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[Photo &] Kim Hye-ja returns to screen after nine years with 'Still Radiant,' revealing a hidden resolve in a letter:

[Photo &] Kim Hye-ja returns to screen after nine years with 'Still Radiant,' revealing a hidden resolve in a letter: "I hope they are not seen only through the lens of painful history"

The film portrays the friendship of comfort women in 1942; unable to attend the preview because of a cold, she conveyed her heartfelt thoughts in a handwritten letter.
The brutality of unforgettable 1942, history brought back to life on screen Kim Hye-ja, one of South Korea's most celebrated actors, has returned to the big screen after nine years with 'Still Radiant', a film that sheds light on the lives of victims of Japan's wartime sexual slavery during its...
“Hometown” Expands Its Reach to Osaka, Japan—Special Screening on the 28th

“Hometown” Expands Its Reach to Osaka, Japan—Special Screening on the 28th

To mark the 10th anniversary, the expanded version adds stories from Asian women, with a domestic release set for next month on the 26th
‘Hometown’ Marks 10 Years With Three Straight Screenings in Osaka… Hidden Pain Finally Comes to Light An expanded version with testimonies from Asian victims is confirmed for a domestic release on the 26th of next month Testimonies From Forgotten Women Reemerge at the Heart of the Archipelago The...
[Photos] Nam Ji-hyun puts bold spin on sex-toy rom-com ‘Let Me Tremble,’ premiering Oct. 15

[Photos] Nam Ji-hyun puts bold spin on sex-toy rom-com ‘Let Me Tremble,’ premiering Oct. 15

Nam Ji-hyun and Kim Jae-young reunite as romantic leads after eight years in a striking coming-of-age story about the eldest daughter of a conservative, traditional family
A universal romance beyond its provocative premise, with richly drawn characters The series borrows a bold premise, but at its core lies a deeply familiar emotional story between a man and a woman. Actress Nam Ji-hyun uses the unusual device of “sex toys” to tap into emotions audiences can relate...
Re-released 'The Girl Who Leapt Through Time' traces Mamoru Hosoda's fateful meeting with Yasutaka Tsutsui, the filmmaker Studio Ghibli passed over

Re-released 'The Girl Who Leapt Through Time' traces Mamoru Hosoda's fateful meeting with Yasutaka Tsutsui, the filmmaker Studio Ghibli passed over

〈The Girl Who Leapt Through Time〉 returned to theaters in 4K on Sept. 16 to mark the film's 20th anniversary.
If you went back in time to meet someone who confessed their feelings to you today one week earlier, would they still feel the same way. Couldn't that person from a week ago have no interest in you at all. Human feelings can change from moment to moment.
Park Hae-il on ‘Assassin(s)’: ‘A word of encouragement from Lee Min-ho lifts the whole set’

Park Hae-il on ‘Assassin(s)’: ‘A word of encouragement from Lee Min-ho lifts the whole set’

Actor Park Hae-il is returning to theaters with 〈Assassin 〉, a Chuseok release that revisits the 1974 killing of South Korea’s first lady through the eyes of a detective and two reporters. The film reconstructs that incident from the perspectives of Detective Cheol-gu (Yoo Hae-jin), social affairs...
Blind Willow, Sleeping Woman Makes Its Debut — 6 Secrets of Murakami's Short-Story Anime

Blind Willow, Sleeping Woman Makes Its Debut — 6 Secrets of Murakami's Short-Story Anime

Winner of the Special Jury Prize at the 2022 Annecy International Animation Film Festival, the film arrives in South Korean theaters next month.
Comfort in an Age of Loss: Six Short Stories Woven Into One Sweeping Narrative The literary world of acclaimed master 'Murakami Haruki' finally comes alive on the screen. 'Blind Willow, Sleeping Woman,' the first feature-length animated film based on his fiction, will reach South Korean theaters...
Interview: Han So-hee of 'Intern' on Her 'Shadow and Grit' (Part 2)

Interview: Han So-hee of 'Intern' on Her 'Shadow and Grit' (Part 2)

※〈Intern〉 — the interview with actor Han So-hee continues from Part 1. One of the most memorable scenes comes late in the film. In the izakaya, Sun-woo opens up to Ki-ho about her situation. Wouldn't it be a burden to expose those feelings in front of such a senior actor—did you feel that pressure.
The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

I fixate on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. “Joo Sung-chul’s Locker” records the movie objects that have lightly crossed my path.
“Back in action. ” In Nancy Meyers’ 〈The Intern〉 (2015), Ben says to himself as he prepares for his first day back at work. The expression describes resuming activity after an extended break because of rest or an injury. Strictly speaking, however, he is not talking to himself.
EBS Documentary Series

EBS Documentary Series "Witness of the Era"... From 91-year-old Shin Goo and 99-year-old Nora No to Son Suk-hee, Kim Yoon-a, and Lee Se-dol — 12 masters in a weighty spotlight

Premiering Aug. 2, the series shines a light on 12 icons of pop-culture. Behind-the-scenes stories include Yoo Hae-jin’s “Shin Goo Scholarship” anecdotes
The views of 12 people who span the era, tracing turning points in pop culture EBS presents the documentary series “Witness of the Era. ” On its Aug. 2 premiere, actor Shin Goo is in the spotlight. On the Sept. 9 second broadcast, it will spotlight Nora No, a living legend of Korean fashion.
[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​ 〈Juvenile Judgment〉 is a different situation, but it’s a portrayal of the dark side of teenage youths. I can imagine that darkness running counter to Lee Yeon’s brightness must have felt overwhelming.