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“It’s a place where we all confirm each other’s existence!” Masterclass, performances, forums, exhibitions, and more wrap up the 12th Pride Expo 2026

“It’s a place where we all confirm each other’s existence!” Masterclass, performances, forums, exhibitions, and more wrap up the 12th Pride Expo 2026

Held for two days from Saturday, May 30 to Sunday, May 31 at Seoul Dongdaemun Design Plaza (DDP), the event drew more than 2,500 visitors and closed out successfully.
Based on six values—Diversity, Equality, Inclusion, Pride, Love, and Solidarity—the country’s largest LGBTQ culture and arts fair, the “12th Seoul Pride Expo 2026,” wrapped up successfully at Seoul Dongdaemun Design Plaza over the two days from Saturday, May 30 to Sunday, May 31.
| Joo Seong-cheol
3.0 Million Viewers·Sold in 148 Countries! “Ghost in the Cell” Becomes a Global Box-Office Monster From Indonesia

3.0 Million Viewers·Sold in 148 Countries! “Ghost in the Cell” Becomes a Global Box-Office Monster From Indonesia

A genre balance that combines a uniquely built setting rooted in a prison with social satire, melding violence and black comedy to draw intense attention from overseas genre fans.
Barunson E&A (CEO Choi Yoon-hee, and Moon Yang-kwon) co-produced the Indonesian genre film 〈Ghost in the Cell〉 with Indonesia’s leading director Joko Anwar’s production company Come And See Pictures, and handled overseas sales.
| Joo Seong-cheol
[Kim Ji-yeon’s Jewel Box] Right Now Is Yoon Byung-hee’s Prime

[Kim Ji-yeon’s Jewel Box] Right Now Is Yoon Byung-hee’s Prime

I’m interested in people. Even actors already drawing attention may be less famous today than they will be tomorrow. 'Kim Ji-yeon’s Jewel Box' introduces performers reaching new highs by the day. Think of it as spotting a breakout before everyone else does.
Writing about an actor who seems to be everywhere on TV can feel almost too obvious, but Yoon Byung-hee is in the midst of another prime that is impossible to ignore. Yoon Byung-hee has recently appeared in 〈My Royal Nemesis〉, 〈Sold Out on You〉 and 〈21segi Daegunbuin〉 — three dramas that aired...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
[Photo&] Akmu caps ‘Buminla’ finale… in the heart of the city, 펼쳤 the ‘Paradise of Rumor’ live

[Photo&] Akmu caps ‘Buminla’ finale… in the heart of the city, 펼쳤 the ‘Paradise of Rumor’ live

‘Buminla 2026’ headliner takes the stage after moving the venue to the Culture and Arts Reserve Base. A live set that wraps in new music and hit songs brings healing to spring nights.
A ‘Paradise of Rumor’ that overtook the city at night — Akmu’s returnAn enormous oasis bearing the name ‘Akmu ’ unfolded across the harsh concrete. On the 31st, in Seoul’s Mapo District, ‘Culture and Arts Reserve Base’ was transformed into a musical utopia created by the sibling duo.
| James choi
Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

It’s fair to call this "Gu Kyo-hwan’s year. " From 《If We》, which helped spark a melodrama boom, to the recently ended series 《Everyone Is Fighting Their Own Sense of Worthlessness》 (hereafter 《Mojamussa》), and the film 《Colony》, released on May 21 and which has surpassed about 2.
| Kim Ji-yeon
[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
| 이화정
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young
[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

Yeon Sang-ho has done it again. Released on May 22, 〈Colony〉 passed 2 million viewers in its opening week. The overseas response has been as strong as the domestic reaction: advance international sales have already generated significant revenue, and in Malaysia the film ranked third among all...
| Seongchan Eol
Interview: Park Ji-hyun Takes on Comedy in 〈Wild Thing〉 (Part 2)

Interview: Park Ji-hyun Takes on Comedy in 〈Wild Thing〉 (Part 2)

※〈Wild Thing〉 actor Park Ji-hyun interview continues from Part 1. Domi gives up performing and becomes a chaebol daughter-in-law, living an upper-class life. Even so, why does she return to the stage. I think Domi is an honest, very down-to-earth person. Her main goals are probably money and fame.
| Kim Ji-yeon