Search results for "original work"

The Evolution of K-Action That Takes Over Global Living Rooms, the Opening Act of an Overwhelming SensationGlobal OTT services and South Korea’s living-room screens are both in turmoil. At the center is ‘Kimbu Jang,’ an action blockbuster that signals the return of actor ‘So Ji-sub.

Master actor Han Suk-kyu transforms into a forensic pathologist in the mystery thriller drama Speaking Dead, finally breaking a long silence of no less than five years.An overwhelming comeback in an eight-episode format that cleared the wave of controversy—while the world is already paying...

〈Marty Supreme〉 is similar to Josh Safdie’s earlier works, but also different. The most decisive factor is that after going through 〈Heaven Knows What〉 (2014), 〈Good Time〉 (2017), and 〈Uncut Gems〉 (2019), which they co-directed under the name “Safdie Brothers” with his younger brother Benny Safdie,...

Coupang Play released character stills of Kim Hye-soo and Kim Ji-hoon on July 7 ahead of the July 31 premiere of its original series 《Adultery Isn't the Problem Now》, directed by Lee Chang-hee and written by Jung Eun-kyung and Park Su-rin.

A pen line of loss and growth, blooming beyond the master’s viewfinderA living legend in Japan’s film industry, 'Hirokazu Kore-eda' takes the reins of the live-action adaptation of 'Look Back', a global phenomenon.

The film 〈Hope〉, among the most anticipated releases of 2026, finally opened domestically. Set to open on July 15, 〈Hope〉 held a press preview screening and press conference on Monday, July 6 , at Megabox COEX in Gangnam, Seoul.

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...

※Spoilers for 〈The Boy in the Last Row〉.​We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...