Find your next favorite work.

Search results for "Seon-sun Seo"

‘You Like Me’ Goes Global! ‘Wild Sing’ Confirmed for Worldwide Release on Netflix on July 31

‘You Like Me’ Goes Global! ‘Wild Sing’ Confirmed for Worldwide Release on Netflix on July 31

A bold transformation by Oh Jung-se as Sung-gon, the original “ear-tingling boyfriend” and the fated ballad prince, starring Kang Dong-won, Uhm Tae-gu, and Park Ji-hyun from the co-ed dance group ‘Triangle.’
With rapid-fire banter between standout characters and music and performances polished to a high level that filled theaters with laughter, the film 〈Wild Sing〉 will meet viewers around the world through Netflix on Friday, July 31.
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
A Cooling Fantasy for Middle-Aged Guys, Action Hits Home: “K-Ajussi” Takes Over the Living Room

A Cooling Fantasy for Middle-Aged Guys, Action Hits Home: “K-Ajussi” Takes Over the Living Room

Was the pathetic breadwinner secretly a special agent? The thrilling twist and box-office formula behind “middle-age” heroes from webtoon-based dramas including “Kim Bu-jang”
Power in the living room is shifting. Those who had been weighed down by the burden of an ordinary breadwinner responsible for the household are now waking the savage instincts they had buried when a crisis hits, and reinventing themselves as “middle-aged heroes”.
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

※This interview with 〈Hope〉 actor Jo In-sung continues from Part 1. Imagining and acting opposite an imagined being must have been a major challenge. In particular, when Seong-gi confronts a gigantic alien intelligence late in the film, his subtle eye movements and tiny facial shifts were striking.
Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

※ This interview with Jung Hoyeon of 〈HOPE〉 continues from Part 1. Director Na Hong-jin is reputed not to compromise on set. What was it like to experience his filming process firsthand. As a relatively new actor, I felt his unwillingness to compromise was a blessing.
Jung Ho-yeon on ‘Hope’: ‘I’m trying to overcome the fear of a major project with a rookie’s drive’

Jung Ho-yeon on ‘Hope’: ‘I’m trying to overcome the fear of a major project with a rookie’s drive’

Few actors have had a debut as striking as Jung Ho-yeon’s. Jung moved from top-tier modeling into acting and made a notable acting debut with 〈Squid Game〉. Now she is about to make her film debut in 〈Hope〉. Directed by Na Hong-jin, the filmmaker behind hits such as 〈The Chaser〉, 〈The Yellow Sea〉,...
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
Indieground Special Screening: “Cine Academy: An Introduction to Short Films” to Run On and Off Line!

Indieground Special Screening: “Cine Academy: An Introduction to Short Films” to Run On and Off Line!

The program features two themes—an “Introduction” section, and a “Deep Dive” section that lets audiences enjoy the expanded possibilities of original viewpoints and formats—showing a total of eight short films.
This special screening was planned to lower the barrier to going to the theater and to introduce Korean short films more broadly, while also giving audiences a chance to discover their own cinematic tastes through distinctive works.
Why Guns Feature So Prominently in 〈Hope〉: What the Cast and Director Said at the Press Preview

Why Guns Feature So Prominently in 〈Hope〉: What the Cast and Director Said at the Press Preview

The film 〈Hope〉, among the most anticipated releases of 2026, finally opened domestically. Set to open on July 15, 〈Hope〉 held a press preview screening and press conference on Monday, July 6 , at Megabox COEX in Gangnam, Seoul.