Jo Woo-jin, Jung Kyung-ho, and Park Ji-hwan's Chuseok Movie 'Boss', Action Stills Released!

The movie 〈Boss〉 coming to theaters this Chuseok has released 5 variety action stills that vividly showcase each character's personality. 〈Boss〉 is a comic action film that depicts the desperate battles of organization members who fiercely 'yield' the boss position to each other for their own dreams, ahead of the election of the next boss that determines the future of the organization.

The released stills spark curiosity as they provide a glimpse into the unique action styles of each character. First, in the midst of a fierce duel scene with enemies lying all around, 'Soo-tae' (Jo Woo-jin) wearing work gloves, 'Kang-pyo' (Jung Kyung-ho) wielding a wooden sword, and 'Pan-ho' (Park Ji-hwan) using a gas canister as a weapon showcase their respective weapons, hinting at distinctive action scenes. The still of 'Soo-tae' throwing a bowl of black bean noodles to start a fight resonates with actor Jo Woo-jin's words, "Characters must be reflected in the action," as it instantly conveys the dual character of 'Soo-tae', the second-in-command of the organization and the chef of the Chinese restaurant 'Mimi-ro'. 'Soo-tae's action style, utilizing all surrounding objects, evokes the legendary 'Jackie Chan' action, promising a humorous and delightful thrill.

Meanwhile, 'Kang-pyo', who has established a solid position as the successor of the 'Sikgupa', initially used a wooden sword with a clean and agile posture when he wanted to become the boss, but after falling into tango, he showcases a completely different action performance that will deliver a fresh charm. The sight of 'Kang-pyo' seemingly dancing with 'Pan-ho' creates curiosity as it reveals an elegant yet unprecedented 'tango' action style. Lastly, the only boss candidate and number 3 of 'Sikgupa', 'Pan-ho', striking a duel pose with his arms wide open, evokes a comic atmosphere while reminiscent of the traditional Chinese martial art 'Tanglangquan', adding diverse charm. Particularly, the 'Tanglangquan' action, where the body moves before the head, harmonizes with 'Pan-ho's character, promising a new action style that can only be seen in 〈Boss〉. The distinct action styles overflowing with charm from the three characters 'Soo-tae', 'Kang-pyo', and 'Pan-ho' heighten expectations for how they will be vividly portrayed in the film.