Search results for "Deprivation"

Co-directed by Kim Sol-hae and Lee Do-jin, 〈Deprivation〉 is generating anticipation as it unveils a main poster and trailer that leave a deep impression ahead of its release. 〈Deprivation〉 realistically captures the daily lives of a couple worn out after a long IVF process, calmly portraying the...

〈In Chace and Rage〉’s Tang Wei, no one could have believed she was a newcomer. The turbulent years of Japanese colonial rule and the shadows of a restless desire are compressed entirely into Tang Wei’s expressions and gestures.

A strange fantasy drama 〈Little Dreamerz〉 in which ‘Geon-woo,’ standing at a dead end, and ‘Mina,’ a wandering teenage girl, search for traces of the dreamworld presence ‘Yoseob,’ has announced a strong lineup of actors who have shown their own color as they move across various films and OTTs.

A modern societal ailment in which people hide behind the chilling mask of anonymity and slash at others’ character. The idol standing at the center of that violence often becomes a modern-day scapegoat, reflecting the public’s warped cravings and sense of deprivation.

Retro is the trend. In the fashion, music and props of young people in their 20s, there’s nowhere that a Y2K sensibility hasn’t managed to seep in. Director Han Chang-rok, born in 1990 and a graduate of the Korea National University of Arts film school, pulls this retro sensibility straight onto...

An Unexpected Gamble That Shook Colombia’s Presidential Race, Blurring the Lines Between Politics and CultureOn the modern political stage, “image making” is not just packaging—it is the core mechanism of power.

Two chilling faces of 'Roco Queen,' and the blood-red return of 'Shin Min-a'Actress 'Shin Min-a', whose charm has been etched into the public's memory, returns with the cold, sense-shattering thriller 'Eye'. In what is her first challenge since debut—taking on two roles in one person—she plays both...

▶〈Trainer〉 Seo Eun-seon, the director’s interview continues from Part 1. Their relationship, full of mutual hostility, keeps creating tension in the film—and gives it a reason for incidents to happen. ​Yes. It feels like they each hold the other’s leash. Ha-yeong is afraid of Sora because of the past.

A noteworthy “intruder” has appeared in Korean independent cinema. A director who brings uncomfortable things, things you want to hide, and things that get under your skin right to the front—stimulating the audience’s senses.

After saying 'I enjoyed it,' I always feel like tacking on a 'but. ' Maybe it's my innate contrarian streak. No matter how entertaining a movie or drama is, there's always one thing I want to point out. I pick at that nagging detail and write 'A Pinch by Kim Ji-yeon.