye’ Maclin

People fascinate me. Even actors who have already drawn attention may be living through their least-famous days right now. ‘Kim Ji-yeon's Treasure Box’ introduces actors whose stars keep rising. Consider this your chance to get in early.
Calling them nonprofessional actors would itself be an insult. They may be newcomers to screen acting, but they had already spent years performing onstage in prison. They are the cast of 〈Sing Sing〉. 〈Sing Sing〉 follows Divine G , imprisoned at New York’s Sing Sing Correctional Facility after a...
| Kim Ji-yeon
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

After transitioning, Alice was finally able to choose the life she wanted. Eddie says transition is still ongoing. The film depicts not a moment of change, but a process of continually facing oneself.
※ This interview with director Kim Il-rhan about 〈Eddie Alice: Take〉 continues from the first article. ​ By drawing close to the two people named in the title, Eddie and Alice, the film also seems to invite viewers to compare their choices.
| 이화정
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

After transitioning, Alice has only just been able to choose the life she wants. Eddie says her transition is still ongoing. The film portrays not a momentary change, but an ongoing process of facing oneself.
A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.
| 이화정
Kim Min-ha, Lee Hee-jun, Director Kim Da-min and Executive Producer Han Jun-hee Celebrate ‘Dead-End Job’ Press Conference

Kim Min-ha, Lee Hee-jun, Director Kim Da-min and Executive Producer Han Jun-hee Celebrate ‘Dead-End Job’ Press Conference

Set at a bizarre employment agency that offers only “perfect part-time jobs” paying up to 50 times the usual hourly rate, the series follows Hyuk-jun, a young man sent to nightmarish workplaces.
Dead-End Job, a livelihood horror series set at a bizarre employment agency that offers only “perfect part-time jobs” paying up to 50 times the usual hourly rate, follows Hyuk-jun, a young man sent to nightmarish workplaces. The series held a successful press conference on Wednesday the 28th.
| Joo Seong-cheol
[Seong Chan-eol’s Comic Books] Meet Your Own Team of “Loser Heroes” in Dispatch

[Seong Chan-eol’s Comic Books] Meet Your Own Team of “Loser Heroes” in Dispatch

I’m obsessed with subculture. Whether it’s a movie, webtoon, game, comic book or animated series, I’ll check out anything with an inventive story, premise or characters. Comic books opened the door to fandom for me; now I’m a grown-up kid who reads comics as e-books and webtoons on my phone.
| Seongchan Eol
[Interview] A Love Letter to Life, Humanity and Korea: ‘Journey There’ Star Justin H. Min, Part 2

[Interview] A Love Letter to Life, Humanity and Korea: ‘Journey There’ Star Justin H. Min, Part 2

※The interview with Justin H. Min about 〈Journey There〉 continues from Part 1. As we discussed earlier, music plays an important role in this film, and you play a conductor. The concert scene at the end was especially striking. How did you prepare for it.
| Kim Ji-yeon
[Interview] A Love Letter to Life, Humanity and Korea: Justin H. Min on ‘Journey There,’ Part 1

[Interview] A Love Letter to Life, Humanity and Korea: Justin H. Min on ‘Journey There,’ Part 1

A deeply human story has found a deeply human actor. Min-jun (Justin H. Min) uses informal speech with Chun-hee (Kim Hye-ok) the moment they meet. Unaware of the hierarchy, etiquette and subtle distance between formal and informal Korean, the outsider’s familiar way of speaking becomes less an...
| Kim Ji-yeon