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‘Lightning-Fast Comeback’: LE SSERAFIM to Release Second Single Sept. 11, Night Colored by Chemistry

‘Lightning-Fast Comeback’: LE SSERAFIM to Release Second Single Sept. 11, Night Colored by Chemistry

LE SSERAFIM will release its second single album, ‘Made My Night,’ on Sept. 11 A striking neon-sign logo motion teases a night made special by the members’ chemistry Global fans’ anticipation is building for the group’s lightning-fast comeback, just four months after its previous release
LE SSERAFIM is returning with a new single album about the emotions of a night made special by the members’ chemistry, just four months after earning three awards at the 2026 K World Dream Awards. Source Music announced the release of LE SSERAFIM’s second single album, ‘Made My Night,’ at midnight...
[Seong Chan-eol’s Comics] Unusual Beings Become High School Students in 「Ruri Dragon」 and 「Ogami Tsumiki and Her Unusual Daily Life」

[Seong Chan-eol’s Comics] Unusual Beings Become High School Students in 「Ruri Dragon」 and 「Ogami Tsumiki and Her Unusual Daily Life」

I have a soft spot for pop-culture fandoms. I check out anything with fresh ideas or characters — not just movies but webtoons, games, manga and animation. Comics opened the door to fandom for me; these days I’m a grown-up kid who reads manga on an e-reader and webtoons on my phone.
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...
Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.
[Interview] Korean indie film ‘Little Dreamers’ meets Michel Gondry’s imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ②

[Interview] Korean indie film ‘Little Dreamers’ meets Michel Gondry’s imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ②

Gun-woo (Yoo Hee-je), an unemployed young man who quit baseball and finds himself at a dead end, and Mina (Kim Se-won), a teenage girl who wanders after her mother’s death, unable to fit into her new surroundings.
⮕ The interview with 〈Little Dreamers〉 director Lee Kwang-ho and actors Yoo Hee-je and Kim Se-won continues in Part 1. You became the architect of this dream. How did you develop the ideas for building the dream world. Did you have any references.
[Interview] Korean indie film 'Little Dreamers' meets Michel Gondry's imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ①

[Interview] Korean indie film 'Little Dreamers' meets Michel Gondry's imagination: Director Lee Kwang-ho, actors Yoo Hee-je and Kim Se-won ①

Geon-woo (Yoo Hee-je), an unemployed young man who quit baseball and stands at a dead end in life, and Mina (Kim Se-won), a teenage girl who wanders after her mother's death, unable to fit into her new surroundings.
Geon-woo is an unemployed young man who quit baseball and now stands at a dead end in life. Mina is a teenage girl who wanders after her mother's death, unable to fit into her new surroundings. The two characters illuminated by 〈Little Dreamers〉 are burdened by their own struggles as they try to...
Review: Ridley Scott's 'Dog Star: Last Hope' Finds Striking Images, Uneven Returns

Review: Ridley Scott's 'Dog Star: Last Hope' Finds Striking Images, Uneven Returns

Ridley Scott's 〈Dog Star: Last Hope〉, adapted from Peter Heller's novel, imagines a virus-ravaged 2035 as both post-apocalyptic drama and road movie — with striking visuals but uneven dramatic payoff. At 88 and still energetically directing on set, Scott adapts the novel into a film about a man's...
Kim Do-wan says first villain role in 〈Spooky in Love〉 will stay with him for life

Kim Do-wan says first villain role in 〈Spooky in Love〉 will stay with him for life

As Park Seung-jae, the '100% pure gold-spoon' villain, he drew praise for his intense screen presence and cold, controlled performance.
Kim Do-wan shared his thoughts on the finale of tvN's weekend drama 〈Spooky in Love〉 — directed by Lee Min-su, written by Choi Jeong-mi, planned by CJ ENM and produced by CJ ENM·CJ ENM STUDIOS·B. pic·Sangsang Film — saying his first turn as a villain will remain a lifelong memory.
[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
“The rush of battle is often a potent and lethal addiction, for war is a drug.” The Hurt Locker (2009), which won the 2010 Academy Award for Best Picture, opens with that title card. Director Kathryn Bigelow drew the quotation from War Is a Force That Gives Us Meaning, a 2002 nonfiction book by...
'BIGBANG' 20th anniversary exhibition anchors first look at Seoul Plaza's 1,000-plus-pyeong underground space, unsealed after 40 years

'BIGBANG' 20th anniversary exhibition anchors first look at Seoul Plaza's 1,000-plus-pyeong underground space, unsealed after 40 years

1,000-pyeong tunnel-style K-Culture Station officially opens, with hologram and XR immersive content running through Sept. 27
335-meter tunnel-style space opens on the 24th, with holographic media art running through Sept. 27 A vast underground space spanning more than 1,000 pyeong and hidden beneath the heart of the city for 40 years has finally been unveiled, 13 meters below Seoul Plaza.