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Queer Horror 'Leviticus' and Thriller 'Knock' Win Top Honors at Bucheon Film Festival (BIFAN)

Queer Horror 'Leviticus' and Thriller 'Knock' Win Top Honors at Bucheon Film Festival (BIFAN)

Queer horror 'Leviticus' and crime thriller 'Knock' were named best at the 30th Bucheon International Fantastic Film Festival The festival also revealed winners of the newly created AI film award
A film industry's paradigm shift for what's next — BIFAN's take on genre upheaval and an AI revolution The 30th edition of the Bucheon International Fantastic Film Festival — where the imaginations of 321 films from 50 countries across the world collided — has finally unveiled the faces set to...
Kurosawa Kiyoshi’s ‘Black Thunder Castle’ and Other Buzzed-About Titles at BIFAN 2026

Kurosawa Kiyoshi’s ‘Black Thunder Castle’ and Other Buzzed-About Titles at BIFAN 2026

Marking its 30th anniversary this year, the Bucheon International Fantastic Film Festival will be held from July 2 to July 12 around Bucheon City Hall. As South Korea’s only fantastic genre film festival, BIFAN again presents works armed with genre playfulness and a bold experimental spirit.
Lovelyz Jung Yein Is Possessed by an ‘Evil Stepmother’… Short Drama ‘Code Name’ Launches on the 22nd

Lovelyz Jung Yein Is Possessed by an ‘Evil Stepmother’… Short Drama ‘Code Name’ Launches on the 22nd

Lovelyz alum Jung Yein makes a daring transformation into an ‘evil stepmother’ from an 1980s melodrama of love and hate. SLL Joongang’s 60-episode spy-and-possession short drama delivers the thrill
A daring twist-on-possession story meets short-form storytelling, a spy thriller packed into 1 minute and 30 seconds Content powerhouse SLL Joongang is making a full-fledged push into the global short-form market.
'Kim Bu-jang' Fever: Analysis of How the Show Captures Home and Global Audiences at Once

'Kim Bu-jang' Fever: Analysis of How the Show Captures Home and Global Audiences at Once

SBS' 'Kim Bu-jang,' which seized the ratings lead and Netflix No. 1, hits the living-room dramas with So Ji-sub's overpowering action and OTT-level intensity
The syndrome sparked by 'Father's Wrath'—grabs both local living-room audiences and the world SBS weekend-and-holiday drama 'Kim Bu-jang' is unleashing an unprecedented surge by devouring not only the local living-room drama scene but also the global OTT ecosystem.
Interview: Na Hong-jin on 〈Hope〉 — The Massive Attraction Built on a Decade of Obsession, Part 2 (Contains spoilers)

Interview: Na Hong-jin on 〈Hope〉 — The Massive Attraction Built on a Decade of Obsession, Part 2 (Contains spoilers)

Contains spoilers and interpretations of the ending.
※The interview with 〈Hope〉 director Na Hong-jin continues from Part 1. ※This interview contains spoilers and interpretations of the ending. Before the film was finished, you said that the actors who play the aliens—including Michael Fassbender and Alicia Vikander—are the protagonists.
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
‘AI Performer’ Takes the Lead Role… Controversial AI Tilly Norwood Makes World’s First Feature-Length Debut With ‘Misaligned’

‘AI Performer’ Takes the Lead Role… Controversial AI Tilly Norwood Makes World’s First Feature-Length Debut With ‘Misaligned’

A leading casting for the first feature film of a virtual performer AI media studio Particle 6 starts production with a hybrid production model “Taking human actors’ jobs” follows last year’s reports of Hollywood agency contract talks—and more backlash is expected
Amid fierce opposition from Hollywood performers’ union (SAG-AFTRA) and creators, the world’s first AI actor at the center of the controversy, Tilly Norwood , is finally cast as the solo lead in a feature film—signaling what could be the most unconventional screen debut in Hollywood history.
Breakthrough Vertical Format…Lee Joon-ik’s First Short Is ‘Father’s Home-Cooked Meal’ Unveiled by BIFAN

Breakthrough Vertical Format…Lee Joon-ik’s First Short Is ‘Father’s Home-Cooked Meal’ Unveiled by BIFAN

BIFAN is captivated by Lee Joon-ik’s vertical short-form work—a family drama starring Jung Jin-young and Lee Jeong-eun that aims to upend genre limits and is set for a theater release this Chuseok.
A master filmmaker “Lee Joon-ik” flipped screen conventions on their head. “Father’s Home-Cooked Meal”, first unveiled at the 30th “Bucheon International Fantastic Film Festival” , delivers an unprecedented visual jolt in the striking format of a “vertical short-form drama”, and sets out a new...
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...