LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "Don’t stop the camera"

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-rhan on “Eddie Alice: Take,” Part 2

After transitioning, Alice was finally able to choose the life she wanted. Eddie says transition is still ongoing. The film depicts not a moment of change, but a process of continually facing oneself.
※ This interview with director Kim Il-rhan about 〈Eddie Alice: Take〉 continues from the first article. ​ By drawing close to the two people named in the title, Eddie and Alice, the film also seems to invite viewers to compare their choices.
| 이화정
[2026 BIFF] Lee Chang-dong, Jeon Do-yeon, Seol Kyung-gu, Jo In-sung and Cho Yeo-jeong on 〈Possible Love〉: 'The Moon Shines Equally on Everyone'

[2026 BIFF] Lee Chang-dong, Jeon Do-yeon, Seol Kyung-gu, Jo In-sung and Cho Yeo-jeong on 〈Possible Love〉: 'The Moon Shines Equally on Everyone'

Director Lee Chang-dong’s first film in eight years, 〈Possible Love〉, was shown at the 31st Busan International Film Festival . Invited to the Icon section, the film met domestic film festival audiences for the first time after becoming the first Korean film to win the Grand Jury Prize at the 83rd...
| Kim Ji-yeon
[Written Interview] 'Street Fighter' ④ Kalina Liang on playing Chun-Li: “Everything you see in the film is my real body.”

[Written Interview] 'Street Fighter' ④ Kalina Liang on playing Chun-Li: “Everything you see in the film is my real body.”

Ryu (Andrew Koji) and Ken (Noah Centineo), fated rivals, enter the World Warrior Tournament at Chun-Li's (Kalina Liang) invitation.
​ ▶ 〈Street Fighter〉 continues from the interview with Andrew Koji, who plays Ryu.
| Joo Seong-cheol
[Written Interview] 'Street Fighter,' Part 2: Noah Centineo, Who Plays Ken Masters, Says Ken's Best Move Is

[Written Interview] 'Street Fighter,' Part 2: Noah Centineo, Who Plays Ken Masters, Says Ken's Best Move Is "Pretending to Be Extremely Confident."

Fateful rivals Ryu (Andrew Koji) and Ken (Noah Centineo) join the “World Warrior Tournament” at Chun-Li’s (Callina Liang) suggestion.
​ ▶ Continues from the interview with Street Fighter director Kitao Sakurai.
| Joo Seong-cheol
Critic Kim Na-hee on ‘Assassin(s),’ “With a Pen, With the Body, and Through Music” ①

Critic Kim Na-hee on ‘Assassin(s),’ “With a Pen, With the Body, and Through Music” ①

※ This article includes plot developments from the latter part of the film and its epilogue. ​ Heo Jin-ho’s 〈Assassin 〉 rings out with six gunshots. But what the film tracks to the end is not the bullets, but the questions left behind where the shots passed. Who fired. How many rounds were fired.
| 김나희
Nolan’s 〈Odyssey〉 Hits 10 Million in Korea — and Raises Bigger Questions

Nolan’s 〈Odyssey〉 Hits 10 Million in Korea — and Raises Bigger Questions

Nolan has surprised audiences again. Director Christopher Nolan's new film 〈Odyssey〉 surpassed 10 million admissions on September 6. To mark the milestone, Cineplay’s reporters revisited the questions and reservations the film left with each of us.
| Kim Ji-yeon
[GV] Bong Joon-ho Praises Na Hong-jin’s New Film “Hope” as a “Breathtaking Spectacle of Unleashed Madness”

[GV] Bong Joon-ho Praises Na Hong-jin’s New Film “Hope” as a “Breathtaking Spectacle of Unleashed Madness”

SF film “Hope,” starring Hwang Jung-min and Jo In-sung, makes rounds at the GV event… “Awe-inspiring suspense and surprising exhilaration”
A master filmmaker’s praise, opening a new horizon for Korean science fiction “I kept my eyes on the screen, even amid a runaway rush of excitement. ” Global maestro “Bong Joon-ho” offered the rousing tribute after he met “Na Hong-jin”’s latest work “Hope”.
| James choi
Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Few actors throw themselves at the impossible the way Jo In-sung does. He runs, hangs on, endures and throws his body into action. In director Na Hong-jin's new film 〈Hope〉, Jo In-sung delivers raw, unpolished action, exuding a wildness and animal instinct as he faces an extraterrestrial...
| Kim Ji-yeon
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정