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‘OK Madam 2’ Set for Release on Aug. 12! Ready for an All-Out Summer of Comic Action OK!

‘OK Madam 2’ Set for Release on Aug. 12! Ready for an All-Out Summer of Comic Action OK!

Families of former legendary agent Mi-young, who left on a lavish cruise trip, get caught up in a cruise kidnapping incident on the open blue sea.
With the release set nationwide in theaters on Wednesday, Aug. 12, the launch poster for 〈OK Madam 2〉 shows 엄정화 as “Mi-young,” a legendary agent who soon gets pulled into a cruise kidnapping case while on vacation, after briefly living as the owner of an ordinary twisted-dough snack shop.
| Joo Seong-cheol
Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

I'm drawn to film music. Sometimes music communicates a character's intimate emotions that images and dialogue alone cannot convey. It can become a window onto a creator's hidden intent. For me, understanding film music has been one way into a movie.
| Chua-young
[Photo &] Netflix’s “Solo Dating 2” Passes 17,000 Applicants, Stronger Narrative Ahead

[Photo &] Netflix’s “Solo Dating 2” Passes 17,000 Applicants, Stronger Narrative Ahead

MC lineup including Seo In-guk and Lee Eun-ji takes the stage— A reality romance return upgraded with a fourfold surge in applicants compared with the previous season and the introduction of new rules.
Between purity and audacity, a reopened project to spark romance Last year, Netflix original variety show “Mother Sol, But I Want to Date” (hereafter “Solo Dating”) captivated global viewers with raw, unfiltered feelings and returns in Season 2 equipped with an even more solid narrative and twists...
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
Kim Ji-yeon’s Jewel Box: Jang Yo-hun, a Box-Office-Level Presence in Short Films

Kim Ji-yeon’s Jewel Box: Jang Yo-hun, a Box-Office-Level Presence in Short Films

I’m curious about people. Even actors who are already attracting attention may be at their least-famous moment right now. "Kim Ji-yeon’s Jewel Box" spotlights actors who keep reaching new heights. Consider these breakout picks chances to buy the dip.
“Gibeu aen teikeu, ssinyeonbara!” Lines such as “My child’s father is extremely angry,” “School Rights Protection Bureau inspector! I’m Im Han-lim—!” and the stammering “Ju-, ju-, ju-, a juvenile offender” spawned countless memes from 〈Teach You a Lesson〉, but there’s one moment that should have...
| Kim Ji-yeon
Takes Up a Guitar Instead of a Piano: Kim Gun-mo Returns With a New Song in 10 Years, “I Wonder Where I’m Heading”

Takes Up a Guitar Instead of a Piano: Kim Gun-mo Returns With a New Song in 10 Years, “I Wonder Where I’m Heading”

Back with a remake of a classic 1977 hit, after 10 years away… “I’ll show you a new side of Kim Gun-mo,” sharing an autobiographical confession
The return of a maestro after 10 years of silence, facing an acoustic guitar A living legend of South Korea’s pop music world, singer Kim Gun-mo is coming back to the public after an unusually long stretch of silence lasting 10 years. His agency, Geon-eum Planning, said that at 6 p. m.
| James choi
[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

[Joo Sung-cheol’s Locker] Watching “Marty Supreme,” Recalling Yoon Nam-gyu’s Penholder Table Tennis Racket

I get hooked on objects shown in movies. I can’t help but wonder why the director, the cinematographer, the production designer—or even the actor—put that item in front of the camera. “Joo Sung-cheol’s Locker” is a record of the movie objects that landed softly in my eyes.
〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.
| Joo Seong-cheol
Druski becomes the youngest host in BET Awards history, embracing top honors for Lauryn Hill and Teyana Taylor

Druski becomes the youngest host in BET Awards history, embracing top honors for Lauryn Hill and Teyana Taylor

The ceremony is held at the Peacock Theater in LA on the 28th… at age 31, Druski breaks the 2011 Kevin Hart record and makes new history “Neo-soul queen” Lauryn Hill wins the Living Legend Award, and Teyana Taylor takes home the Icon of the Year award Clips “Album of the Year,” Cardi B “Best Female Hip Hop Artist,” and more wrap up the 2026 Black culture festival
The 2026 BET Awards, widely regarded as the top festival representing American pop culture and the Black arts world, has officially ended with a dazzling display of the youngest, most energetic vibe in its history.
| Yangsimoh