Search results for "Long Vacation"

A human romance series where ‘Devil No. 3375,’ who has never known love, meets ‘Idulpan,’ a hotel staff member who’s extremely resourceful and self-reliant—throwing each other’s worlds into chaos.

Director Lee Jeong-hyo and writer Jeong Hyeon-jeong join forces. A fantasy romance about a demon who doesn’t know love and a hotel staffer who’s ultra-resourceful

A work that has deeply inspired countless younger directors, including Ryusuke Hamaguchi and Sho Miyake, and is scheduled to open in the first half of the year.

"Lovely Runner" to BTS photo shoots. Goseong County, where stunning views come to life on screen, is evolving into a place where visitors stay longer to explore

Recalling their first meeting on NBC's 'Today' show on the 26th... "We met through mutual friends and have been dating for a year" 56-year-old Aniston's heart for 50-year-old wellness coach... "He is a special and kind person" Public romance after 8 years since divorce from Justin Theroux... Aniston accompanies him at the book launch event 'Support'

I get attached to objects in movies. I deeply ponder why the director, cinematographer, art director, or actor placed that object in front of the camera. 'Joo Sung-cheol's Locker' is a record of the objects in movies that have lightly stepped on my eyes.

Including his debut film 〈Permanent Vacation〉, 〈Stranger Than Paradise〉, 〈Down by Law〉, 〈Mystery Train〉, 〈Night on Earth〉, 〈Dead Man〉, 〈Coffee and Cigarettes〉, and 〈Father, Mother, Sister, Brother〉, a total of 8 films will be screened.

The Grand Prize this year went to Director Gam Jeong-won’s 〈Stars and Sand〉, the Best Film Award went to Director Kim Bo-sol of 〈Plaza〉, and the Excellent Film Award went to Director Park Seok-young of 〈Winter Vacation of Ray〉.

Announced the winners of the 8th ‘Actor Project – 60-Second Monologue Festival’, including the GRAND PRIZE. This year, 7,757 participants took part in the preliminary round, setting a record for the highest number of applicants in history.

“When acting, I try not to see it from my first-person perspective as Kang Ha-neul, but rather from the audience's perspective watching this scene.”