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Takes Up a Guitar Instead of a Piano: Kim Gun-mo Returns With a New Song in 10 Years, “I Wonder Where I’m Heading”

Takes Up a Guitar Instead of a Piano: Kim Gun-mo Returns With a New Song in 10 Years, “I Wonder Where I’m Heading”

Back with a remake of a classic 1977 hit, after 10 years away… “I’ll show you a new side of Kim Gun-mo,” sharing an autobiographical confession
The return of a maestro after 10 years of silence, facing an acoustic guitarA living legend of South Korea’s pop music world, singer Kim Gun-mo is coming back to the public after an unusually long stretch of silence lasting 10 years. His agency, Geon-eum Planning, said that at 6 p. m.
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[Interview] Jin Sun-kyu, Part 2: 'I'll keep doing action as long as my body holds up, and I want to keep making bright projects my children can watch'

[Interview] Jin Sun-kyu, Part 2: 'I'll keep doing action as long as my body holds up, and I want to keep making bright projects my children can watch'

※〈Husbands〉 actor Jin Sun-kyu interview continues from Part 1. Netflix film 〈Husbands〉 brings together a seven-member cast led by Jin Sun-kyu and Gong Myung, alongside Kim Ji-seok, Yoon Kyung-ho, Kang Han-na, Lee Da-hee and Jeon So-min. What did you expect as that lineup came together.
| Kim Ji-yeon
[Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2: ‘〈Chamgyoyuk〉 gave me the courage to believe my sincerity can reach viewers’

[Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2: ‘〈Chamgyoyuk〉 gave me the courage to believe my sincerity can reach viewers’

▶ [Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2 — continues from Part 1. There’s also a romantic thread between Bong Geundae and Im Hanlim. At first there wasn’t any obvious romantic tension, but it intensifies in the back half of the series.
| Chua-young
[Interview] Y2K Sensibility, Meeting This Year’s Debut, Director Changrok Han in the Hot Seat, Actors Joo Min-hyeong and Baek Ji-hye (②)

[Interview] Y2K Sensibility, Meeting This Year’s Debut, Director Changrok Han in the Hot Seat, Actors Joo Min-hyeong and Baek Ji-hye (②)

The 〈strong〉Chungchungchung〈/strong〉 (also rendered as 〈strong〉Chung Chung Chung〈/strong〉)—made with the 2018 murder case in Washington, Benton as its inspiration—depicts a catastrophe sparked by the tangled, competing desires of three children.
How did the two of you interpret and approach your respective characters. The name “Courage” suggests an energy that’s overflowing, but the character is also a “pathetic” youth who doesn’t have real, powerful force.
| 이화정
[Interview] Park Ji-hoon, From Danjong to Kitchen Duty: Becoming an Actor Between Emerging and Established ①

[Interview] Park Ji-hoon, From Danjong to Kitchen Duty: Becoming an Actor Between Emerging and Established ①

It’s the first time a drama has leaned so fully into what the show dubs “chwiral” (a newly coined blend of "kitchen soldier" and "crazy"). After a single spoonful of seaweed soup, a sudden "god of seaweed" stages a mock "creation of heaven and earth," and after tasting a multicolored rice ball an...
| Kim Ji-yeon
[Lee Hwa-jeong’s Deep Detox] “Keep Running Without Rest With an Athlete’s Grit.” Meeting Actress Yeon Lee, Star of “Tango at Dawn” and “Gyeongju Trip” ③

[Lee Hwa-jeong’s Deep Detox] “Keep Running Without Rest With an Athlete’s Grit.” Meeting Actress Yeon Lee, Star of “Tango at Dawn” and “Gyeongju Trip” ③

A talk that approaches the actress with deep, measured breaths, like detoxing. Film journalist Lee Hwa-jeong speaks with the actors she has met.
▶ The meeting with actress Yeon Lee continues in Part 2. ​Unlike how she appears—bright-minded and bold in taking on challenges—what I heard is that the reason she started acting in the first place was a process meant to heal her fear.
| 이화정
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
| 이화정