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‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
This Time It's a Cruise: ‘OK! MADAM 2’ (OK! MADAM: BON VOYAGE) Sets Aug. 12 Release

This Time It's a Cruise: ‘OK! MADAM 2’ (OK! MADAM: BON VOYAGE) Sets Aug. 12 Release

Uhm Jung-hwa and Park Sung-woong return; Choi Soo-young joins the original cast — a comic-action film about a cruise hijacking
The comic action film 〈OK! MADAM 2〉 (OK! MADAM: BON VOYAGE), starring Uhm Jung-hwa, will hit theaters Aug. 12, the distributor said, releasing its main poster and trailer the same day. 〈OK! MADAM 2〉 follows former legendary agent Mi-young (Uhm Jung-hwa) and her family, whose luxury cruise vacation...
National Theater Masterpieces on the Big Screen! CGV Hosts “Cinematour” Free for All

National Theater Masterpieces on the Big Screen! CGV Hosts “Cinematour” Free for All

The National Theater of Korea’s signature repertoire—“Changgeuk: The Hegemon-King and Farewell to My Wife” and “The Book of the Lion” — plus “Entong-i’s Lullaby Kingdom 2”—will be screened at the CGV Yongsan I-Park Mall. Benefits include lively GV events with cast and production staff and limited-edition special tickets. Starting July 13, viewers can apply for free tickets through the National Theater of Korea website…A summer vacation special cultural experience
On July 13, the National Theater of Korea and CGV announced their “Cinematour” program. “Cinematour” is a special screening event that brings the National Theater of Korea’s signature repertoire to the big screen, and it will screen “Changgeuk: The Hegemon-King and Farewell to My Wife,” “The Book...
So Ji-seob’s Action Lands…“Mr. Kim” Breaks Through With 22.3% Rating in Episode 6, Topping SBS’ All-Time No. 2

So Ji-seob’s Action Lands…“Mr. Kim” Breaks Through With 22.3% Rating in Episode 6, Topping SBS’ All-Time No. 2

So Ji-seob’s “Mr. Kim,” surpassing “Taxi Driver 2 (Model Taxi 2),” takes over the No. 2 spot in history with a 22.3% viewership rating. It dominates Netflix’s No. 1 and sparks a box-office-style surge
The destructive power that challenges “Penthouse” dominance, a new horizon for Korean hardboiled action Seoul’s living-room TV market is in the midst of a major shift. The hardboiled action revenge drama 'Mr. Kim', starring actor 'So Ji-seob', has been tearing through the elusive 22% viewership...
‘The Taste of Prison’ Starts Filming July 6! Lee Sun-bin, Park Ji-hwan, Bae Hyun-seong, Park Young-gyu, Jo Bok-rae, and More Revealed in Reading Still Photos!

‘The Taste of Prison’ Starts Filming July 6! Lee Sun-bin, Park Ji-hwan, Bae Hyun-seong, Park Young-gyu, Jo Bok-rae, and More Revealed in Reading Still Photos!

A comedy film about an A-list chef who ends up working in a prison kitchen and inmates who create mind-blowing dishes with recipes and ingredients no one could have imagined.
Comedy film ‘The Taste of Prison,’ which depicts a fun food reformation story in which a star chef, suddenly thrown into rock bottom and assigned to work in a prison kitchen, and inmates awaken their souls by making dishes with recipes and ingredients beyond imagination has confirmed the casting of...
Park Se-young Returns After 4 Years, With ‘Family Relationship Certificate’ Starting at 4.3% — Mother-Daughter Conflict With Han Goeun

Park Se-young Returns After 4 Years, With ‘Family Relationship Certificate’ Starting at 4.3% — Mother-Daughter Conflict With Han Goeun

The mother-daughter conflict with Han Goeun and the intertwined secrets of two families deliver a strong sense of immersion from Episode 1
A Bloody Prelude That Splits a Perfect Routine, Swallowing the Living-Room Audience MBC’s new daily drama ‘Family Relationship Certificate’ has lifted the curtain, promising a major twist for viewers. According to Nielsen Korea, the ratings survey firm, the first broadcast the previous day scored...
Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

※ This interview with 〈Notes from the Last Row〉 star Choi Hyun-wook continues from Part 1. 〈Notes from the Last Row〉 sets up Lee Gang’s decision to take revenge after an offhand remark from Heo Mun-o, whom he met at the orphanage as a child, becomes a wound.
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

In 〈The Boy in the Last Row〉, a Meta-Drama Exposes the Underside of an Imagined ‘Makjang’ Tale

※Spoilers for 〈The Boy in the Last Row〉. ​ We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...
[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

A professor consumed by jealousy and resentment. Choi Hyun-wook, 40 years her junior, earns lavish praise as the master pursues authenticity over box-office results through his acting philosophy
The weight of a tongue that brings disaster, from “Oldboy” to “The Last Line Boy” The Netflix original series “The Last Line Boy”, starring actor Choi Min-sik, brings back the lingering impact of “Oldboy,” a landmark work in the history of Korean cinema.