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Aaron Sorkin’s Facebook Sequel ‘The Social Reckoning’ Drops First Teaser—Jeremy Strong and Mikey Madison Star

Aaron Sorkin’s Facebook Sequel ‘The Social Reckoning’ Drops First Teaser—Jeremy Strong and Mikey Madison Star

A blockbuster exposé drama that follows in the footsteps of the predecessor ‘The Social Network’—delving into the other side of Mark Zuckerberg Academy winner Mikey Madison transforms into “Whistleblower Frances Haugen”… Jeremy Allen White joins the cast Aaron Sorkin writes and directs—set for a North American release on Oct. 9, with an onslaught of fall festival buzz
The first teaser trailer for Aaron Sorkin’s new film “The Social Reckoning”, the official sequel to “The Social Network” (2010) and the movie Hollywood has been waiting for, has been unveiled. ■ Not just a sequel… David vs.
[Publishing Industry Watch] Movie Box-Office Buzz Lifts Bookstores Too… ‘Project Hail Mary’ Tops May Bestseller List

[Publishing Industry Watch] Movie Box-Office Buzz Lifts Bookstores Too… ‘Project Hail Mary’ Tops May Bestseller List

'The Martian' and 'Artemis'—the finale of the so-called space trilogy—spins into a hit at the box office, triggering a backslide for Andy Weir’s sci-fi novel
Readers’ hunger for space returns the title to the bestseller summit By far, the top predator in the May publishing market was 'Andy Weir'’s SF blockbuster 'Project Hail Mary'. According to '200 Books in the Spotlight in May', a report released by the Korea Creative Content Agency after a precise...
Review: In 'The Shrine,' the Human Abyss Is Scarier Than Any Demon

Review: In 'The Shrine,' the Human Abyss Is Scarier Than Any Demon

In 〈The Shrine: Whisper of the Demon〉, opening June 17, demons may stalk the screen, but the film argues that the human psyche is more terrifying still. Billed as a meeting of K-shamanism and J-horror, 〈The Shrine: Whisper of the Demon〉 is a Korea–Japan co-production directed by Japanese filmmaker...
‘Disclosure Day’ First Reactions: Cineplay Reporters’ Star Ratings

‘Disclosure Day’ First Reactions: Cineplay Reporters’ Star Ratings

[First Reactions] Today is Disclosure Day: Steven Spielberg’s new sci-fi film 〈Disclosure Day〉 opens in theaters, and Cineplay reporters Sung Chan-eol and Kim Ji-yeon share their first impressions after a press screening.
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Surpassing 3 million viewers within 10 days of its release, Colony is indisputably the most popular film in theaters right now. Yet despite that box-office success, reactions to Colony are sharply divided — a split that was evident even among Cineplay reporters at a press screening.
[Weekend Theater Scene] Jun Ji-hyun and Koo Kyo-hwan’s “Swarm” Dominates the Box Office…300 Million Won? Breakthrough Likely This Weekend

[Weekend Theater Scene] Jun Ji-hyun and Koo Kyo-hwan’s “Swarm” Dominates the Box Office…300 Million Won? Breakthrough Likely This Weekend

“Intelligence-hunting zombies” and the bold premise win praise as “Swarm” surpasses 2.5 million cumulative viewers, setting up expectations to reach the break-even point this weekend
A new benchmark for evolving K-zombies: “Swarm,” a main poster that reflects Yeon Sang-ho director’s relentless universe. The overwhelming horror and a philosophy of survival are perfectly condensed into a single image.
Star Wars ‘The Mandalorian and Grogu’ Returns After 7 Years, Director Jon Favreau Says He Maximized Korean Film Direction

Star Wars ‘The Mandalorian and Grogu’ Returns After 7 Years, Director Jon Favreau Says He Maximized Korean Film Direction

'Baby Yoda' Grogu and Din Djarin’s grand adventure makes for a perfect Star Wars entry point.
A 7-Year Return, Star Wars’ Savior ‘Jon Favreau’ Revives on the Screen The iconic ‘Star Wars’ franchise in the realm of science fiction returns to the big screen for the first time in a full seven years since ‘Star Wars: The Rise of Skywalker’ in 2019.
Iran war that isn’t over yet…Michael Bay is already turning it into a movie—an operation to rescue U.S. forces is set for a sudden Hollywood adaptation

Iran war that isn’t over yet…Michael Bay is already turning it into a movie—an operation to rescue U.S. forces is set for a sudden Hollywood adaptation

Up to 36 hours to rescue downed pilots behind enemy lines…Hollywood is pushing a rare film adaptation before the war ends
A grueling 36-hour struggle to rescue pilots of the 'F-15E Strike Eagle' that were shot down during the U. S. military operation 'Shattered Fury'. This unprecedented rescue operation returns to screens worldwide under the helm of director 'Michael Bay'.
[Seong Chan-eol's Comics] The extreme realism of 'Soohee0 (tngmlek0),' the webtoon that had readers saying, 'This author is clearly obsessed with streaming'

[Seong Chan-eol's Comics] The extreme realism of 'Soohee0 (tngmlek0),' the webtoon that had readers saying, 'This author is clearly obsessed with streaming'

I'm obsessed with subculture. I check out anything with fresh stories, settings, or characters — movies, webtoons, games, comics, animation. Having discovered fandom through comics, I became what I call an "e-adult" — an adult who reads printed comics via e-books and webtoons on my phone. But it's less fun alone. In this recurring column, Seong Chan-eol's Comics, I highlight works that are more enjoyable together from the perspective of a jack-of-all-fandoms — a fan with broad, eclectic tastes.
We live in an era where influencers rise and fall every day. The dramatic advancement of social media and live-streaming platforms has brought us to a point where audiences can choose the stars they want, rather than being handed manufactured celebrities.